The concept of the African Renaissance expresses the idea that the African continent is experiencing a crucial phase of its history and will overcome the current challenges of poverty, inequality, and violence to achieve cultural, political, and economic renewal and a more just and equitable order. First articulated by the Senegalese historian Cheikh Anta Diop (1923–1986) in the aftermath of World War II, the concept encourages African peoples to take pride in their rich cultural heritage and long history, to take charge of their lives and rebuild the economy, and to set Africa as a significant player in international affairs. For the African Union, the continent should take advantage of and build on its rich diversity of cultures in its quest for prosperity.

The safeguarding of African heritage and diversity can benefit local communities, promoting intercultural dialogue and peace as well as sustainable development. This article thus aims to spark conversation about Africa’s heritage and identify some methods to realize the African Renaissance. First, it discusses the legacies of colonialism. Second, it explores the promise of cultural decolonization. Third, it scrutinizes the concept of the African Renaissance, its historical roots, and its current legal significance. Fourth, it investigates the linkage between the African Renaissance and sustainable development. Fifth, it focuses on how the World Heritage Convention protects African sites of cultural and natural outstanding value and whether such protection is adequate or could be improved. Finally, it offers some preliminary conclusions.

This article builds a framework for understanding both the observable and unobservable features of art fairs and how those structures are created through material and sensorial elements. It draws on the concept of atmospheres and broader discussions of affect to analyze the transgressive thrill present at art fairs, presenting an art fair as a space of commerce masked in the appearance of a museum-like space. This article explores how emotions and lures are structurally produced within the fair and how people are encouraged to collect. Within this space, a desire is cultivated via an opportunity to transgress the familiar norms of the museum environment, which fosters the development of a relationship between a person and an object. In this deeply affective space, rational responses to objects with unclear origins may be suspended. Through focusing on why people collect and how desire is generated we can better understand markets, including criminal markets, for highly desirable objects.

The ancient Zapotec city of Monte Albán (Oaxaca, Mexico) has been a focal point of numerous archaeological studies. It has long been presumed that grave offerings included a number of botanical elements such as maize. In this study, we examine botanical remains from vessels and sediment samples collected from mortuary contexts to provide new information on those meaningful rites. We considered the relationship between botanical mortuary offerings and the social status of interred individuals at the Zapotec site. We determined that there were no clear relationships between the status of the deceased and plants used as offerings. This study demonstrates the potential for future paleoethnobotanical studies targeting mortuary contexts and public rituals to provide novel information regarding ancient lifeways and beliefs.

This article contributes to the debate on illicit antiquities and deterrence. First, I briefly examine what has been written about deterrence in the literature on illicit antiquities. Second, I review the criminological research literature on deterrence to define the concept and explain its mechanics; that is, how, according to the best state of current knowledge, deterrence “works” to persuade people not to commit crime. Third, I consider what this criminological knowledge base means for deterrence in the field of illicit antiquities. Deterrence remains a developing idea, rich with practical implications for crime prevention but also harboring some profound unresolved questions about precisely what drives human action in certain contexts. Nonetheless, we can aim to gain a more rounded understanding of the concept than has previously been applied to illicit antiquities studies.

In this paper, we examine cases where radiocarbon (14C) dates are incompatible with dates produced by other established archaeological methods. We present results from nine bones that we sampled from tombs in Phoenician sites in Sicily. These bones produced radiocarbon dates conflicting with established dates of finds in the associated tombs. These discrepancies, particularly in tomb dates, pose a serious problem, as they suggest that the finds may be disconnected from the buried individuals, challenging the fundamental premise of studying excavated tombs. To put our findings in a broader context, we also present other cases of discrepancies found in recent publications and note some common observations throughout these studies. Our questions and observations arise from the significant implications that radiocarbon dating has for our research on Phoenician ancient DNA, as these conflicts impact our understanding of the potential migration and movement of Phoenician people throughout the Mediterranean.

Cultural objects are sold via global, public networks, where market stakeholders rely on the services of other actors such as academics, authenticators, and restorers to facilitate and legitimate this trade. This article will build on Neil Brodie’s examination of the role scholarly facilitators play in the illicit trade in cultural objects by exploring the harmful consequences of such scholarship, using the case studies of Emma Bunker and Mary Slusser as examples. This article argues that those of us with intellectual authority and control interacting with cultural objects should reflect on the broader social context of our research and the consequences of our knowledge production—and reckon with the exploitative and colonial foundations of the knowledge we build on. Ongoing ethical awareness and reflexivity need to be integrated into our practice to support and foster social justice. The article ends with some recommendations on how to incorporate these ideas into academic practice.

We present reservoir effects on shells of species Terebralia palustris and Marcia spp. that were recovered during archaeological excavations at the multi-period site of Tell Abraq, Sharjah Emirate, UAE (This paper was presented at the combined 24th Radiocarbon and 10th Radiocarbon & Archaeology International Conference, Zurich, Switzerland, Sept. 2022.). The site was inhabited during the mid to late Holocene. It is situated in a lagoonal environment with former mangrove forests at the Arabian Gulf coast of southeast Arabia. Due to availability in the immediate proximity, shellfish played an important role for the local subsistence throughout the site’s occupation. Tell Abraq provides a well-defined and stratigraphically controlled archaeological context for investigations on the reservoir effect of the two species chosen. Crucial for the determination of the marine reservoir effect is comparison with contemporaneous terrestrial carbon samples. We discuss the data in a wider context with respect to results obtained at other sites.

This paper investigates samples of local cooking and utilitarian vessels from Roman contexts at Corinth. Based on macroscopic investigation, the vessels had been assigned to a single ware, but a recent instrumental neutron activation analysis showed that more than one fabric was present. To examine possible variations in shape and function as well as changes of shape over time, selected samples were subjected to thin section petrography, combined with refiring tests and elemental analysis (WD-XRF). The results reveal two main fabrics and one minor one with mineralogical compositions consistent with the geology of the north-eastern Peloponnese; one of them is tentatively linked to Sikyon and another has been identified as a regional product in earlier petrographic studies in the area.

This paper contributes to the understanding of Early Bronze Age sealing practices in the Cyclades, focusing on recent findings from the settlement site of Koimisis on Therasia. It discusses two seal impressions stamped on a jar handle from an Early Cycladic II context. One aligns with the broader Aegean glyptic tradition, while the second could represent the earliest evidence associated with developments tied to the broader context of script formation in the Aegean. The study analyses the context of the find, the iconography and the style of the seal impressions, and explores the associations and meaning of the signs. Additionally, the petrographic analysis of the pottery fragment provides insights into the vase’s origin and the broader interpretative context of the impressions.