Maya Blue is a unique hybrid pigment created by combining organic indigo with the inorganic clay mineral palygorskite. First used for architectonic decoration in the Terminal Preclassic, it became widespread in the Late Classic on figurines, murals, and elite ceramics. Unlike indigo, it is notable for its durability and resistance to degradation by acids, alkalines, organic solvents and fading. The authors analyzed 17 samples of Maya Blue on pottery from the Late-Terminal Classic periods, a.d. 680–860, from Buenavista del Cayo, Belize. Using laser ablation inductively coupled plasma mass spectrometry (LA-ICP-MS), it was determined that the palygorskite in these samples likely came from Sacalum, Yucatan, some 375 km away. The authors suggest several routes by which palygorskite might have been transported from Yucatán to Buenavista. The pigment or knowledge of how to produce it likely was conveyed through high-status exchanges rather than commercial trade. Maya Blue held significant cultural and religious importance. It symbolized water and rain and was associated with the god Chaahk. Maya Blue appeared initially at Buenavista on architecture and rare imported ceramics but its use gradually increased on locally produced Belize Valley wares. Use at Buenavista peaked in the early 9th century before disappearing around a.d. 860. The study demonstrates the potential of trace element analysis in identifying long-distance social interactions in ancient Mesoamerica.

Radiocarbon dating is a widely used method in archaeology and earth sciences, but the precision of calibrated dates from single radiocarbon measurements can be difficult to understand. This study investigates the precision of calibrated radiocarbon dates depending on the uncertainties of the measurement and the details of the calibration curve. Using data for the Holocene epoch and the IntCal20 calibration curve, over 1,000,000 hypothetical radiocarbon measurements were calibrated and analyzed. The study shows that high-precision measurements can yield calibrated date ranges from less than 50 years to more than 200 years (at the 95.4% probability) depending on the specifics of the calibration curve. This research may serve as a tool for planning future studies and assessing whether high-precision measurements are beneficial for proposed case.

This paper deals with symbolic and ontological human–animal relationships at the Early Neolithic (PPNA) site of Göbekli Tepe in southeastern Turkey. Here a series of megalithic round stone buildings, built by hunter-gatherers, were embellished by large stone pillars with depictions of animals, particularly predators. On the basis of an analysis of the pillar iconography and of recent anthropological and archaeological insights about alterity and perceptions of nature and culture, it will be argued that human–animal relationships at Göbekli Tepe were part of an ontology marked by both immanence and hierarchy. Imagistic ritualization in evocative architectural contexts, probably directed by shamans, served to express such relations. The internal logic of this is exemplified in a model of the world of Göbekli Tepe, based on a novel approach with so-called referential relations and compositional hierarchy as ways to explore and interpret relations between beings and things.