APPROACHING THE PHAEDRUS

Plato's dialogues are masterpieces of the literary representation of philosophical conversations. Yet the Phaedrus stands out even in Plato's corpus. The dialogue's formal structure makes evident the main topics.1 After the opening scene establishes Ph.'s enthusiasm for Lysias' rhetorical art and S.'s intention to examine it, Ph. reads Lysias' speech on erōs aloud to his companion, whereupon S. delivers extempore two speeches on erōs of his own. Then, just past the halfway point, the dialogue undergoes its most overt change in style and substance as S. shifts from the rhetorical presentations on erōs to a dialectical inquiry into the nature of good discourse. The inquiry is concerned mostly with the art of rhetoric, but concludes with a consideration of written texts and dialectic. Beyond the topics that are given formal prominence – erōs, rhetoric, dialectic, written texts – other important themes that arise in the conversation include philosophy, beauty, play, the soul, the gods, the sophists, and the nature of technē.

Beyond the forms of discourse that structure the dialogue – the rhetorical speeches of the first half, the dialectical inquiry of the second half – S. addresses Ph. in friendly and ironic conversation, in allegories and myths, in didactic argument, in studied artificial language. S. prays; he quotes and invents verse; he mocks sophistic pretenders to rhetorical art.

Like other great works of Greek literature, the Phaedrus comes to us laden with established views and previous interpretations. The dialogue has acquired the additional burden of being considered important, and interpreted accordingly, in accounts of Plato's thought, of the intellectual debates of fourth-century Greece, and of the development of Greek culture and Western metaphysics. There is no better remedy, it seems to me, than an encounter with the dialogue itself. I have attempted to loosen up a bit the constraints of received wisdom and to take a fresh look at what Plato says in this dialogue to his contemporary audience and how he chooses to say it. Furthermore, in the ongoing process of reading and interpreting the Phaedrus, an approach that returns to the dialogue itself would make a timely contribution.

Of the vast secondary literature on the Phaedrus, I cite only those items that seem most useful for understanding whatever point is at issue; this is an economy that should benefit readers of this edition. For questions of syntax, I refer to Guy Cooper's Attic Greek prose syntax (AGPS) because it contains a wealth of informative examples and recognizes significant subtleties that go unremarked in other reference grammars. A new edition of Hermias' commentary on the Phaedrus by C. Lucarini and C. Moreschini (De Gruyter) is still forthcoming as of this writing, and thus could not be used in this edition.

227a1–230e5: PROLOGUE

Two friends, S. and Ph., meet on the street by chance and S. discovers Ph.'s enthusiasm for a speech by Lysias that he has just heard. After S. good-naturedly prods Ph. into admitting that he has a copy of the speech in his possession, they decide to retire to the nearby countryside where they will find relief from the summer heat and Ph. will read the speech to his companion. They converse easily as they walk and when they find a cool pleasant spot underneath a tall plane tree, they assume comfortable positions, the one to read, the other to listen.

The lively and realistic narrative constitutes a prime example of Plato's remarkable literary art. As in the opening of the Republic, the effect is complex: knowing that Plato is in control, the reader is nonetheless lulled into accepting the momentous conversation that follows as arising naturally in consequence of a chance, everyday encounter. All the more remarkable is Plato's ability to convey simultaneously beneath the narrative surface of smooth banter and innocent meandering another quasi-narrative of potentially transformative drama. Taking the measure of Ph.'s character, S. feigns enthusiasm for Lysias' speech in order to entice Ph. into a dialogue on erōs and discourse that will challenge his values and might possibly change his life. Without his being aware of it, Ph. is maneuvered into a position where the attractions of philosophy will make themselves felt.

A professor of mine once opined that the best working experimentalists tended to have a good grasp of basic electronics. Experimental data often come in the form of electronic signals, and one needs to understand how to acquire and manipulate such signals properly. Indeed, in graduate school, everyone had a story about a budding scientist who got very excited about some new result, only to later discover that the result was just an artifact of the electronics they were using (or misusing!). In addition, most research labs these days have at least a few homemade circuits, often because the desired electronic function is either not available commercially or is prohibitively expensive. Other anecdotes could be added, but these suffice to illustrate the utility of understanding basic electronics for the working scientist.

On the other hand, the sheer volume of information on electronics makes learning the subject a daunting task. Electronics is a multi-hundred billion dollar a year industry, and new products of ever-increasing specialization are developed regularly. Some introductory electronics texts are longer than introductory physics texts, and the print catalog for one national electronic parts distributor exceeds two thousand pages (with tiny fonts!).

Finally, the undergraduate curriculum for most science and engineering majors (excepting, of course, electrical engineering) does not have much space for the study of electronics. For many science students, formal study of electronics is limited to the coverage of voltage, current, and passive components (resistors, capacitors, and inductors) in introductory physics.

Introduction

In analog electronics, voltage is a continuous variable. This is useful because most physical quantities we encounter are continuous: sound levels, light intensity, temperature, pressure, etc. Digital electronics, in contrast, is characterized by only two distinguishable voltages. These two states are called by various names: on/off, true/false, high/low, and 1/0. In practice, these two states are defined by the circuit voltage being above or below a certain value. For example, in TTL logic circuits, a high state corresponds to a voltage above 2.0 V, while a low state is defined as a voltage below 0.8 V.

The virtue of this system is illustrated in Fig. 8.1. We plot the voltage level versus time for some electronic signal. If this was part of an analog circuit, we would say that the voltage was averaging about 3 V, but that it had, roughly, a 20% noise level, rather large for most applications and thus unacceptable. For a TTL digital circuit, however, this signal is always above 2.0 V and is thus always in the high state. There is no uncertainty about the digital state of this voltage, so the digital signal has zero noise. This is the primary advantage of digital electronics: it is relatively immune to the noise that is ubiquitous in electronic circuits. Of course, if the fluctuations in Fig. 8.1 became so large that the voltage dipped below 2.0 V, then even a digital circuit would have problems.

Introduction

The silicon controlled rectifier introduced in the last chapter was the first device we have seen that offered some measure of electronic control: the gate current determined the details of the I–V characteristic. This control, however, was fairly limited. In the examples we considered, the gate current determined the time at which the SCR switched to its on-state. Once the SCR was turned on, however, its behavior was no longer related to the magnitude of the gate current, and removing the gate current altogether would not return the SCR to its off-state.

We now turn to a device with a greater measure of electronic control: the transistor. Like the SCR, the transistor allows the user to control a large current through the device with a smaller control signal. But with the transistor, one can have proportional control; that is, the amount of current through the device is proportional to the control signal. This allows one to amplify signals, which is fundamental to all types of electronic communication.

Transistors come in two basic types: bipolar junction transistors (BJTs) and field-effect transistors (FETs). This chapter will cover the fundamentals of BJTs and also introduce some common terminology for transistor amplifiers. FETs are addressed in Chapter 5.

Bipolar transistor fundamentals

A bipolar transistor can be thought of as a sandwich of n-type and p-type semiconductors.

The band theory of solids

Introduction

A fundamental result from basic modern physics is that atoms are characterized by discrete energy levels. Each of these energy levels can accept up to two electrons. When “building” an atom, we start from the lowest level, fill in two electrons, and then move up to the next energy level and fill it with electrons. This continues until we have placed all the atom's electrons in energy levels. We also know that if an atom absorbs energy from the outside (for example, by absorbing a photon), an electron can be promoted to a higher energy level. Conversely, an electron that falls from a higher to a lower energy level emits a photon.

What happens to this energy level model when we assemble many atoms together into a solid? As the atoms get closer together, we must start to talk about the energy levels of the solid as a whole rather than those of the individual atoms. Rather than doing quantum mechanics for an isolated potential (the atom), we do it for a periodic array of atoms that exhibits a periodic potential. The net result of this is that, during the assembly of N atoms, the individual atomic levels split into N levels. This is shown schematically in Fig. 3.1. Thus when the solid is assembled and the atoms are at their final equilibrium spacing, the solid is characterized by a series of energy bands consisting of a large number of closely spaced allowed energy levels.

Chapter 1

1. 1. 1.27 Ω

2. 3a. 100 W

3. 5. I2 = 0.397 A

4. 7. 667 Ω

5. 9. 12.5 Ω

6. 11. I3 = 1.20A

7. 13. Vth = 0.025 V, with positive terminal on the right

8. 15. V2 = 15 V

9. 17. I1 = −1.096 A, I3 = 0.896 A, I5 = 0.086 A

Chapter 2

1. 1. 1.33 μF

2. 3. 8.3 μF

3. 6. magnitude 11.3 kΩ, phase −27.95 degrees

4. 8. 707 rad/s

5. 10. RC = 5.5 × 10−5 s

6. 12. ∣I∣ = 3.36 Arms, phase −9.89 degrees

7. 13. Turns ratio is 1/10, primary current is 0.06 Arms, secondary current is 0.6 Arms

8. 15. Output voltage will be 24 Vrms

9. 16. The output is a 90 Hz sine wave with peak amplitude 0.946V0

Introduction

The op-amp astable oscillator covered in Section 6.5 was our first example of an oscillator – a circuit that produces a periodic output signal without an input signal. These types of circuits have some kind of feedback mechanism that allows them to oscillate spontaneously. We can categorize oscillators into two broad groups: relaxation oscillators and sinusoidal oscillators. Each of these groups has common features. The relaxation oscillators are characterized by non-sinusoidal output waveforms, timing that is set by capacitor charging and discharging, and the non-linear operation of its active components. The analysis of relaxation oscillator circuits is done in the time domain (i.e., by determining the circuit response as a function of time). For example, our op-amp astable oscillator has a square wave output with a period set by the charging/discharging of capacitor C through resistor R f, and the op-amp is operating non-linearly, switching back and forth between its saturation voltages. On the other hand, sinusoidal oscillators, as the name implies, have sinusoidal output waveforms and linear operation of the active components, and the analysis is done in the frequency domain (i.e., by considering how the circuit responds to different frequencies). We will now examine examples of each type of oscillator.

Relaxation oscillators

SCR sawtooth oscillator

Our first relaxation oscillator is shown in Fig. 7.1. It uses two components we have studied previously: the SCR and the bipolar transistor.

Introduction

In this chapter we introduce the second major type of transistor: the field-effect transistor. Like the bipolar junction transistors (BJTs) we studied in Chapter 4, field-effect transistors (FETs) allow the user to control a current with another signal. The key difference is that the FET control signal is a voltage while the BJT control signal is a current. Also, the FET control input (called the gate) has a much higher input impedance than the base of a BJT. Indeed, the DC gate impedance for FETs varies from a few megaohms to astounding values in excess of 1014 Ω. High input impedance is a highly desirable feature that greatly simplifies circuit analysis.

The BJT has three connections: the collector, base, and emitter. The corresponding connections on an FET are called the drain, gate, and source. Some versions of the FET have a fourth connection called the bulk connection. Bipolar transistors come in just two types with opposite polarities: the npn and the pnp. Field-effect transistors have greater variety. In addition to the polarity pairs (termed n-channel and p-channel), there are differences in gate construction (junction and metal oxide), and doping (depletion and enhancement). In terms of analysis, however, they are all very similar, so we will not have to consider each variety separately. Also, as we did with the bipolar transistor, we will focus on one of the polarities (n-channel) since the other polarity simply involves swapping the labels for n and p and changing the sign of the voltages and the direction of the currents.

Basics

We start our study of electronics with definitions and the basic laws that apply to all circuits. This is followed by an introduction to our first circuit element – the resistor.

In electronics, we are interested in keeping track of two basic quantities: the currents and voltages in a circuit. If you can make these quantities behave like you want, you have succeeded.

Current measures the flow of charge past a point in the circuit. The units of current are thus coulombs per second or amperes, abbreviated as A. In this text we will use the symbol I or i for current.

As charges move in circuits, they undergo collisions with atoms and lose some of their energy. It thus takes some work to move charges around a circuit. The work per unit charge required to move some charge between two points is called the voltage between those points. (In physics, this work per unit charge is equivalent to the difference in electrostatic potential between the two points, so the term potential difference is sometimes used for voltage.) The units of voltage are thus joules per coulomb or volts, abbreviated V. In this text we will use the symbol V or v for voltage.

In a circuit, there are sources and sinks of energy. Some sources of energy (or voltage) include batteries (which convert chemical energy to electrical energy), generators (mechanical to electrical energy), solar cells (radiant to electrical energy), and power supplies and signal generators (electrical to electrical energy).

Introduction

We now turn to an examination of the properties and uses of the operational amplifier or op-amp. A detailed analysis of this multi-stage amplifier circuit is beyond the scope of this text, so we will treat it as a black box device as we did earlier with the voltage regulator. Thus, to use the device, we need only learn and apply some simple rules and, later, the real-world limitations of the device.

In current usage, the operational amplifier is usually packaged as an integrated circuit with multiple leads or pins. While there are hundreds of different op-amps with different specifications, they all follow the same usage rules. To be specific, we will focus on a “classic” version: the 741 op-amp.

The circuit symbol for the op-amp is shown in Fig. 6.1. There are inputs for two power supply voltages (one positive and one negative relative to ground, labeled V+ cc and V- cc, respectively). There are also two signal inputs: the inverting input, labeled with a minus sign, and the non-inverting input, labeled with a plus sign. Happily, there is only one output.

As we know, voltages are always between two points, but our description of the op-amp inputs seems to refer to voltages at one point, the various input pins. It is thus important to note that all of the voltages for the op-amp are referenced to ground (i.e., the second point is ground).