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Following the colonisation of Ireland, North America, and the Caribbean, British society, politics, and the economy were forever transformed by the growing transatlantic empire. The University of Cambridge was intimately connected to that Atlantic world. The introduction provides context on Cambridge’s history and the long-term development of racial slavery, examining how enslavement and the plantation economy were of incredible significance to British life from the beginning of the seventeenth century through to the end of the American Civil War and beyond. More than a history of plantation owners purchasing stately homes or consumers eagerly consuming sugar, a case study of Cambridge’s town and gown communities highlights the vast spectrum of connections, ties, and interests that many Britons held to a slave empire.
Written by leaders in the field, this text showcases some of the remarkable properties of the finite Toda lattice and applies this theory to establish universality for the associated Toda eigenvalue algorithm for random Hermitian matrices. The authors expand on a 2019 course at the Courant Institute to provide a comprehensive introduction to the area, including previously unpublished results. They begin with a brief overview of Hamiltonian mechanics and symplectic manifolds, then derive the action-angle variables for the Toda lattice on symmetric matrices. This text is one of the first to feature a new perspective on the Toda lattice that does not use the Hamiltonian structure to analyze its dynamics. Finally, portions of the above theory are combined with random matrix theory to establish universality for the runtime of the associated Toda algorithm for eigenvalue computation.
Carolinian Crucible tells the story of South Carolina – particularly its upcountry region – at war. A state notorious for its political radicalism before the Civil War, this book avoids caricaturing the Palmetto State's inhabitants as unflinching Confederate zealots, and instead provides a more fine-grained appraisal of their relationship with the new nation that their state's political elite played a leading role in birthing. It does so by considering the outlook and actions of both civilians and soldiers, with special attention given to those who were lower-class 'common whites.' In this richly detailed account, Patrick J. Doyle reveals how a region that was insulated from Federal invasion was not insulated from the disruptions of war; how social class profoundly shaped the worldview of ordinary folk, yet did not lead to a rejection of the slaveholders' republic; and how people in the Civil War South forged meaningful bonds with the Confederate nation, but buckled at times under the demands of diehard nationalism.
Over a century after his death, Debussy remains prominent in concert programmes and international scholarly research. This collection showcases the latest developments in the field. It reflects new preoccupations in aesthetics, using an array of archival sources to piece together Debussy's literary tastes and influences, and drawing on philosophy and contemporaneous ideas about perception and cognition to explore the perceived links between Debussy's music, emotion and nature. The volume is notable for its embrace of the composer's earliest and latest works, which are often seen as unrepresentative of the 'real' Debussy. Its fresh approaches to analysis give new focus, in particular, to rhythm, metre, and the dance. It also reflects the current musicological preoccupation with performance and recording. Debussy Studies 2 ends with an assessment of the ways in which the scholarly debates immediately after his death have continued to influence our understanding one hundred years on.
How do languages capture and represent the sounds of the world? Is this a universal phenomenon? Drawing from data taken from 124 different languages, this innovative book offers a detailed exploration of onomatopoeia, that are imagic icons of sound events. It provides comprehensive analysis from both theoretical and empirical perspectives, and identifies the prototypical semiotic, phonological, morphological, syntactic, word-formation, and socio-pragmatic features of onomatopoeia. Supported with numerous examples from the sample languages, the book highlights the varied scope of onomatopoeia in different languages, its relationship to ideophones and interjections, and the role of sound symbolism, particularly phonesthemes, in onomatopoeia-formation. It introduces an onomasiological model of onomatopoeia-formation, identifies onomatopoeic patterns, and specifies the factors affecting the similarities and differences between onomatopoeias standing for the same sound event. Filling a major gap in language studies, it is essential reading for researchers and students of phonology, morphology, semiotics, poetics, and linguistic typology.
For Plato, tragedy and comedy are meaningful generic forms with proto-philosophical content concerning the moral character of their protagonists. He operates with a distinction between actual drama, the comedy and tragedy of the fourth and fifth centuries BCE, and ideal drama, the norm for what comedy and tragedy ought to be like. In this book Franco Trivigno reconstructs, on Plato's behalf, an original philosophical account of tragedy and comedy and illustrates the interpretive value of reading Plato's dialogues from this perspective. He offers detailed analyses of individual dialogues as instances of ideal comedy and tragedy, with attention to their structure and philosophical content; he also reconstructs Plato's ideals of comedy and tragedy by formulating definitions of each genre, specifying their norms, and showing how the two genres are related to each other. His book will be valuable for a range of readers interested in Plato and in Greek drama.
Understanding human temporality is a theoretical and experimental challenge, requiring ingenious ways to capture the manner in which time enters and structures human experience. This book bridges music, physics, and experimental psychology to present a unique perspective on the experience of time that is rooted in both physical theory and Gestalt psychology. Featuring a novel framework based on the idea that people sense time indirectly through the visceral feeling that time passage generates, it draws on the authors decades of research in cognitive psychology to present a unique perspective on this topic. It will be of interest to students, researchers, and anyone seeking deeper insight into how the mind and body interact to shape personal experience and the world we inhabit.
For over a hundred years scholars have written about late medieval kingship, and a vast body of published work now exists on the subject. However, in all this rich coverage, no accessible introduction to the subject exists. The Cambridge Companion to Late Medieval Kingship addresses this need by bringing together, within a single volume, a series of themed chapters which consider key aspects of the workings of the English monarchy between 1200 and 1500. Featuring leading experts in the field, each chapter provides a concise and accessible guide, offering insights, synthesis and explanation to help readers understand not only how kings ruled, but also what made their rule more – or less – effective. By adopting a holistic approach to kingship, the contributors also consider how kingship impacted on the king's subjects, thereby illuminating the complex interplay of cooperation and conflict that shaped both the monarchy and the wider polity in late medieval England.
Developed specifically for students in the behavioral and brain sciences, this textbook provides a practical overview of human neuroimaging. The fully updated second edition covers all major methods including functional and structural magnetic resonance imaging, positron emission tomography, electroencephalography, magnetoencephalography, multimodal imaging, and brain stimulation methods. Two new chapters have been added covering computational imaging as well as a discussion of the potential and limitations of neuroimaging in research. Experimental design, image processing, and statistical inference are addressed, with chapters for both basic and more advanced data analyses. Key concepts are illustrated through research studies on the relationship between brain and behavior, and review questions are included throughout to test knowledge and aid self-study. Combining wide coverage with detail, this is an essential text for advanced undergraduate and graduate students in psychology, neuroscience, and cognitive science programs taking introductory courses on human neuroimaging.
Erwin Schrödinger's What Is Life? is one of the most celebrated scientific works of the twentieth century. However, like most classics, it is far more often cited than read. Efforts to seriously engage with Schrödinger's arguments are rare. This Element explores how well his ideas have stood the test of time. It argues that Schrödinger's emphasis on the rigidity and specificity of the hereditary material (which stemmed from his attempt to explain biological order from physical principles) influenced how molecular biologists conceptualized macromolecules, resulting in a deterministic, engineering view of the cell that is still popular today—even if it is increasingly at odds with experimental findings. Drawing on archival sources, this Element also uncovers Schrödinger's motivations in writing What Is Life? and suggests that his biological proposals are best understood in the context of his longstanding dispute with other physicists regarding the interpretation and extension of quantum mechanics.
'What does it mean to follow a ghost?' Posing this question in Specters of Marx (1993), Jacques Derrida introduces the philosophical concept of 'hauntology' and the 'medium of the media' through the Shakespearian trope that time is 'out of joint'. Replete with ghostly crackles, hiss, pops and static, analogue media occupied a pivotal role in experimental music and praxis in the twentieth century, particularly during the 1960s, when composers such as John Cage and Luigi Nono systematically exploited the affordances of records and tape in composition and performance. Exploring hauntology's ghostly interplay with music and technology, this Element considers lost futures, past usage and future implications for hauntological music from the late 1930s to the twenty-first century.
This textbook introduces the fundamentals of MATLAB for behavioral sciences in a concise and accessible way. Written for those with or without computer programming experience, it works progressively from fundamentals to applied topics, culminating in in-depth projects. Part I covers programming basics, ensuring a firm foundation of knowledge moving forward. Difficult topics, such as data structures and program flow, are then explained with examples from the behavioral sciences. Part II introduces projects for students to apply their learning directly to real-world problems in computational modelling, data analysis, and experiment design, with an exploration of Psychtoolbox. Accompanied by online code and datasets, extension materials, and additional projects, with test banks, lecture slides, and a manual for instructors, this textbook represents a complete toolbox for both students and instructors.
This volume provides a comprehensive overview of the social psychology of conflict rooted in human evolution, with a particular focus on migration and its challenges in a globalized world. It examines theories for how conflict emerges between cultural, social, and political groups striving to advance their own interests and agendas and considers their impact on democratic systems that guarantee human rights and freedoms. Building on the study of social psychological tendencies and motivations, including human needs for identity and affiliation, new empirical procedures are introduced for bridging cultural, social, and political divides that encourage students, scholars, and policymakers to consider reconciliatory strategies for conflict resolution. By examining political leanings and tendencies for activism and democratic engagement, this book articulates the ethical and political moral grounds guiding decision-making in intergroup and intercultural relations and challenges readers to reflect on their moral standpoints.
In one of the first energy histories of Southeast Asia, Thuy Linh Nguyen explores the environmental, economic, and social history of large-scale coal mining in French colonial Vietnam. Focusing on the Quảng Yên coal basin in northern Vietnam, known for the world's largest anthracite coal mines, this deeply researched study demonstrates how mining came to dominate the landscape, restructuring the region's environment and upending local communities. Nguyen pays particular attention to the role of various non-state local actors, often underrepresented in grand narratives of modern Vietnam, including Vietnamese and Chinese migrant mine workers, timber traders, loggers, and local ethnic minorities. Breaking away from the metropole-colony paradigm, Nguyen offers a new lens through which to explore the dynamics of colonial rule and the importance of inter-Asian networks, arguing that the colonial energy regime must be understood as a complex, multilayered interaction between empire, capital, labor, water, sea, land, and timber forests.
Ancient Greek terminology continues to shape contemporary discourse; hubris is a case in point. Typically seen as the catastrophic yet common tendency to reach too high, only to fall, it remains a fixture in the contemporary discourse of business and politics. But hubris has also become a term of art for researchers in a number of academic disciplines; and it remains a hotly contested topic in Classics. This unique volume of essays explores the connections, continuities and differences between ancient hubris and its modern counterparts. Its distinguished multidisciplinary cast of experts in Classics, Business and Management Studies and Psychology explores what modern researchers can learn from the theorisation and deployment of hubris in ancient sources and how modern approaches to hubris can help us understand the ancient concept.
This book presents an expansive collection of case studies focused on Critical Race Theory (CRT), offering insights into understanding racial oppression and its societal impacts. Featuring contributions from expert practitioner–scholars, chapters introduce core tenets of CRT and explore how CRT can be applied across a range of different contexts, providing practical examples of how CRT can be implemented into the curriculum. By dividing its case studies at the micro, mezzo, and macro level, the text demonstrates how CRT is relevant for different levels of social work practice and contributes to ongoing movements to apply an anti-oppressive approach into all areas of social work. The first book of its kind, this is an essential resource for anyone seeking to develop their knowledge and explore how CRT can be used to enhance social work practice across a range of different settings.
For the first time since its publication in 1874, this volume presents the text and illustrations of the first edition of Far from the Madding Crowd, a definitive work of nineteenth-century literature and the novel that made Thomas Hardy famous. It includes in footnotes all the revisions that Hardy made to the work, both in manuscript and serial, before 1874 and in numerous subsequent editions. A carefully-researched, accessibly-written introduction examines in detail the successive stages in Hardy's initial inscription and subsequent adjustments to the work from 1873 to the 1920s, and includes analysis of contemporary reviews, as well as a previously unpublished account of the relationship between the novel and George Eliot's Middlemarch. Appendices include discarded manuscript fragments, a discussion of the environments of the novel and consideration of the work of the compositors who first set the novel in type.
In a time of colonial subjugation, subaltern, illicit and courtesan dancers in India radically disturbed racist, casteist and patriarchal regimes of thought. The criminalized 'nautch' dancer, vilified by both British colonialism and Indian nationalism, appears in this book across multiple locations, materials and timelines: from colonial human exhibits in London to open-air concerts in Kolkata, from heritage Bengali bazaar art to cheap matchbox labels and frayed scrapbooks, and from the late nineteenth century to our world today. Combining historiography and archival research, close reading of dancing bodies in visual culture, analysis of gestures absent and present, and performative writing, Prarthana Purkayastha brings to light rare materials on nautch women, real and fictional outlawed dancers, courtesans and sex-workers from India. Simultaneously, she decolonises existing ontologies of dance and performance as disappearance and advocates for the restless remains of nautch in animating urgent debates on race, caste, gender and sexuality today.
This Element discusses the presence of ruins in contemporary environmental imagination. Contemporary ruins, much more than those that served as constituents of Romantic and Gothic aesthetics, simultaneously express a fascination with and a dread of the non-human agencies at play in the world, while also countering the nostalgic dimension of traditional representations of ruins. The contemporary success of ruins can be connected to the sense of planetary precarity induced by anthropogenic climate change, and to the widespread presence of eco-anxiety in the public conscience. Moreover, at the centre of ruins' aesthetic power is the interaction of human and non-human forces, and in the process of ruination, buildings and monuments find new meaning thanks to the intervention of external agents that human civilization has long attempted to tame or eliminate and that make a disturbing return as soon as anthropic activity ceases.
As international courts have risen in prominence, policymakers, practitioners and scholars observe variation in judicial deference. Sometimes international courts defer, whereby they accept a state's exercise of authority, and other times not. Differences can be seen in case outcomes, legal interpretation and reasoning, and remedial orders. How can we explain variation in deference? This book examines deference by international courts, offering a novel theoretical account. It argues that deference is explained by a court's strategic space, which is structured by formal independence, seen as a dimension of institutional design, and state preferences. An empirical analysis built on original data of the East African Court of Justice, Caribbean Court of Justice, and African Court of Human and Peoples' Rights demonstrates that robust safeguards to independence and politically fragmented memberships lend legitimacy to courts and make collective state resistance infeasible, combining to minimize deference. Persuasive argumentation and public legitimation also enable nondeference.