Archaeologists have discovered numerous human skeletons densely deposited on the floors of the houses of the Hamin Mangha Neolithic site (3600–3100 cal. bc) in Tongliao City, northeast China. Some researchers have hypothesized that a plague led to the decline of the Hamin Mangha population. Without dismissing the power of environmental and epidemiological factors, here I will propose additional potential forces that may have led to social change. In this regard, I will employ entanglement theory along with concepts of relational ontology, habitus and social memory to provide an expanded explanatory framework for interpreting social decline in the Hamin Mangha site. I will construct and employ a modified entanglement model to analyse the changes that occurred. I will argue that the complexity, instability and contradictions created by what is referred to as ‘human–thing entanglements’ contributed to the decline of Hamin Mangha society. I will conclude that the concept of entanglement helps us to direct attention to major factors that underlie the process of social decline in the research site.

Animals were central elements in many early state political economies. Yet the roles of livestock in building and financing the state generally remain under-theorized, particularly in comparison with other major elements such as crop intensification and bureaucratic technologies. We compare the political economies of two highly centralized and expansive states—the Inca in the central Andes and Ur III in southern Mesopotamia—through a deliberately animal-focused perspective that draws attention to the unique social and economic roles of the livestock that underpinned both imperial financing and household resilience. Despite important differences in the trajectories of the two case studies, attention to the roles played by animals in early states highlights several underlying dynamics of broader interest including the translation between modes of production and accumulation, the interplay between animal-based mobilities and territorial integration, and the functions of livestock in state regimes of value and political subjectivity.

Archaeology in Sudan and Nubia has been greatly impacted by modern colonialism in northeast Africa. In theory and practice, the discipline's history in the region includes interpretations of past realities that worked as intellectual bases for colonization. From a postcolonial standpoint, Sudan and Nubia offer us an opportunity to investigate complexity in the past beyond oversimplifying colonial narratives entangled with the practice of modern archaeology in the region. However, more complex, postcolonial interpretations of the ancient past have played only a small part in ‘decolonizing’ initiatives aiming to reframe archaeological practice and heritage in Sudan and Nubia today. In this paper, I discuss the different trajectories of postcolonial and decolonial theory in archaeology, focusing on Sudan and Nubia (roughly the region south of Egypt from Aswan and north of Sudan up to Khartoum). I will argue that bridging postcolonial and decolonial theory through what I will refer to as ‘narratives of reparation’ can offer us ways to address both conceptual problems underlying theory and practice and avenues for an all-encompassing decolonization of the field.

Evidence for working rock crystal, a rare form of water-clear type of quartz, is occasionally recovered from prehistoric sites in Britain and Ireland, however, very little has been written on the specific methods of working this material, and its potential significance in the past. This paper presents the first synthesis of rock crystal evidence from Britain and Ireland, before examining a new assemblage from the Early Neolithic site of Dorstone Hill, Herefordshire. This outlines a methodology for analysing and interpreting this unusual material, and, through comparison with the flint assemblage, examines the specific uses and treatments of this material. Far from being used to make tools, we argue the distinctive and exotic rock crystal was being used to create distinctive and memorable moments, binding individuals together, forging local identities, and connecting the living and the dead.