This chapter argues that a significant number of central figures shown on stelae were not the dedicants of the stelae, but instead used visual markers that identified them as children. In the first century BCE, children were most often aged and gendered in depictions by their nudity. At sites of the second and third centuries CE, by contrast, the images of children shared iconographies and conceptualizations of their subjects with funerary monuments for children from across the empire. In particular, togas, scrolls, pets, and hairstyles, as well as showing the figures older than they were, reflects how child offerings were being reconceived as social persons and subjects of empire.

This chapter challenges the supposed transformation “from Baal Hammon to Saturn” in North Africa one of the chief grounds upon which narratives of cultural continuity are predicated. It argues that instead of simple syncretism or the persistence of a god, the material signs used to construct and identify the deity to whom stelae were dedicated underwent important transformations in the second and third centuries CE, changes closely tied to the experiences and practices of empire. Stelae of the third and second centuries BCE made a god present indexically; stelae of the imperial period embraced iconicity in ways that were entangled with empire, including new divine epithets tied to imperial authority and new road systems in the province. And by the end of the second century CE, this iconic system could even work to perpetuate clear social hierarchies.

Between the late second and the early fourth century CE, several empresses received the title Mater Castrorum, either in official documents, inscriptions, and coinage or in unofficial honorific or dedicatory inscriptions erected by subjects. Scholars have assumed the title was indicative of a tight-knit relationship between the empresses and the soldiers. Recent studies of the numismatic and epigraphic evidence, however, have demonstrated that, at least in the cases of the early Matres Castrorum, the title was not descriptive of an actual relationship with the military. These studies argue it was the product of dynastic propaganda that prepared a smooth path for successors. Given this new, demonstrated understanding of the title’s original purpose this chapter investigates how the title fits into ideologies that emperors “negotiated” with the constituencies in the Empire. Based on the evidence, we conclude that the meaning and use of the Mater Castrorum title changed over time according to the agenda of those who employed it. The evolution of the title is not surprising, but as with so many aspects of investigations into women and the military, the complexities of its use have not previously been conceived of in this way.

The new conceptualization of molk-style rites shown in Chapter 7 led to shifts in how sanctuaries were structured and in the entailments these new structures had for the communities who used them. While past studies have focused on the movement from open-air stele fields to monumental sanctuaries as evidence of “Romanization” or the creation of “Romano-African” temple-types, this chapter argues that these new built temples instead participated in wider civic-style practices of benefaction and spectacle in ways that sought to foreground sacrificer-benefector figures. At the end of the second century CE, a number of stele-sanctuaries were rebuilt in monumental forms that privileged central altars, the spectacle of animal offering, and dining. This shift in the spatial dimension of worship afforded new possibilities of practice and social ordering that closely resemble those of the wider imperial world, creating a “sacrificial compromise” where local forms of authority were predicated on being central to the pageantry of sacrifice.

Chapter 1 introduces the problems to which this book responds and proposes alternative pathways for understanding the archaeology of the Roman Empire. It shows how particular colonial ways-of-knowing continue to shape the stories told of North Africa’s people and their traditions of worship under the Roman Empire, setting these within the binary of “Romanization” or “resistance.” While approaches to the archaeology of other parts of the Roman Empire have begun to embrace New Materialism as a way of moving beyond “Romanization,” this chapter argues that semiotic approaches offer a more productive means of engaging with and explaining the material dimensions of imperial hegemony.

This chapter examines how the episode in Pliny Ep. 6.31.4−6 relates to Roman concepts of gender and warfare. The emperor Trajan judged the case of Gallitta, a military tribune’s wife who had committed adultery with a centurion. Since the reign of Augustus adultery had been criminalized. The Augustan legislation on marriage and adultery has received much scholarly attention, but relatively little has been paid to cases involving military officers. This study argues that the repression of adultery and the control of officers’ wives culturally maintained military discipline, in particular the hierarchy of command. Adultery in this instance subverted military hierarchy; the young officer’s cuckolding of his senior and his failure to display self-control vitiated his fitness for command. The stability of the imperial order depended on the reinforcement of normative gender roles on the frontiers as well as in the city of Rome.

Even if the chaîne opératoire of molk-style rites may have changed little between the eighth century BCE and the second century CE, how worshippers and communities wove significance around these ritualized gestures underwent a marked transformation. Focusing on the tophet of Hadrumetum, this chapter shows how stelae shifted emphasis from the molk as part of an individual, verbal relationship between worshipper and deity to a communal act that foregrounded and elevated a single sacrificant at an altar. Although these scenes of sacrifice-at-altar have been seen as simple calques on the iconography of Roman historical reliefs, worshippers in North Africa instead created new imagery that shared social dynamics and priorities rather than iconographies.