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Global commodities, from tea and sugar to coal and oil, have had an enduring presence in literary texts. Commodity cultures have also shaped literary ones, from the early influence of the literary coffeehouse to the serial novels facilitated by print's own emergence as a mass commodity. This book offers an accessible overview of the many intersections between literature and commodities. Tracing the stories of goods as diverse as coffee, rum, opium, guano, oil and lithium, as they appear across a range of texts, periods, areas, and genres, the chapters bring together existing scholarship on literature and commodity culture with new perspectives from world-literary, postcolonial and Indigenous studies, Marxist and feminist criticism, the environmental and energy humanities, and book history. How, this volume asks, have commodities shaped literary forms and modes of reading? And how has literature engaged with the world-making trajectories and transformations of commodities?
This note offers a preliminary survey of archives containing photographic material – both digitized and nondigitized – related to northern Ghana. Despite the region’s historical marginalization, this condition has not necessarily resulted in a scarcity of sources. On the contrary, numerous archives preserve rich and underexplored photographic documentation. By identifying and describing key collections across institutions such as the White Fathers phototèque, the Ministry of Information in Accra, the University of Cambridge, the British Museum, the Bodleian Library, the Imperial War Museum, the National Archives in London, and the Smithsonian National Museum of African Art, this note seeks to illuminate underexplored visual sources.
On 27 October 2021, Cambridge University’s Jesus College commemorated the historic return to Nigeria of the bronze statue of a cockerel called “Okukur.” This was looted from the ancient Kingdom of Benin in 1897 by British colonizers. The college resolved to relinquish ownership to the Oba, who is the cultural, religious, and legal head of Benin. On 23 March 2023, Nigeria’s President Muhammadu Buhari decreed that the “ownership of the artefacts… is vested in the Oba.” The genesis of this order was controversies about the ownership, control, and management of returning objects. This article analyzes the role of the traditional institution of governance in the socio-legal politics of cultural heritage restitution in Nigeria. Building on the traditional leadership’s claims on the returned artworks, it explains the need to use the momentum of restitution to evaluate and improve the effectiveness of the national and international legal systems to protect cultural heritage.
This study discusses the intersection between Black/African Digital Humanities, and computational methods, including natural language processing (NLP) and generative artificial intelligence (AI). We have structured the narrative around four critical themes: biases in colonial archives; postcolonial digitization; linguistic and representational inequalities in Lusophone digital content; and technical limitations of AI models when applied to the archival records from Portuguese-colonized African territories (1640–1822). Through three case studies relating to the Africana Collection at the Arquivo Histórico Ultramarino, the Dembos Collection, and Sebestyén’s Caculo Cangola Collection, we demonstrate the infrastructural biases inherent in contemporary computational tools. This begins with the systematic underrepresentation of African archives in global digitization efforts and ends with biased AI models that have not been trained on African historical corpora.
There is limited analysis of the adoption of luxury tourism strategies in Africa. Such strategies promise lower ecological impact and higher tourism revenues. Through an analysis of economic data and secondary literature, as well as interviews conducted in Mauritius, Botswana, and Rwanda, this article examines why once luxury tourism strategies are adopted and do not deliver expected results, some countries reverse these strategies while others do not. Contrary to recent African political economy literature, this paper shows that “democratic” governments (Mauritius, Botswana) with shorter-term horizons have more flexibility in adapting their strategies compared to “authoritarian” governments with longer-term horizons (Rwanda).
After World War II, many countries, including Nigeria, embraced Keynesian “welfarist” policies to stimulate economic growth and enhance the well-being of their citizens. However, in the late 1960s and early 1970s, a global economic crisis prompted a shift towards neoliberalism, leading to the commodification of social institutions and the implementation of policies such as privatization, trade liberalization and deregulation in Nigeria. This shift had a significant impact on Nigeria’s socio-legal economy, particularly in terms of property rights in company ownership. The article raises concerns about the structural injustice and growing inequality resulting from these neoliberal policies. It advocates for a legal framework that addresses these issues and proposes reconceptualizing private property rights in company ownership in Nigeria. This proposed framework aims to counter the dominance and power of property-owning elites and mitigate the structural injustice induced by neoliberal policies in Nigeria.
This article explores the challenge of financially advantaged spouses concealing assets within corporate structures during divorce proceedings, using the English legal framework as a reference point for potential reforms in Ghana. Although Ghana has made significant strides in ensuring the equitable distribution of marital property, these efforts may be insufficient if the concealment of personal or marital assets within corporate entities is not adequately addressed. The study focuses on the English legal distinction between piercing and lifting the corporate veil. It highlights that while piercing the corporate veil is a stringent measure used sparingly and typically in cases of fraud or evasion, lifting the veil is more pertinent in matrimonial disputes for revealing the actual control and ownership of assets. The article advocates for a clearer and more systematic application of the veil-lifting principles in Ghanaian law to expose hidden marital and personal assets effectively. By adopting these principles, Ghana can strengthen its legal framework to ensure a more equitable distribution of marital assets and achieve fairer outcomes in divorce proceedings.
Research on strokes using genetics and neurobiobanking has highlighted some ethical, legal and social implications. Blood donation, brain donation, blood storage, re-use and sample sharing, data sharing, return of individual results, disclosure of incidental findings, pattern and causes of preference for informed consent, governance and regulation, and biorights are some of the legal problems presented. This study, therefore, explores this aspect in Sub-Saharan Africa using Nigeria and Ghana as case studies. In exploring this aspect, a qualitative method was adopted. In addition, the general jurisprudence of law and society was adopted as the theoretical framework and applied to the findings made. It was found that the law to a high level mirrors people’s expectations and that there was an existing social order to which the law was a contributor. It is therefore argued that any need for the intervention of the law must take cognizance of these findings.
The four pioneering African war correspondents who travelled to Asia in 1945 develop our understanding of Africa and the Second World War. This article argues that their tour challenges the existing scholarship on the conflict in two ways. Firstly, it bridges the common divide between “home” and fighting fronts in our understanding of wartime Africa. Secondly, due to the correspondents’ own positionality as colonial African newspapermen, it offers insights into African military service in ways not permitted by colonial and military archives. Within an overarching frame examining the tour’s origin and conclusion in Africa, the article assesses the correspondents’ activities in Asia in terms of their interactions with and analysis of African troops. Cumulatively, it contends that the correspondents’ tour both considerably expands our understanding of African soldiers’ lives in the Second World War, and also directly connects the “home front” with the Asian theatre of combat.
This chapter describes material and immaterial labour in the context of the industrial production, resource extraction, and global circulation of the silvery-alkali metal known as lithium. It focuses on the different kinds of material labour involved in lithium’s extraction from local sites in and around the Atacama Desert in Latin America, as well as less visible forms of labour underpinning the mining industry, including the labour of social reproduction and colonial dispossession. In this context, it asks: how do narrative arts document the violence of lithium’s extraction as it materialises in damaged and dispossessed bodies and environments, as well as those less visible traces of lithium’s circulation around the world, and the different affective economies it inhabits? I suggest that a contradiction or tension between materiality and immateriality, between what is seen and unseen, defines every level of lithium’s transformation into a commodity, as registered within global networks of labour. These larger systems, I argue, are rendered invisible; just as lithium silently provides the charge for iPhone and Tesla, it is a vanishing mediator to what some thinkers have described as ‘new extractive imperialism’. This, however, becomes visible—precisely as a kind of ideological dissimulation—across a whole range of narrative forms.
This chapter reconsiders the road novel, not as a genre of Americanness and the frontier West, but rather as the privileged genre of US hegemony. Specifically, the chapter argues that the road novel does important work in critically mapping the expanding and shifting commodity frontiers of US hegemony, but through the lens and ideologies of automobility and what Matthew Huber has identified as the petro-driven ‘American way of life.’ To illustrate these claims, “Oil, Commodity Frontiers and the Materials of the Road Novel” offers a brief survey of three emblematic road novels that emerged during crucial moments of capitalist transition within the arc of US hegemony: Jack Kerouac’s paradigmatic western road novel, On the Road (1956) and the petroization of American life, Iva Pekárková’s post-socialist transition road novel, Truck Stop Rainbows (1989), and Samantha Schweblin’s neo-developmentalist soya-frontier road novel, Fever Dreams (2017). Taken together, the chapter reads the road novel as following the arc of US hegemony.
This chapter examines the literary registration of the life- and environment-making dynamics of commodity frontiers. It focuses on fictional representations of the contemporary soy frontier in Argentina and the former coal-mining districts of North East England. Specifically, the chapter considers Samanta Schweblin’s Distancia de rescate (Fever Dream, 2014), described by the author as Argentina’s first glyphosate novel, alongside Benjamin Myer’s Pig Iron (2012), which registers the socioecological fallout from the collapse of the coal frontier in County Durham. Placing both novels in the context of earlier depictions of the agricultural and industrial frontiers of Argentina and North East England, I show how, despite the very different geopolitical situations to which they respond, Schweblin’s and Myer’s narratives share certain thematic, stylistic, and formal likenesses in their mediation of the volatile and violent dynamics of commodity frontiers.
If commodities furnish the backgrounds of literary texts, they are far from trivial details. The cups of tea in Austen, the calico curtains in Gaskell, the lumps of coal in Dickens: each of these objects speaks to us about the material worlds in which texts circulate. While some commodities feature as elements of the setting, included for the purposes of realism, others play a more active role in literary narratives by driving the desires of characters and the trajectories of plots. The pursuit of whale oil, for example, motivates the events of Moby-Dick, just as ivory and opium shape those of Heart of Darkness and Sea of Poppies, respectively. Yet whether commodities appear as background details or as protagonists in their own right, their presence invites us to connect the desires and domestic intimacies detailed in the text to the wider networks of production and circulation that frame them.
Sugar as an industrial commodity has featured in colonial as well as postcolonial literary texts. On the one hand, it stimulates desire and, on the other, it induces terror and abjection. Its status as an object of desire hinges on colonial modes of surplus accumulation as celebrated by its literary apologists. It serves as the muse of plantation capital precisely because its global demand generates revenue for those invested in the expropriating instruments of Empire. The imagination of the postcolonial writer, in contrast, represents sugar as an exceptionally bitter commodity. For it speaks to a harrowing history of abduction, deceit, transportation, drudgery, degradation, murder, insanity, rape and penury. It denatures nature, ecologically, and dehumanizes humans, physically as well as psychically. It gives birth to a grotesque and unnerving disorder. This chapters discusses literary texts from Oceania and the Caribbean that revolve around sugar—a commodity implicated in slavery and indentured servitude.