This text proposes to provoke an interdisciplinary reflection on alterity as challenged through investigations in archaeology. It intends to analyse the process of archaeological practice in a contemporary Latin American context. Archaeological practice configures criteria for selecting a specific cultural heritage collection, and in turn, this reflects what should be forgotten or what has the right to be remembered by the society. It also aims to contribute to the speech practice and audience of the subjects, in order to problematize the experience of research and the researcher through ethnography and discussions in the postcolonial archaeology; these could promote a point of schism where paradigms for archaeological studies may reach a breaking point.

As a ceramic artist, I was surprised to find that archaeological research gives little attention to the extraordinary sensorial qualities of Jōmon flame pots. To understand why, I consider the challenges of including sensory experience in archaeological method and the problems of leaving it out. Turning to the typological approach to Jōmon pottery, I highlight the assumptions it makes about cognition before introducing Material Engagement Theory (MET) as an alternative. A MET-oriented reanalysis of the typological evidence places sensation at the centre of enquiry and removes the need to interpret symbolic, representational content. Through MET, I consider the sensorial qualities of flame pots, not as prehistory but as they appeared recently and unexpectantly during the process of modelling clay into sculptures for a contemporary art project. Flame pots joined conceptually with the explorative activity of clay. A prehistoric/contemporary artefact/modelling system was created and developed itself into a method of monitoring intra-systemic experience—clayful phenomenology. The findings cover five themes: enacted agency, iconicity from indexicality, bending rules/undermining habits, the choreography of material engagement and the phenomenology of space.

The physical nature of cave walls and its impact on Upper Palaeolithic image making and viewing has frequently been invoked in explanations about the function of cave art. The morphological features (convexities, concavities, cracks and ridges) are frequently incorporated into the representations of prey animals that dominate the art, and several studies have attempted to document the relationship between the cave wall and the art in a quantitative manner. One of the effects of such incorporation is that undulating walls will distort the appearance of images as viewers change their viewing position. Was this distortion deliberate or accidental? Until now, the phenomenon has not been investigated quantitatively. We address this here, analysing 54 Late Upper Palaeolithic animal images deriving from three Cantabrian caves, Covalanas, El Pendo and El Castillo. We introduce a novel use for photogrammetry and 3D modelling through documenting the morphology of these caves’ walls and establishing the specific relationship between the walls and the art created on them. Our observations suggest that Palaeolithic artists deliberately placed images on very specific topographies. The restricted nature of these choice decisions and the fact that the resulting distortions could have been avoided but were not suggest that the interaction between viewer, art and wall was integral to the way cave art functioned.

This paper utilizes Material Engagement Theory (MET), which examines material culture as a dynamic and integral component of human cognitive systems, in order to explore the relationship between Cycladic marble sculpting and the complex social organization evinced at the sites of Dhaskalio and Kavos on the island of Keros. The article shows how the development of Cycladic sculpting in conjunction with transforming settlement patterns suggests that the figurines emerged as part of a kinshipping dynamic. In this context, evidence from the cognitive sciences reveals how Cycladic figurines were profound attention-capturing technologies which shaped the development of intersubjectivity and collective activity. Cycladic marble provided a medium through which a semiotics of value could be generated, circulated and manipulated across the archipelago. The article argues that marble artefacts formed part of a distributed cognitive system which enabled the regional organization of long-range voyaging regimes centred on Dhaskalio-Kavos. The role of Cycladic sculpture in mediating maritime social interactions is clarified by examining the dynamics of social cognition and the organizational burdens of long-range voyaging culture. The relationship between marble, social interaction and longboat voyaging provides a strong explanation for the development and transformation of Keros as well as for broader chronological developments in the region. Cycladic sculpting traditions mediated the shifting burdens upon social cognition during the Early Bronze Age, facilitating the novel forms of social organization in the central Cyclades as a response to both the pressures and the opportunities of the Aegean world. Keros provides an exemplary case study of material culture's role in extending the boundaries of social cognition in ways that enable social complexity to emerge at new scales.

The type–token distinction and the notion of ‘tokenization’ are proposed as analytical tools that may help us understand better the emergence of numbers and mathematical thinking from the non-mathematical cultural practices of the Upper Palaeolithic such as painting, decorating portable objects, or making ornaments from beads, as described in recent studies in cognitive archaeology. While the type–token distinction has been a salient element in recent debates in the philosophy of mathematics, it seems not yet to have been registered in those areas of cognitive archaeology concerned with numbers—and yet it may help to identify the circumstances under which the conceptual potential of cultural artefacts develops. The concept of tokenization permits us to identify a plausible link between non-numerical cultural resources and the emergence of numerical thought patterns. This approach offers a way of appreciating the role of artefacts without raising the notoriously difficult question of their original ‘meaning’.

This paper explores the complex story of a particular style of rock art in western Arnhem Land known as ‘Painted Hands’. Using new evidence from recent fieldwork, we present a definition for their style, distribution and place in the stylistic chronologies of this region. We argue these motifs played an important cultural role in Aboriginal society during the period of European settlement in the region. We explore the complex messages embedded in the design features of the Painted Hands, arguing that they are more than simply hand stencils or markers of individuality. We suggest that these figures represent stylized and intensely encoded motifs with the power to communicate a high level of personal, clan and ceremonial identity at a time when all aspects of Aboriginal cultural identity were under threat.

Given current interests in indigenous ontologies and multiple worldviews, archaeologists drawing on textual evidence must more fully contextualize ancient texts according to how they were perceived and experienced, and understood as capable, in the cultures that created them. This endeavour has methodological impacts for modern interpretations, shifting how we interpret textual evidence as a result of how written realities and histories might have been conceptualized in the past. I examine these topics through the case study of the Classic Maya (250–900 ad, Mexico and Central America), using imagery on painted ceramic vessels. I examine how the Classic Maya understood text and writing, asking: how were texts perceived? How did people relate to them? What capabilities were texts understood to have? Based on observations gleaned from the ways in which glyphs are shown, the ways people are shown interacting with them and the work that glyphs apparently accomplish, I argue that the Classic Maya understood texts to be real, relational and persistent. This article suggests a new direction for archaeological thinking about ancient written sources, complementary to other interpretive approaches to texts, by exploring productive possibilities that emerge when we take ancient experiential perspectives into account.

This text comprises a critical discussion of assemblage theory and its application to burial studies. In recent research, burials have been viewed as fluid and indeterminate assemblages that ‘become’ in varied ways depending on different perceptions (concepts and ideas) and apparatuses (e.g. excavation tools and measuring instruments). The past and the present are thus mixed in potentially ever-new configurations which run the risk of replacing epistemological relativism with ontological fluidity. It is argued here that the hypothetical mutability of burial assemblages can be reduced significantly by addressing the varying speed and degree of the involved processes of integration and disintegration. By doing this, the main focus is shifted to the animacy of such processes and how they may have been understood and utilized in burials. Using both general and specific examples, it is argued that cremation burials can be studied as carefully compiled amalgamations that utilize the properties and animacies of different materialities to deal with death, corpses and the afterlife.

This paper proposes a multi-disciplinary approach which can be used to identify captives and the enslaved of Iron Age Britain (seventh century bc–ad first century). It uses a ‘poetics of violence’ perspective which recognizes that violence and warfare are created and enacted through social relations, and encompasses violence for which there is often no archaeological trace. Roman primary sources, bog-bodies and other archaeological evidence from Iron Age Britain and Europe suggest that people in these states of ‘social death’ were used to acquire material goods, employed in the agricultural economy, and their deaths played an important role in episodes of ritual violence. Drawing on research from North America, a series of funerary, isotope, archaeothantology and osteological variables have been identified for this period, and when integrated into an osteobiography, allows for the re-interpretation of many burials and structured deposits encountered in Iron Age settlements and hillforts.

This article discusses a problem in integrating archaeology and philology. For most of the twentieth century, archaeologists associated the spread of the Celtic languages with the supposed westward spread of the ‘eastern Hallstatt culture’ in the first millennium bc. More recently, some have discarded ‘Celtic from the East’ in favour of ‘Celtic from the West’, according to which Celtic was a much older lingua franca which evolved from a hypothetical Neolithic Proto-Indo-European language in the Atlantic zone and then spread eastwards in the third millennium bc. This article (1) criticizes the assumptions and misinterpretations of classical texts and onomastics that led to ‘Celtic from the East’ in the first place; (2) notes the unreliability of the linguistic evidence for ‘Celtic from the West’, namely (i) ‘glottochronology’ (which assumes that languages change at a steady rate), (ii) misunderstood place-name distribution maps and (iii) the undeciphered inscriptions in southwest Iberia; and (3) proposes that Celtic radiating from France during the first millennium bc would be a more economical explanation of the known facts.

Houses are rich resources for understanding prehistoric social structure. However, conventional working methods often handle houses as stable entities that reflect the nature of households and other social units. Social groups may be inadvertently rendered static in the process. A biographical understanding, in which the on-going transformation of built space is part of different kinds of human collaboration, allows us to explore the dynamic qualities of past communities. I examine detailed life-histories of four contemporary houses at Çatalhöyük in Central Turkey, using the site's fine stratigraphy to interrogate how furnishings, elaborations and rhythms of burial varied through each building's use-life. These trace shifting practice and performance in relation to built space. Çatalhöyük buildings’ social roles changed dramatically over their lives. The spatial dynamics observed suggest that commensal groups were less stable and less bound to specific houses than in more conventional views of the site, and interacted in unpredictable ways with larger forms of social collaboration. Ultimately, this suggests a more dynamic approach to both houses and social units in the Near East and the archaeology of houses generally.

Our research at the large LBK settlement site of Vráble, southwest Slovakia, revealed dynamics of social integration and antagonisms unfolding in an agglomerated, early farming community. During its lifespan from 5250 to 4950 bc, it constantly grew until around 5050 bc it was inhabited by about 70 contemporaneous longhouses. We found that Vráble consisted of markedly autonomous farmstead units that were held together by village-wide social institutions including sharing and communality. Nevertheless, from the beginning, a contradiction between particular farmstead and collective village and neighbourhood interests existed and rose. Towards the end of the village's existence, around 5075 bc an elaborate enclosure was constructed around one of the three neigbourhoods, actively blocking contact with the others. Along this enclosure, human bodies were deposited, showing a social categorization that we interpret as relating to social inequality. This rising level of conflict and emerging social inequality was, we argue, not sustainable under the conditions of early farming societies and led to the village's abandonment at 4950 bc.

The Ceramic Periods in central Chile are a scenario of major changes in mobility and subsistence systems, associated with the incorporation of cultigens as the basis of subsistence. In this paper, we present a study of the funerary contexts of the Ceramic Periods in central Chile in order to assess whether in this scenario, generally considered very significant in the low-scale societies studied here, gender categories were constructed or signified, and how this changed over time. The results of the analysis suggest that gender categorization was not always important in this scenario. Among Llolleo groups, the offerings associated with females and children suggest their relation with production spheres; in Bato groups, on the other hand, age categories seem to be more important. In the Late Intermediate Period, it is the collective aspect that appears to be stressed in the funerary contexts.

A unique gold finger ring, dated stylistically to c.ad 580–650, was discovered by metal-detecting in Essex in 2011. The ‘northwest Essex Anglo-Saxon ring’ is highly decorated with Style II art and shows a distinctive juxtaposition of ‘pagan’ and ‘Christian’ imagery including birds of prey and an anthropomorphic figure holding a long cross in the right hand, a raptor in the left. In this article, I consider the possibility that the object provides further evidence that falconry was practised in early Anglo-Saxon England. I begin by examining the finger ring itself and the imagery upon it, situating this within an Anglo-Saxon and broader Continental context. I then explore the possible social context of the ring, focusing on the ‘ideology of predation’ within which falconry, as a high-status hunting pursuit, may have been performed. Evaluating the hybrid ‘pagan’ and ‘Christian’ elements of the imagery, I suggest that falconry, and the ring itself as a high-status and possibly royal object, may have played important roles in the dynamics of pagan–Christian ‘discursive space’.

This study is the first systematic approach to ceramic miniatures from the lowlands of the Paraná River (northeastern Argentina), which have received marginal attention from regional archaeology. This paper presents an analysis of 24 pottery miniatures recovered from archaeological sites generated by complex Late Holocene hunter-gatherers, dating from between 460±50 and 1056±47 years bp. Morphological and decorative data, errors of manufacture, traces of use and the context of the pieces’ deposition are recorded in order to explore aspects of their variability and functionality. The miniatures correspond to bowls, basins, cups and ‘bell’ artefacts, all of which are commonly found in the regional record. The data obtained suggest that at least some of the sample were used in the symbolic sphere, such as burial offerings.