A recent fluorescence of geophysical and archaeological research in Catholic cemeteries illustrates the benefits and challenges of community-engaged projects. Focusing on four ongoing case studies in coastal Virginia and Maryland (the Chesapeake region)—St. Mary’s Basilica (Norfolk, Virginia); Brent Cemetery (Stafford County, Virginia); Sacred Heart Church (Prince George’s County, Maryland); and St. Nicholas Cemetery (St. Mary’s County, Maryland)—this article explores a variety of archaeological strategies in the context of community engagement. These approaches are shaped by the physical characteristics of cemetery sites, the Catholic diocesan or church communities that oversee them, and the African American descendant communities affected by them. The built environment of cemeteries highlights the way that racism and segregation have shaped both the landscape and public memory of Catholic cemeteries in the Chesapeake region.

This paper examines clothing depicted in the portraits painted on the walls of the tombs of elites at various settlements in Campania and Lucania in southwest Italy in the fourth century BC, as it provides important information on sartorial appearances and self-perception, especially in view of the dearth of textiles and lack of textual sources. It investigates the interconnected relationship between dress behaviour, ethnic identity and social status among independent Italic groups in the region in this century, a time of political and cultural tensions triggered by Rome’s aggressive expansion of its territorial control. The images, as well as the material culture from grave assemblages, indicate that people expressed who they thought they were through clothing and dress accessories and that this happened on a local basis rather than on a large scale or ‘national’ level. It was predominantly women who were expressing group belonging through specific garments and styles, headdresses, colours and patterns. These images painted for perpetuity offer us a precious window on dress behaviour and they suggest that women were the primary bearers of small-scale community identities in funerary representation and in life in this period of political and social change.

The article aims to shed new light on the voices of bereaved benefactors: slaves, freedmen and freedwomen, who are often marginalized in literary and monumental sources, by exploring a series of unpublished funerary inscriptions from Rome, currently in storage at the Museo Nazionale Romano. Editions of the text, translations and commentaries have been produced by young scholars from the British School at Rome (former participants of the BSR Postgraduate Course in Epigraphy). Their entries, edited by Abigail Graham (Institute for Classical Studies, University of London, British School at Rome) and Silvia Orlandi (La Sapienza, President of the Association Internationale d’ Epigraphie Grecque et Latine), are an exciting and unique opportunity to view inscriptions through a different lens: from scholars with diverse backgrounds and interests (history, archaeology, epigraphy, as well as linguistics), including postgraduates and academics. Careful consideration of text, appearance and context presents an array of voices and audiences as well as poignant messages that transcend time and space through a common experience: grief. By incorporating interdisciplinary scholars in the editorial process, we aim to provide and promote uniquely accessible epigraphic discussions that reflect the broader impact and significance of epitaphs as texts, images and emotive experiences.

In this article, we report new marine reservoir age correction (ΔR) values from the Marine20 calibration for the Penghu Islands in the Taiwan Strait over the past 6700 cal BP, derived from 14C and U-Th ages of Holocene corals. Since secondary calcite from diagenetic processes can influence coral 14C ages, we developed a pretreatment protocol that ensures low calcite content (<1%, 0.8±0.2%) using a combination of thorough physical cleaning and repeated XRD measurements. We compare our new measurements with published ΔR values from the region, recalculated to conform to the Marine20 dataset. The results show larger temporal variation (∼300 yr) in ΔR from 5500 to 6700 cal BP for the Penghu Islands and ∼400 yr variability at several SCS sites from 5500 to 8200 cal BP. Relatively smaller ΔR variability is observed from 0–5500 cal BP: ∼220 yr in the Penghu Islands and ∼320 yr for South China Sea sites. The weighted mean ΔR value of –155±59 14C yr for the past 5500 cal BP is determined as the marine reservoir age correction around Taiwan and northeastern SCS, and this value is consistent with modern values inherited from the North Equatorial Current, the upstream source of the Kuroshio Current that feeds the northeastern SCS and the Taiwan Strait.

In the summer of 1924, a young Neapolitan scholar, Mario di Martino Fusco, claimed to have discovered the long-lost 107 books of Livy’s Ab Urbe Condita, sparking an international media frenzy. Announced prematurely by his supposed ally, Francesco Ribezzo, the claim captivated the scholarly world until it was definitively debunked. Drawing on a wide range of contemporary newspaper reports and scholarly reactions, this article reconstructs the unfolding of the Livy delusion: from Martino’s initial assertion, through journalistic hysteria and academic opportunism, to the final official inquiry revealing a misreading of a fourteenth-century reference. The episode not only ruined Martino’s career but also exposed the vulnerabilities of scholarly ambition, press sensationalism and nationalist rivalries in Fascist Italy. It remains one of the most extraordinary cases of literary delusion in classical scholarship, illustrating both the enduring allure of lost texts and the dangers of credulity and pride.

The Antikythera shipwreck provides a rare chronological anchor in the history of Greek sculpture. The cargo, a massive haul of more than four-dozen bronze and marble statues, in addition to amphorae and portable luxury goods, was lost at sea c. 70–50 BCE, possibly later, along the north-east coast of the island of Antikythera. Previous research on the sculptural assemblage from the wreck has focused on the style and iconographic heritage of individual statues. This article examines the statuary as a gathered whole to isolate trends in material, size, and subject matter. The results suggest a main setting where some, maybe all, of the statues might have originally been displayed: the gymnasion. The statues were probably obtained through plunder or extortion, not normal commercial activity. The study concludes by considering where the statues might have been set up once they reached their presumed destination in Italy. It is shown that the statues were most appropriate for display in a lavish public building in Rome.

This article uses amphora quantification and regression analysis to trace economic changes in the Mediterranean between the Principate (27 bc to ad 284) and Late Antiquity. It indicates that, during the Principate, there was a clear pattern of amphora distribution across the Mediterranean, which can be explained by the predominance of market forces among the factors governing trade. In contrast, the weak correlation between exports and prices observed in Late Antiquity suggests a significant shift in the underlying principles of trade during this period.

When evaluating competing hypotheses in archaeology, researchers frequently invoke the principle of parsimony, which states that simpler hypotheses should be preferred. However, the criteria for measuring simplicity and the rationale for labeling a hypothesis as most parsimonious often remain unclear. More broadly, the epistemic merit of parsimony and its relevance to archaeological reasoning are generally assumed but rarely clarified. This article explores how archaeologists use parsimony in ethnographic analogy and formal model selection. In the first context, it is usually uncertain how simplicity should be measured or why increased simplicity raises the plausibility of an ethnographic analogy. We contend that discussions of ethnographic analogy are better characterized under inference to the best explanation, where parsimony is only one heuristic among others. In the second context, simplicity is assessed by the relative complexity, rather than the quantity, of postulates in a model. This approach to parsimony, which does track plausibility under certain conditions, helps prevent false positives in archaeological interpretation. However, it also heightens the risk of rejecting alternative, complex causes. We argue that parsimony can aid in evaluating the relative likelihood of competing models and, more importantly, serve as a guide to clarify the complex histories of archaeological phenomena.