Between December 2018 and August 2019, political activities in Sudan resulted in the overthrow of the incumbent regime. Despite efforts by the security apparatus to retain control, continued mobilization of Sudanese working peoples ensured civilian participation in the transitional government. How did the organization of Sudanese working peoples lead to the overthrow of the regime and challenge the state? Drawing on the work of Global African thinkers, and analyzing organizational documents, systematically collected media reports on the uprising (2018–2019), and insights from ethnographic fieldwork in Khartoum (2022), I argue that the nonhierarchical coordination of autonomous, self-organized groups - such as the Neighborhood Resistance Committees and Tea Sellers Association - representing different sections of the working poeples was central to the movement’s success. These findings enrich our understanding of the Sudanese revolutionary process by showing how coordinated self-organization served as an asset for political change.

This contribution includes an original poem, “Benediction” in tribute of Valentin-Yves Mudimbe and the first translation in English of selections from Les Fuseaux, parfois (1974). Mudimbe authored several collections in the 1970s, and this translation is intended to draw more scholarly attention to his poetic output.

This article reconsiders V.Y. Mudimbe’s contribution to “decolonial” impulses that are central to current preoccupations in fields such as postcolonial studies. It argues that key concepts developed by Mudimbe, such as the “colonial library,” have been overlooked in these discussions. Further, the article provides insight into important aspects of Mudimbe’s thought on the colonial library by reminding readers of the genealogy he excavates in describing the contours of the colonial library and its continued influence (likened by Mudimbe to a lingering odor) that is still to be dismantled.

We present a Late Pleistocene paleoecological record from King Island in western Bass Strait, Tasmania, and compare this to existing records from the eastern Bass Strait islands to improve our understanding of the region’s paleoecology and paleoclimatology. Vegetation change across the region followed similar trajectories during the late glacial–Middle Holocene, characterized by homogeneous warming and wetting trends. Spatial divergence occurred during the Middle Holocene when sea level rose, and different drivers began influencing western and eastern Bass Strait islands. In eastern Bass Strait, Middle Holocene sea-level rise caused replacement of woodland by coastal heathland, while in the west, a drier period accompanied by fires transformed forests to forest–scrub. The comparative analysis suggests that Westerly driven climatic anti-phasing was pronounced at higher latitudes of Tasmania during the late glacial–Early Holocene. A combination of weak Leeuwin Current, positive Indian Ocean Dipole (IOD), and El Niño–Southern Oscillation (ENSO) intensification contributed to Middle Holocene aridity across Bass Strait. Strong Westerlies and negative IOD phases led to greater regionalization of rainfall across western Bass Strait during the Late Holocene, while ENSO intensification drove rainfall declines in eastern Bass Strait. These findings provide new insights into the complexity of Late Pleistocene environmental dynamics across southeast Australia.

This study offers a review of the artistic dimension of the Chinchorro culture, a complex hunter-gatherer society along the coast of the Atacama Desert that, around 7000 years ago, created elaborate representations of the dead. It provides archaeological background and investigates the possible reasons for the development of artificial mummification. Drawing on the art therapy model and the concepts of art and grief, the analysis interprets Chinchorro mortuary rituals as expressions of emotional and social processes. This study argues that these anthropogenically prepared mummies represent artistic expressions that reflect the intentional decision-making and emotional awareness of these ancient communities, serving as a means to process grief. Furthermore, the paper highlights the multifaceted nature of Chinchorro society, including the mining and use of pigments such as manganese—materials that, while symbolically meaningful, posed serious health risks and may have contributed to the eventual decline of their elaborate funerary practices. Finally, the study underscores the enduring cultural significance of the Chinchorro, particularly in shaping contemporary identity of Arica region, where artistic portrayal of dead links ancient and modern narratives of cultural heritage.

This paper anatomises and illustrates drawings and prints in the British Museum extracted from an early seventeenth-century album. The drawings, which were inserted by the museum into a new album, suggest that the original album originated in the workshop of a London goldsmith with German or central European origins who worked for the royal court and had a connection to Thomas Cecil, Earl of Exeter. Particular attention is paid to forty-four ornament prints, mainly German, long separated from the drawings. Nearly all are signal additions to the canon of engraved ornament documented in London at this early date. The ensemble thus reassembled is a rare window into design sources, style and processes early in the Stuart period.

In 1932, Khana Ratsadon (the People’s Party) overthrew the absolute monarchy in a military coup, introducing constitutional rule in Siam (Thailand after 1939). The dominant historical narrative in Thailand centres on the monarchy as the instigator of historical change, celebrating the roles of Thai monarchs in the development and protection of democracy. According to this narrative, democracy is portrayed as the monarchy’s gift to the people, while the significance of the 1932 revolution and Khana Ratsadon has been marginalized in the history of the origins of democracy in Thailand. Since the military coups in Thailand in 2006 and 2014, both original and newly created objects related to Khana Ratsadon have emerged in political protests against coups and post-coup governments. Simultaneously, a revisionist historiography has gained momentum. This article explores how the discursive and material (re)emergence of Khana Ratsadon contributes to the formation of a counter-memory, creating a space for political commentary to enact and reimagine the possibilities of community anew. In doing so, the article will examine the intricate relationship between a historiography of oblivion, counter-memory, and what we term ‘banal and revolutionary objects’.

After nearly two decades of documenting Ngũgĩ wa Thiong’o’s life and work, this reflection situates my conversations with him within a broader canvas—one that allows us to hear him in dialogue with fellow writers, activists, and global artists.

Does increasing descriptive representation enhance substantive representation? While ethnic minorities are generally underrepresented in legislatures worldwide, they are overrepresented in China’s National People’s Congress. We show that overrepresentation of ethnic legislators does not result in greater substantive representation. Compared to their Han counterparts, ethnic minority legislators are less likely to sponsor bills, show no significant difference in submitting policy suggestions, and are reticent to propose legislation on ethnic issues. They face challenges in mobilizing sufficient signatures for bill sponsorship within delegations and in building cross-delegation policy coalitions. Ethnic fragmentation may hinder their ability to advance the policy agenda. Our findings suggest that institutional constraints and collective action problems may hinder ethnic legislators from achieving substantive representation.

Collective memories of intergroup history persist as dynamic structures that shape how societies perceive foreign others. This article proposes a framework for understanding stereotypes rooted in collective memory as both premises for journalistic coverage – guiding story selection – and tools within it, offering adaptable templates for framing. Analysing Israeli media’s coverage of Poland across two decades of conflict, conciliation, and routine reporting, I show how journalists reproduce and renegotiate stereotyped perceptions, clarifying their dual role as memory agents: sustaining stereotype-laden perceptions anchored in collective memory, while recalibrating these perceptions in light of shifting political and narrative contexts. The study foregrounds journalism’s dual role in carrying forward and adapting the collective memory structures through which foreign nations are perceived.

In this paper, I use examples from the Roman past and the Brexit present of the UK to discuss the links between practices, identities and the changing dimensions of imperial power. In both the traditional archaeological context of later Roman Britain and in excavating the roots of Brexit in post-War British politics, analysis of the practical semiotics of identity is the most fruitful way to understand the social processes under way. In each context, the meaning of different practices, articulated through the concepts of identities and boundaries, is crucial to the structuration of, respectively, a late imperial and a post-imperial society. The tensions between imperial and local identities are manifest across a wide suite of practices, the investigation of which provides a dynamic method for understanding how these tensions play out, with consequences for the fragmentation of the Roman Empire, on the one hand, and of the UK, on the other.