I have described the aims and approach of my commentary in the Introduction; here it is my pleasure to acknowledge the many debts I have incurred during its long evolution.
My first thanks go to the series editors Philip Hardie and Stephen Oakley, who read the entire manuscript and substantially improved it by their comments. With great generosity Gian Biagio Conte and Richard Thomas read the commentary and offered numerous valuable suggestions and corrections. A portion of the commentary in an earlier form benefited from careful reading by E. J. Kenney and P. E. Easterling.
For advice and information on specific points I am grateful to Ewen Bowie, Cynthia Damon, Carlotta Dionisotti, Katherine Dunbabin, Catharine Edwards, Christian Flow, Albert Henrichs, Tom Jenkins, Jennifer Ledig, Gregory Nagy, Lara Nicolini, Silvia Ottaviano, Sergios Paschalis, Andreola Rossi, Mark Schiefsky, Ben Tipping, and Tony Woodman. Special thanks to Miriam Carlisle for alerting me to the possible relevance of the Tyszkiewicz Painter’s vase (see Appendix).
James Zetzel suggested that I include a section on metre in the Introduction, but he bears no responsibility for its content. Alessandro Schiesaro secured for me a copy of Alfonso Traina’s commentary (a work unfortunately hard to find in this country), and Professor Traina himself kindly sent me a copy of the second edition, containing an updated bibliography. Ian Goh carefully checked references, and Lauren Curtis offered timely assistance in preparing the final form of the commentary.
Kind invitations from various institutions gave me the chance to try out ideas before committing them to print. I mention in particular the Scuola Normale Superiore in Pisa, the Society for the Promotion of Roman Studies in London, Amherst College, Princeton University, Skidmore College, the University of Virginia, and Washington and Lee University. Audiences on those occasions have been most helpful in their comments.