A photograph by Nic Dunlop, of a large and imposing statue outside the Defence Services Museum in Naypyidaw, led to this intellectual excursion into the semiotics of Myanmar's military government. It prompted one New Mandala reader to enquire: if an explanation of the statue's individual elements was so important, why not simply ask someone in the Myanmar government to say what they all meant? It was a fair question.
The study of monuments has so far remained rather marginal within the humanities and social sciences.
Readers of New Mandala will doubtless be familiar with Nic Dunlop's iconic photograph of the 10-metre high statues of Burma's three warrior kings (Anawratha, Bayinnaung and Alaungpaya) which tower over the main parade ground at Naypyidaw. On a recent visit to the capital, however, the Bangkok-based author, photographer and film-maker took a picture of another statue which is less well known.
This other statue, which stands in the grounds of the enormous new Defence Services Museum, consists of three life-size figures. One holds aloft a leafy branch, another raises a five-pointed star, and the one in the middle carries an unfurled flag. As seen in Nic's photo below, the statue's massive red and white pedestal surmounts a large white star, above the emblem of Burma's armed forces (or Tatmadaw).
This striking triptych does not appear to be identified in any way, raising a number of questions not only about the meaning of the statue itself, but also the symbolism of each component part. It is possible to read too much into such public displays but, by looking back through modern Burmese history, a number of possibilities present themselves.
Judging from their uniforms and military helmets, the three figures are soldiers. Taken together, they probably represent the Tatmadaw. It is curious that these figures are not portrayed in a way that better illustrates the three services, namely the army, navy and air force, but perhaps the designers of the statue wanted to emphasise that each figure had the same symbolic significance.
The figure on the left could be holding up a branch of the padauk tree, long revered by the Burmese for its strength and durability. Alternatively, it could be a sprig of laurel leaves, which represents victory in most Western cultures, or even an olive branch, universally known as a symbol of peace— as seen for example in the seal of the United Nations.