Cambridge Editions present the works and correspondence of great thinkers and writers. Introductions, explanatory notes and textual apparatus accompany a reliable version of the text, aiding scholars and students alike.
Cambridge Editions present the works and correspondence of great thinkers and writers. Introductions, explanatory notes and textual apparatus accompany a reliable version of the text, aiding scholars and students alike.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Wessex Tales is Thomas Hardy’s first collection of stories. Published as two volumes in 1888, it contains some of his best-known short works, including ‘The Three Strangers’, ‘The Withered Arm’ and ‘Fellow-Townsmen’. The longest story in the collection, ‘The Distracted Preacher’, is an exciting tale of smuggling on the Dorset coast based on the recollections of Hardy’s family. The Cambridge copy-text is the first edition of Wessex Tales, but it also includes Hardy’s story ‘An Imaginative Woman’, which was added later in the 1896 Osgood, McIlvaine edition. As with all volumes in the Cambridge Edition, full information on the publication history of the text is provided, along with a complete record of substantive variants. Illustrations include frontispieces for the first American edition along with those for the Osgood, McIlvaine and Wessex Editions. All of the illustrations for ‘An Imaginative Woman’ that appeared with its original publication in the Pall Mall Magazine are also reproduced.
Catullus' longest poem, a miniature epic or 'epyllion' that tells two apparently unrelated mythological stories, is a central text in the Roman literary tradition. Allusive, exquisite, and sometimes shocking, it offers a profound exploration of human connection and aesthetic response against a backdrop of universal history. This major new edition addresses the interpretative challenges of the poem on every level of detail. The corrupt text is newly edited, while a line-by-line commentary of unparalleled depth and range integrates discussion of textual and linguistic matters with sophisticated literary criticism and a thoroughgoing awareness both of the poem's cultural and intertextual background and of its subsequent influence and reception. The introduction sets Catullus 64 in context, and an innovative epilogue draws together the threads of an overall interpretation. This book is an essential resource for the study of Latin poetry, and will transform its readers' understanding and appreciation of Catullus 64.
Hardy's first collection of short stories, Wessex Tales contains some of his most famous narratives. 'The Three Strangers' is often described as the quintessential example of his short fiction, while 'The Withered Arm,' with its suggestion of supernatural influences and its shocking conclusion, has thrilled readers for over a century. Tales such as 'Fellow-Townsmen' and 'Intruders at the Knap' showcase Hardy's typically ironic approach to the relationship between the sexes, and 'The Distracted Preacher' shows his undervalued comic touch. The re-introduction of 'An Imaginative Woman' into the collection, which Hardy at one point inserted and then subsequently removed, restores the volume to his original intention. This edition provides an authoritative text and full scholarly apparatus, allowing the reader to trace Hardy's creative process for each of the stories. It also includes an introductory essay discussing the work's composition, publication and critical reception, and comprehensive explanatory notes.
This first modern scholarly edition of the letters of Oliver Goldsmith (1728–1774) sets the author of The Vicar of Wakefield, The Deserted Village, and She Stoops to Conquer in a rich context, showing how Goldsmith's Irish identity was marked and complicated by cosmopolitan ambition. He was at the very heart of Grub Street culture and the Georgian theatre, and was a founding member of Dr Johnson's Literary Club; his circle included Edmund Burke, Joshua Reynolds, David Garrick, George Colman and Hester Piozzi. Containing a detailed introduction and extensive notes, this edition is essential to those wishing to know more about Goldsmith the man and the writer, and provides a rich and suggestive nexus for understanding the cultural cross-currents of the literary Enlightenment in eighteenth-century London.