Reviews
Vinyl: A History of the Analogue Record. By Richard Osborne. Farnham: Ashgate, 2012. 224 pp. ISBN 978-1-409-44027-7
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- 19 December 2014, pp. 166-168
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Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording. By David Grubbs. London: Duke University Press, 2014. 220 pp. ISBN 978-0-822-35576-2
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- 30 April 2015, pp. 347-349
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Paris Blues: African American Music and French Popular Culture, 1920–1960. By Andy Fry . Chicago, IL and London: University of Chicago Press, 2014. 282 pp. ISBN-13 978-0-226-13881-7
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- 08 September 2015, pp. 520-522
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The Art of Music Production. By Richard James Burgess. Oxford: Oxford University Press, 4th edn, 2013. 266 pp. ISBN 978-0-199-92172-0
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- 19 December 2014, pp. 168-170
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Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music. Edited by Eric James Abbey and Colin Helb . Lanham, MD: Lexington Books, 2014. 212 pp. ISBN 978-0-7391-7605-4
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- 08 September 2015, pp. 522-525
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Mediated Youth Cultures: The Internet, Belonging and New Cultural Configurations. Edited by Andy Bennett and Brady Robards. Basingstoke: Palgrave Macmillan, 2014. 256 pp. ISBN 978-1-137-28701-4
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- 30 April 2015, pp. 349-351
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Hip-Hop Within and Without the Academy. By Karen Snell and Johan Söderman . Lanham, MD: Lexington Books, 2014. 227 pp. ISBN 978-0-7391-8
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- 08 September 2015, pp. 525-529
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The Death and Life of the Music Industry in the Digital Age. By Jim Rogers. London: Bloomsbury Academic, 2013. 284 pp. ISBN-10 1-623-56001-2 - Understanding the Music Industries. Edited by Chris Anderton, Andrew Dubber and Martin James. London: Sage Publications, 2013. 248 pp. ISBN-10: 1-446-20795-1
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- 30 April 2015, pp. 351-354
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The History of Live Music in Britain: From Dance Hall to the 100 Club. By Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster. Farnham: Ashgate, 2013. 221 pp. ISBN 978-1-409-42280-8
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- 19 December 2014, pp. 170-172
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Assimilate: A Critical History of Industrial Music. By S. Alexander Reed. New York: Oxford University Press, 2013. 368 pp. ISBN 978-0-199-83260-6
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- 19 December 2014, pp. 172-174
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Music in Identity in Ireland and Beyond. Edited by Mark Fitzgerald and John O'Flynn . Farnham: Ashgate, 2014. 335 pp. ISBN 978-1472409669
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- 08 September 2015, pp. 529-530
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Troubling Gender: Youth and Cumbia in Argentina's Music Scene. By Pablo Vila and Pablo Semán. Philadelphia, PA: Temple University Press, 2011. 217 pp. ISBN 978-1-43990-267-7
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- 30 April 2015, pp. 354-356
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Bruce Springsteen: American Poet and Prophet. By Donald L. Deardorff II. Lanham, MD: The Scarecrow Press, 2014. 175 pp. ISBN 978-0-810-88426-7
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- 30 April 2015, pp. 356-358
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Different Every Time: The Authorised Biography of Robert Wyatt. By Marcus O'Dair . London: Serpent's Tale, 2014. ISBN 978-1846687594
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- 08 September 2015, pp. 531-532
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Front Cover (OFC, IFC) and matter
PMU volume 34 issue 1 Cover and Front matter
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- 19 December 2014, pp. f1-f5
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Sing Us a Song, Pianowoman: Female Fans and the Music of Tori Amos. By Adrienne Trier-Bieniek. Lanham, MD, Toronto and Plymouth: The Scarecrow Press, 2013. 169 pp. ISBN 978-0-810-88550-9
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- 30 April 2015, pp. 358-360
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Back Cover (IBC, OBC) and matter
PMU volume 34 issue 1 Cover and Back matter
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- 19 December 2014, pp. b1-b8
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Reviews
Elvis Costello and Thatcherism. A Psycho-Social Exploration. By David Pilgrim and Richard Ormrod . Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2013. 210 pp. ISBN 9781-40944-9638
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- 08 September 2015, pp. 532-535
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Sonic Multiplicities: Hong Kong Pop and the Global Circulation of Sound and Image. By Yiu Fai Chow and Jeroen de Kloet. Bristol: Intellect, 2013. 178 pp. ISBN 978-1-841-50615-9
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- 30 April 2015, pp. 360-362
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Front Cover (OFC, IFC) and matter
PMU volume 34 issue 3 Cover and Front matter
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- 08 September 2015, pp. f1-f5
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