Popular Music: Volume 34 -

Popular Music

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Popular Music
ISSN: 0261-1430

EISSN: 1474-0095

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Volume 34 - October 2015

Reviews

Go-Go Live: The Musical Life and Death of a Chocolate City. By Natalie Hopkinson. Durham, NC: Duke University Press, 2012. 214 pp.

The Political Force of Musical Beauty. By Barry Shank . Durham, NC and London: Duke University Press, 2014. 330 pp. ISBN 978-0-8223-5658-5

Studying Popular Music Culture (2nd edn). By Tim Wall . London: Sage, 2013. 320 pp. ISBN 978-1-4462-0771-0

Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968–1981. By Eric Drott. Berkeley, CA: University of California Press, 2011. 368 pp. ISBN 978-0-520-26897-5

Democracy of Sound. By Alex Sayf Cummings. New York: Oxford University Press, 2013. 336 pp. ISBN 978-0-199-85822-4

The Hallelujah Effect: Philosophical Reflections on Music, Performance Practice, and Technology. By Babette Babich. Farnham: Ashgate, 2013. 307 pp. ISBN 978-1-409-44960-7

Sounding the Cape: Music, Identity and Politics in South Africa. By Denis-Constant Martin. Somerset West: African Minds, 2013. 472 pp. ISBN: 978-1-920-48982-3 (pb), 978-1-920-67716-9 (ebook)

Brazilian Jive. From Samba to Bossa and Rap. By David Treece . London: Reaktion Books, 2013. 232 pp. ISBN 9-781-78023-085-6

An Unholy Row: Jazz in Britain and its Audience, 1945–1960. By Dave Gelly . Sheffield and Bristol: Equinox, 2014. ISBN-13: 978-1-845-53712-8

Fado Resounding: Affective Politics and Urban Life. By Lila Ellen Gray. Durham, NC: Duke University Press, 2013. 328 pp. ISBN 978-0-822-35471-0

Pop Pagans: Paganism and Popular Music. Edited by Donna Weston and Andy Bennett. Durham & Bristol, CT: Acumen2013. x + 246 pp. ISBN 978-1-844-65647-9

The Oxford Handbook of Sound and Image in Digital Media. Edited by Carol Vernallis, Amy Herzog and John Richardson. New York: Oxford University Press, 2013. 832 pp. ISBN 978-0-109-975764-0

Music, Sound, and Technology in America: A Documentary History of Early Phonograph, Cinema, and Radio. Edited by Timothy D. Taylor, Mark Katz and Tony Grajeda. Durham, NC and London: Duke University Press, 2012. 410 pp. ISBN 978-0-822-34946-4

Unruly Media. YouTube, Music Video, and the New Digital Cinema. By Carol Vernallis . Oxford: Oxford University Press, 2013. 354 pp. ISBN 978-0-19-976699-4

Understanding Fandom: An Introduction to the Study of Media Fan Culture. By Mark Duffett. New York: Bloomsbury Academic, 2013. 342 pp. ISBN 978-1-441-16693-7 - Popular Music Fandom: Identities, Roles and Practices. Edited by Mark Duffett. New York: Routledge, 2014. 233 pp. ISBN 978-0-415-50639-7

Funky Nassau. Roots, Routes, and Representation in Bahamian Popular Music. By Timothy Rommen. Berkley, CA: University of California Press and Black Music Center, 2011. xvii + 310 pp. ISBN 978-0-520-26569-1

Music, Markets and Consumption. By Daragh O'Reilly , Gretchen Larsen and Krzysztof Kubacki . Oxford: Goodfellow Publishers, 2013. 232 pp. ISBN 978-1-908999-52-8

Shakin’ All Over: Popular Music and Disability. By George McKay. Ann Arbor, MI: University of Michigan Press, 2013. ISBN 978-0-472-05209-7

People Get Ready: The Future of Jazz Is Now! Edited by Ajay Heble and Rob Wallace . Durham, NC and London: Duke University Press, 2013. 312 pp. ISBN 978-0-8223-5425-3

Africa in Stereo: Modernism, Music and Pan-African Solidarity. By Tsitsi Ella Jaji. Oxford: Oxford University Press, 2014. 239 pp. ISBN 978-0-199-93637-3

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Volume 34 - October 2015

Reviews