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Memorable for characters eccentric yet socially and economically representative, and for scenes alternately comic and tragic, John Galt's 1823 novel The Entail is a compelling story of greed, anxiety, and tradition against a background of social upheaval. In addition to making this remarkable novel available in a scholarly edition with annotations suitable both for the general reader and for research, the editors provide an introduction that makes its complex legal issues - of property, marriage law, trial procedures - accessible in the context of Scottish Romanticism and modernisation. Situating Galt's aesthetic choices in dialogue with the Romantic-era Scottish novel the volume discusses the text, Galt's letters, early periodical reviews, and recent scholarship. Through annotations that clarify Scots language and dialect as well as legal parlance, the editors highlight the novel's comic collisions of language and personalities, and the attention to social transformation that Galt painstakingly, although sometimes obliquely, details.
Othello famously supplicates, 'Speak of me as I am', pleading for the Venetians to 'nothing extenuate', leave out, or make thin (5.2.352). Othello's anxiety about narrative accuracy exposes his fear over his story's potential misrepresentation. As the first monograph to examine Othello's history of contemporary reanimations, Reanimating Shakespeare's Othello in Post-Racial America takes up this question of retelling Othello's story, turning to the play as re-crafted in a time and place imagined as having overcome racial injustice: post-racial America (2008-2016). This book analyses representations of Othello across genres and media including podcasts, television, film, graphic novels and performance, and argues that these representational choices of Othellos perpetuate varying racial frameworks that advance antiblack or antiracist versions of the play. By elucidating the presence and function of these competing frameworks, it illuminates and explains how to wrestle with the intersections between Shakespeare, Othello and the American racial imaginary in appropriations, scholarship, the classroom and beyond.