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The Introduction sets out the theme of the book. It discusses the census qualifications (wealth minimum requirements) that prevailed in the Roman timocratic political system.
This chapter introduces a new model to represent the heterogeneity of the Italian civitates. The model is based on the abundant archaeological evidence of the inhabited areas of their administrative centres, using it as a proxy for various economic and socio-political aspects of the civitas. This new variation model surpasses previous ones by being continuous (rather than categorical) and by formally incorporating the uncertainties associated with missing data.
This chapter uses Diogenes Laertius’ doxographical overview of Stoic natural philosophy as a starting point to examine the role of physics in Marcus Aurelius’ Meditations. Contrary to a common misconception, all the central aspects of Stoic physics, except for some more technical issues, are well represented. The chapter discusses Marcus Aurelius’ treatment of the telos-formula of ‘living according to nature’; the two fundamental Stoic principles of reality, god and matter; the scale of nature; and the relation between Providence, fate, necessity, change, human action, and freedom. Marcus Aurelius’ distinctive touch comes through in certain areas of emphasis, such as the centrality of sociability, human and divine, or the many implications of the view that the processes of change that also entail human mortality actually constitute the order of the universe.
This chapter investigates the relationship between wealth and officeholding in Pompeii. It presents a new reconstruction of the wealth distribution among the Pompeian elite, combining an economic model with archaeological evidence from the local housing stock. The findings suggest that there were significantly more households in Pompeii with curial and senatorial wealth than there were Pompeian decurions and senators.
In The Art of Queenship in the Hellenistic World, Patricia Eunji Kim examines the visual and material cultures of Hellenistic queens, the royal and dynastic women who served as subjects and patrons of art. Exploring evidence in the interconnected eastern Mediterranean and western Asia from the fourth to second centuries BCE, Kim argues that the arts of queenship were central to expressions of dynastic (and sometimes even imperial) consolidation, continuity, and legitimacy. From gems, coins, and vessels to monuments and sculpture, the visual and material cultures of queenship appeared in a range of sacred settings, public spaces, royal courts, and domestic domains. Encompassing several dynasties, including the Hecatomnids, Argeads, Ptolemies, Seleucids, and Attalids, Kim inaugurates new methods for comparing and interpreting visual articulations of queenship and ideal femininity from distinct yet culturally entangled contexts, thus illuminating the ways that women had an impact art and politics in the ancient world.
Stoic cosmology held that our cosmos is periodically destroyed and restored. In this, it is unique compared to earlier cosmologies. Ricardo Salles offers a detailed reconstruction of the philosophical ideas behind this thesis which explains its uniqueness and how it competes with earlier cosmologies. The reconstruction is based on a rigorous analysis of the evidence, made accessible to non-specialists who are familiar with the history of ancient philosophy but do not specialise in Stoicism. Furthermore, the book reveals how the Stoics combined their meteorology, their cosmology, their physics and their metaphysics to explain natural phenomena, thereby illustrating how different disciplines can interact in ancient philosophy. It also refers to central questions in the interpretation of Stoicism, such as the role of the Stoic god in cosmology.