Arguing against the long-standing belief that Thuc. 3.82.4 refers to words changing their meanings, this article shows that, according to the passage, the way in which people value actions and apply value-words to actions in peace differs from how they value and apply value-words to the same types of actions in stasis. But the meaning of the value-words themselves remains the same in both circumstances. The passage is about neither meaning nor the propagandistic manipulation of language but about the distorting effect of stasis on the moral assessment of actions.

The opening lines of Seneca's Thyestes (1–13), which feature Tantalus’ reference to the so-called great sinners, have received little critical attention. Through both an intertextual and an intratextual analysis, this article reveals the peculiarities of this allegedly canonical list of sinners by comparing it to similar catalogues in other Senecan dramas, as well as by identifying its structural function within this particular tragedy. This kind of two-fold approach enables a reinterpretation of certain key passages of the drama vis-à-vis lines 1–13, as well as a reassessment of Tantalus’ role as the creative force and architect of the tragedy.

This brief poem (Hor. Carm. 1.30) is by turns enigmatic (what is the purpose of Horace's prayer to Venus?) and slightly incoherent (why should both Horace and Glycera be praying to Venus? Are they praying for the same thing or for different things? Either has its problems). A further problem is that, if Horace intended uocantis in line 2 for a genitive, the text as it stands misleads the first-time reader, contrary to Horace's normal practice of authorial kindness toward such readers. The way to deal with this is to take uocantis as accusative (‘those calling on you with much incense’) and to insert an ‘and’ in the text to connect sperne and transfer: sperne dilectam Cypron et uocantīs | ture te multo <ac> Glycerae decoram | transfer in aedem (‘reject your beloved Cyprus and your incense-offering devotees and move to Glycera's beautiful shrine’). If this is right, it addresses the incoherencies under which the usual interpretation labours.

This article re-examines the sole surviving fragment of Aeschylean elegy alongside the available contextual evidence in an attempt to enhance our currently very limited understanding of Aeschylus’ elegiac output. The first section explores Theophrastus’ citation of this fragment in the Historia Plantarum to demonstrate what we can learn about the original Aeschylean poem from its use within the later writer's discussion. The second section examines how the Italian focus of the fragment fits into a wider historical and literary discourse of interactions between Greeks and non-Greeks in the west. The third and concluding section builds on these findings to examine the possible Sicilian performance context of the original Aeschylean poem to which the fragment belongs. Ultimately the discussion demonstrates that the fragment is an important and hitherto underappreciated early witness of the development of influential cultural concepts regarding interactions between Greeks and non-Greeks in the west, and that the possibility that Aeschylus produced a poem relating to the victory of Hieron I of Syracuse over the Etruscans at Cumae in 474 b.c.e. is worth serious consideration.

This article examines and contextualizes a health wish formula found at the opening of eight Roman official letters inscribed in Greek, one of Caesar and seven of Octavian. In each letter the sender mentions that he is well ‘with the army’ (μετὰ τοῦ στρατεύματος), hence the term ‘military’ health wish. The health wish was borrowed from Latin letters into Roman letters written in Greek by means of phraseological imitation. The formulation employs appropriate Koine Greek. It was optional during the Republic for the wish to be used in letters either from or to a Roman holding imperium and commanding an army. Because Caesar and Octavian were in such positions, their use of the wish is conventional. The use of this health wish demonstrates that epistolographers working for Caesar and Octavian not only drafted letters that met the conventions of Hellenistic chanceries but also were proficient enough in the medium to incorporate Roman elements with effectiveness. Attestations of the military health wish declined during the Imperial period. The requirement that the sender or the recipient hold imperium would have restricted usage during the Republic but even more so under the Empire through administrative changes to the command of armies and the increasing centrality of the princeps.

This article explores the geographical outlook of the late antique author Ausonius of Bordeaux (c.310–395 c.e.). It offers close readings of his poems on roads, oysters and cities, and situates him within the vibrant geographical debates of his day. Section I, on roads, argues that an overlooked passage in Epistula 24 reflects attested routes through Gaul, and that other passages in Ausonius’ letters are similarly influenced by ‘hodological’ ways of thinking. Section II, on oysters, identifies a new geographic mode, ‘teleports’, in Epistula 3, a poem in a long tradition of works that use oysters to chart imperial space and map cultural landscapes. Section III, on cities, brings the recent paradigm of ‘landmarks’ to bear on the Ordo nobilium urbium, arguing that Ausonius uses the catalogue form both to articulate imperial unity and to express pride in his homeland of Gaul. This article thus advances our understanding of three related aspects of late antique geography: it demonstrates the importance of literary texts for discussions of cultural geography; shows how conceptions of space were influenced by provincial identity; and provides further evidence of the great diversity of Roman understandings of space.

Through a detailed analysis of Xenophon's defence against a charge for hybris among the Ten Thousand, this paper discusses violence, reputation and hierarchy in Greek military and social contexts. Contrary to other recent treatments of the episode, the study highlights the centrality of honour/shame dynamics and of desert in establishing and upholding social order, showing that these notions are found consistently in numerous examples as early as Homer. Addressing the apparent lack of strict discipline in Greek armies, the paper concludes that shame and peer pressure had a strong normative power in acknowledging and reconciling personal claims and common interests within a group.

This note argues that repeated uses of onus ‘burden’ in Plaut. Asin. 591–745 pun on Greek ὄνος ‘ass’ and, in so doing, activate a network of other puns and hints at the play's title, asses (the animal), and both homoerotic and anal sex.

The ancient city of Alexandria was often referred to as Alexandria ad Aegyptum in Roman documentary, epigraphic and literary sources; this phrase was translated in Greek as ἡ Ἀλεξάνδρεια ἡ πρὸς Αἰγύπτῳ. The grammatical phrasing implies that Alexandria was seen as being ‘near’ or ‘next to’ Egypt, not ‘in’ Egypt. This observation has given rise to the scholarly view that Alexandria was not part of Egypt. In this article the function of the designation ad Aegyptum and of similar designations within literary, papyrological and epigraphic sources ranging from 300 b.c.e. to 640 c.e. will be closely examined. This article argues that the expression can be seen as reflecting both the distinction and the close connection between Alexandria and Egypt on the basis of geographical, political and socio-cultural factors.

This note argues for a previously unnoticed allusion in Terence's Andria to Odysseus and the Sirens, in a wish expressed by the play's old man that his son will escape the alluring clutches of the sex-labourer next door.

While it is no secret that Valerius Flaccus’ Argonautica explores civil-war themes at great length, the conflicts arising on the island of Peuce between the Colchians and the Argonauts and within the Argonautic party itself in the epic's final book (8.217–467) have been overlooked in critical studies of Valerian civil war. This article argues that Valerius presents the conflicts on Peuce as examples of civil war—emphasizing the bonds of kinship between the conflicting parties and illustrating effects of this discord using imagery of stasis and cosmic dissolution associated with civil war in the wider Latin literary tradition—and thus invites reflection on the development and manifestation of internecine strife within the Argonautica.

The problems recently detected in the famous words ars adeo latet arte sua (Ov. Met. 10.252) can be resolved if the line is repunctuated on the basis of an unjustly neglected interpretation put forward by Byzantine and Renaissance scholars.