To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
In writing this Book I have had three aims specially in view, which taken together have led to my treating the matter somewhat differently from most other recent writers on the subject.
1. I have endeavoured to set forth the usages both of the Latin of Plautus and of the post-Augustan writers, as well as the usage of Cicero and of the Augustan age. Few things can be more important in the treatment of language than an historical method: what appears hopelessly intricate and irrational, when judged from a scientific point of view which is not that of the historical development, becomes intelligible and almost simple, when we look along the line of growth. No doubt there is much about Latin constructions, as well as about Latin forms, which will always be dark, because we come upon the language not in its youth, but in its maturity, when it was no longer a mere rustic dialect, but a literary language; and, even so, we have at first but the plays of Plautus, a few fragments of other writers, and a few brief inscriptions. Nor have the materials, which exist, been as yet sufficiently studied from this point of view. There is no book on syntax which can bear comparison with Neue's work on inflexions. Yet something of the kind is necessary before a shorter treatise, such as I have attempted, can speak with real precision. Every year however increases the number of contributions to the work.
MARIVS PLOTIVS SACERDOS COMPOSVI ROMAE DOCENS DE METRIS.
Cum de institutis artis grammaticae primo libro me tractavisse comperisset vir clarissimus Vranius, nec ei displicuisset, vel quod non absurde compositus, vel quod ad eius filium virum clarissimum mihi contubernalem et aetate paene studiisque coniunctum Gaianum scriptus esset, compulit ut etiam de nominum verborumque ratione nec non etiam de structurarum compositionibus exprimendis breviter laborarem. cuius praestantissimi viri iussionibus libens arbitror libro secundo nos explicabiliter oboedisse. nunc in hoc sive tertio sive novissimo artium libro, ab eodem summo viro commendatus vobis viris amplissimis, nobilitatis splendore praedito Maximo et omni laude praedicabili Simplicio, quorum et ad quos seria non nisi de litteris exercentur, quoniam iubere dignati estis, me posse etiam de metris ∥ tractare iudicastis, breviter esse componendum decrevi. sed quoniam metrorum rationem dicturos prius decet pedes considerare, quibus sunt carmina modulanda, de horum numero, nomine, nominum derivatione schematibusque, quam verissime poterimus, breviter explicemus.
DE PEDIBVS
Sunt igitur pedes alii disyllabi, alii trisyllabi, quorum unde nomina deducta sint doceamus et quot habeant schemata. sunt et ex disyllabis geminatis pedes tetrasyllabi, quorum et nomina et schemata subiungemus. sunt et ex disyllabis et trium syllabarum pedibus copulatis | pedes syllabarum quinque et ex duplicatis trisyllabis pedes senarum syllabarum, de quibus non arbitror esse necessarium diligentius laborare.