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Chapter 3 discusses Johann Gottlieb Fichte’s “philosophical draft” The Closed Commercial State (1800) and its blueprint for a world system of centrally directed, self-sufficient national economies that abandon commercial and political connections but remain interrelated through state-supervised intellectual exchanges. I argue that although not explicitly labeled as Weltliteratur, this design of cultural cooperation among otherwise insular national states is a paradigmatic configuration of world literature that offers an alternative economy of circulation in the form of planning. After outlining the mechanisms driving intercultural circulation in this model, the chapter examines how its underlying cosmopolitan universalism morphs into patriotic cosmopolitanism (and eventually collapses into a sense of German superiority) in Fichte’s later philosophy. I also argue that this design cast a long shadow in the twentieth century as it prefigured the most potent counter-system of “capitalist world literature”, the command economy of socialist internationalism in the Soviet Republic of Letters.
Do Black and non-Black elected officials differ in how much of their rhetorical outreach is centered on high-profile racial issues? We address this question in Chapter 4. We argue that discussions of high-profile racial topics represent a reactive form of outreach. In contrast, elected officials engage in proactive racial rhetorical representation when they discuss issues which are not politically salient. Using a combination of over 500 race-related terms and google trends data, we identify high-profile forms of racial outreach which include racial issues like voting rights and discussions of popular Black public figures like Rep. John Lewis, Martin Luther King Jr, and Rosa Parks. We combine this analysis with our previously coded press releases and tweets to explore the percent of racial outreach which contains reference to a high-profile topic. We find that a smaller proportion of racial outreach from Black elected officials in press releases and on Twitter are centered on high-profile topics than racial outreach from White, Latino/a, and Asian American elected officials. We further test our hypothesis that Black elected officials will speak about lower profile topics by exploring whether discussions of police reform are greater during periods where Black Lives Matter is being searched more on google. We find that when Black Lives Matter is a high-profile topic, non-Black elected officials are more likely to speak out about police reform. The salience of Black Lives Matter in the public is a weaker predictor of these same discussions for Black elected officials. Overall, this chapter demonstrates than when Black elected officials speak about race, they are more likely to discuss topics which are not in the public eye.
This conversation draws on an online discussion ‘Casa Adentro (Inside the House): Anti-Racist Art Practices’ (21 May 2021) held with the Afro-Colombian dance company Sankofa Danzafro and the Afro-Colombian art collective Colectivo Aguaturbia. The participants explore the concerns and creative processes that reflect on the durability of racialised social orders and the way racism is manifest in various areas of the lives of Afro-descendant men and women in Colombia. The artists reflect on these issues on the basis of their anti-racist artistic practices.
The emergence of British punk in the mid-1970s led to a reimagining of the fanzine, home-made magazines self-published and self-distributed to fellow ‘fans’ within a particular cultural milieu. Where fanzines had previously been carefully collated and geared towards disseminating information, punk’s fanzines were produced speedily and irreverently. In line with the cultural critique inherent to punk, fanzines such as Sniffin’ Glue and London’s Outrage began to develop literary and visual discourses locating ‘the new wave’ within a wider socio-cultural and political context. Expositions on punk’s meaning and the media-generated moral panic that ensued following the Sex Pistols’ infamously foul-mouthed television appearance in December 1976 soon led to formative political analyses on everything from racism and commodification to anarchy and gender relations. By the early 1980s, anarchist punkzines engaged with a variety of political causes (e.g. CND) and recognisably feminist and socialist analyses found space between record and gig reviews. This chapter examines a selection of punk-related fanzines to argue that the medium provided space for young people (overwhelmingly teenagers) to test and cultivate political ideas and, in the process, develop a distinct genre of writing informed by punk’s impulse to simultaneously destroy and create.
Chapter 2 takes up Goethe’s distinction between a higher and a lower layer of world literature (discussed in the previous chapter) and argues that in complementing the transnational distribution of cultural mediocrity through markets, Goethe envisioned a more elevated sphere organized along a decidedly non-market form of exchange, that is, gifting. I examine Goethe’s correspondence with his translator Thomas Carlyle as a circuitry of world-literary gifting marked by the to-and-fro movement of tangible (books, journals, manuscripts, jewelry, drawings, interior decoration, etc.) and intangible gifts (tribute, reward, cooperation, guidance). Their nexus, I argue, was emblematic of the transition from the ethos of generous sharing in the republic of letters to world literature as a forum interconnecting outstanding representatives of various national literatures. Contributing to the material diffusion of texts and channelling symbolic economies of prestige, their acts of gift-giving prefigured Carlyle’s conception of hero-worship, and the “significant geography” circumscribed by the movement of gifts between Weimar and Scotland morphed into an imperialistic vision of a Teutonic (British-German) world literature.
This chapter examines the vocational odyssey of the second-generation humanist Giovanni Conversini, as he attempts to match his father’s lofty social status in his pursuit of a literary and teaching career. It focuses on his autobiographical account of his numerous occupations and two marriages (Rationarium vite); his attempt to gain an appointment with his uncle, a cardinal in the Papal Court (Dialogue Between Giovanni and a Letter); his experience in the Paduan court (De primo eius introitus ad aulam); and his major theoretical statement on life choice (Dragmalogia de eligibili vite genere).
The Introduction tackles biases and lacunae in recent discussions about the effects of economic globalization on the world-literary circulation of texts. I highlight three arguments (Ph. Cheah, A. Mufti, E. Apter) that dismiss world literature as a procedure of exchange for surrendering to “neoliberal global capitalism” and confront them with the observation that even the critique of this systemic correlation loses sight of spaces other than that of the Euro-Atlantic world system (D. Ganguly, F. Orsini). Against this background, the Introduction claims that the political economy of world literature offers a more complex picture even within the confines of European capitalist modernity if we recognize the diversity of economic discourses surrounding its early theories. First, I attempt to historicize and diversify the notion of “the economy” by addressing semantic oscillations in the notions of ecology, circulation, and commerce. Then I outline the five “designs of circulation” the individual chapters will address and make preliminary suggestions about their pre-, non-, or anti-capitalist elements.
Newspaper obituaries of political figures are a distinctive, deeply British genre of political writing, yet one rarely examined. These obituaries trace the rise and fall of British newsprint around the turn of the millennium, a time when newspapers gained new freedoms in technology and politics, briefly flourishing before the internet signalled their decline. Traditionally, obituary writers were anonymous, though by the 1980s, an ‘obituarial turn’ reshaped the genre, widening its scope to include a broader range of lives and details. Obituaries began to embrace anecdotes, highlighting personal quirks and scandals, and thus reflected a broader shift in mores. A central paradox defines the genre: though obituaries appear authoritative in respected newspapers, they are subject to the editorial biases of the day. Shifts in editorship and political climates can reshape reputations, subtly influencing public memory. In the print era, obituaries seemed permanent, existing as clippings and archives. However, the digital age has transformed them: limitless online space has made their reach wider but less impactful. Today, obituaries serve not only as end-points but as starting points for biographical reflections on political lives.
In Chapter 5, we examine whether Black and non-Black elected officials differ in their discussion of what Mansbridge (1999) describes as uncrystallized issues. Mansbridge (1999) argues that uncrystallized political issues are those which have not been on the political agenda for very long and politicians have not yet taken public stances. As a result, uncrystallized issues provide another good avenue to explore whether Black elected officials engage in more proactive racial rhetorical representation than non-Black elected officials. While Mansbridge’s (1999) hypothesis was theoretical, in Chapter 5 we set out to empirically assess whether descriptive representatives are the most likely to speak out on Black centered uncrystallized issues. We find empirical support for Mansbridge’s (1999) uncrystallized issues hypothesis using the hand coding of race-based appeals in press releases during the 114th through 116th Congresses and a case study of press releases and Tweets discussing racial health disparities in the initial months of the COVID-19 pandemic.