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What does it mean to oppose or support an authoritarian regime from afar? During the years of Ben Ali's dictatorship in Tunisia between 1987 and 2011, diaspora activism played a key role in the developments of post-independence Tunisian politics. Centring this study on long-distance activism in France, where the majority of leftist and Islamist exile groups took refuge, Mathilde Zederman explores how this activism helps to shed new light on Tunisia's political history. Tunisian Politics in France closely explores the interactions and conflicts between different constellations of pro-regime and oppositional actors in France, examining the dynamics of what the author persuasively describes as a 'trans-state space of mobilisation'. In doing so, Zederman draws attention to the constraints and possibilities of long-distance activism. Utilising material gathered from extensive fieldwork in France and Tunisia, this study considers how the evolution of diaspora activism both challenges and reinforces the boundaries of Tunisian politics.
Theatre in France was the first in Europe to be written in the vernacular as opposed to Latin. It has provided the English language with the medieval word farce, the early-modern word role, and the modern term mise en scène. Molière is single-handedly responsible for launching European-style playwriting in North Africa. Today, it is only a slight exaggeration to say that it's harder to get tickets for the Festival d'Avignon, one of the world's largest theatre festivals, than for the Rolling Stones' farewell tour. Containing chapters by globally eminent theatre experts, many of whom will be read in English for the first time, this collaborative history testifies to the central part theatre has played for over a thousand years in both French culture and world culture. Crucially, too, it places centre-stage the genders, ethnicities and classes that have had to wait in the wings of theatres, and of theatre criticism.
Worlds of Byzantium offers a new understanding of what it means to study the history and visual culture of the Byzantine empire during late antiquity and the Middle Ages. Arguing that linguistic and cultural frontiers do not always coincide with political ones, it suggests that Byzantine studies should look not only within but also beyond the borders of the Byzantine empire and include the history of Christian populations in the Muslim-ruled Middle East and neighbouring states like Ethiopia and Armenia and integrate more closely with Judaic and Islamic studies. With essays by leading scholars in a wide range of fields, it offers a vision of a richly interconnected eastern Mediterranean and Near East that will be of interest to anyone who studies the premodern world.
The twelfth century was one of the most fertile periods in Byzantine literary history and this volume is the first to focus exclusively on its abundant poetic production. It explores the broader sociocultural tendencies that shaped twelfth-century literature in both prose and verse by examining the school as an important venue for the composition and use of texts written in verse, by shedding new light on the relationship between poetry, patronage and power, and by offering the first editions and interpretive studies of hitherto neglected works. In this way, it enhances our knowledge of the history of Byzantine literature and enables us to situate Medieval Greek poetry in the broader literary world of the medieval Mediterranean.