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In this chapter, we bring together motives (issues), means (gubernatorial powers), and opportunities (interest group compositions) using qualitative case studies of four states across several years: two with strong governors (New York and West Virginia) and two with weak governors (North Carolina and Vermont). The size of the budgets in these states varies, but they entail three subcategories that correspond with capture [corrections], instability [hospitals], and deadlock [welfare]. An investigation of twelve policy stories provide evidence for the mechanisms connecting governors and interest groups in periods of budgetary change. The policy stories cover similar temporal periods (2002–2004 and 2008–2010) controlling for national political context. We show that – large or small states – governors attempt to use their powers in all policy domains, but are met with much greater resistance in capture and deadlock categories.
Governors are motivated to change public policy in response to issues and have powers that influence the shape and direction of budgets; however, interest groups are ultimately providing opportunities for action. We conclude with some broad recommendations for institutional and political tinkering in the American states. Specifically, we argue that policymakers can embrace the inevitability of interest group involvement in policymaking and be more thoughtful about the way they structure policies. This process enables diversity – by which we mean more groups with difference and alternative policy concerns – in representation. In addition, we argue that decentralization of gubernatorial power over the budget to alternative institutions could facilitate budgets that are more responsive to problems.
Chapter 5 carries out a methodological experiment starting from perspectivism as a theory of reality, used as a heuristic device, producing a dialogue mediated by translating this native theory into our archaeological terms. The focus is on the relations between humans and things where materiality has all the qualities seen previously, non-human entities can be persons, and the capacity for agency relates to the possibility that objects will become persons. The focus is on anthropomorphic vessels from Ambato and their contexts, considered as objects that can be subjects with a point of view. Three relational situations are analysed: the manufacturing process, the contexts of use and abandonment. Manufacture, as the genesis of these vessels as subjects, is analysed through three procedures: as a copy of a model, as mimesis of a mythical object with human properties and as a form of quotation or reference to socially inscribed ways of making. It is argued that such object subjects could be de-subjectivized to turn them into pure objects. Finally, the chapter details how the relationships people established with such vessels responded to the principles of predation and commensality, just as other forms of relationship between humans and non-humans.
In this chapter, we first summarize literature in public policy process theory, political institutions, state politics, and interest groups. We leverage this scholarship to offer a detailed argument about state budgeting that proceeds in three steps. The first step is about how policy issues provide motives for action. The second step is about how the formation of interest groups around issues makes those issues more or less amenable to policy change. The third step is about how the institutional strength of the executive – in this case, a governor – provides the means to change policy given the interest group context surrounding issues. Our claim is that issues provide the motives, interest groups provide the opportunities, but the extent to which governors act on those opportunities depends on their means.
An example of another way of working with perspectivism is developed in Chapter 6, in which specific principles from the theory are adapted to specific problems based on geo-ethnographic affinity with current native ontologies. How far can one go with an interpretation of the archaeological record from that starting point? Two more examples are presented. First are the relationships between people and material culture in central Argentina’s pre-colonial societies (ca. 1200–1500 CE). In a characteristically perspectivist fashion, the use of referential fields on different media highlights a way of being in the world that was experienced as inherently unstable. The second example focuses on the relationship between people and landscape in the initial peopling of the same region at the beginning of the Holocene. What would the relationship with the landscape have been for a perspectivist people populating a space absent of humans but with other entities that had the capacity to be subjects? The relationship turns out to have been more social than ecological, established prior to any given interaction, which comes into conflict with the conventional idea of archaeological landscape as empty space.
Perspectivism in Archaeology explores recurring features in Amerindian mythology and cosmology in the past, as well as distinctions and similarities between humans, non-humans and material culture. It offers a range of possibilities for the reconstruction of ancient ontological approaches, as well as new ways of thinking in archaeology, notably how ancient ontological approaches can be reconciled with current archaeological theories. In this volume, Andrés Laguens contributes a new set of approaches that incorporate Indigenous theories of reality into an understanding of the South American archaeological record. He analyses perspectivism as a step-by-step theory with clear explanations and examples and shows how it can be implemented in archaeological research and merged with ontological approaches. Exploring the foundations of Amerindian perspectivism and its theoretical and methodological possibilities, he also demonstrates applications of its precepts through case studies of ancient societies of the Andes and Patagonia.
Thomas D. Rice's Otello Burlesque represents the first full performance to link Shakespearean burlesque with blackface minstrelsy on the early American stages. This disturbing milestone has its origins in a pressing need, on Rice's part, to expand the range of his signature persona, the “original Jim Crow.” Rice developed his script during an extended hiatus, following a successful tour of England. Although it generally is regarded as a loose adaptation of Maurice Dowling's 1834 Othello Travestie, I argue that Rice took care to blend Dowling with Shakespeare. This combination recasts Jim Crow as a grotesque persona, which disrupts Shakespearean burlesque as much as it does blackface minstrelsy. Accordingly, the play dwells on Othello's anguish, but displaces that anguish in an atmosphere of chaos. In turning to performance history, I argue that the play was regarded as a momentary sensation, whose novelty wore off almost as quickly as it appeared. Subsequent revivals suggest that producers went to some trouble to maintain interest among audiences. In its treatment of racial difference as “fun,” Otello Burlesque draws attention to a culture of distraction, where the term is understood as civil conflict and as the momentary diversions that draw public attention away from it.
BrANCH's Harriet Tubman essay prize seeks to reward the best undergraduate essay or research project by Black, Asian, or other minority ethnic students based in the UK. The prize is generously cosponsored by the Royal Historical Society.
This article argues that because a center–periphery model has dominated our understanding of postwar suburban growth we have failed to fully understand the rural dimensions of that growth. That misunderstanding resulted from the urban orientation of sociologists who studied the suburbs. As a consequence, we have also not appreciated the extent to which rural political outlooks shaped the postwar backlash against New Deal liberalism in the suburbs.