This article presents evidence for the shifting economic networks and cultural relationships between the Jovel Valley of highland Chiapas, and the Gulf Coast lowlands. In particular, we examine material culture of Gulf Coast origin or influence at the hilltop monumental centre of Moxviquil during the Late Classic (ad 600–900) and Early Postclassic (ad 900–1250) periods. These artifacts include a fine orange cylindrical pedestal vase, two examples of ‘portable sculpture’, two anthropomorphic incense burner lids and a whistle (ocarina) in the shape of a kneeling woman. The patterns of curation and disposal of these objects at Moxviquil suggests differences in the way that Gulf Coast-referencing objects were incorporated into social memory and ritual behaviour.

Gender in the European Neolithic has seen little debate, despite major scholarly interest in identity and social relationships. This article considers how gender operated in the Linearbandkeramik (LBK, c. 5500–5000 cal. bc), the first farming culture of central Europe. A new theoretical approach is developed from the philosophy of Deleuze and Guattari, and the feminist philosopher Braidotti, proposing that how difference and variation are conceived is an important element in how identity is experienced and performed. The concept of ‘difference-within-itself’ is introduced and applied to an assemblage of c. 2350 burials from the LBK via correspondence analysis. The results of this analysis are combined with variation in daily activities and health between male-sexed bodies and female-sexed bodies to argue that differences between males and females shaped lifeways in the LBK, providing different and varied ways of participating in social life. It is concluded that there was diversity and fluidity in female identities, while male identities had more limited possibilities and were subject to further social constraints. The implications of these gendered differences for models of LBK social organization are then considered.

The Trypillia megasites of the Ukrainian forest steppe formed the largest fourth-millennium bc sites in Eurasia and possibly the world. Discovered in the 1960s, the megasites have so far resisted all attempts at an understanding of their social structure and dynamics. Multi-disciplinary investigations of the Nebelivka megasite by an Anglo-Ukrainian research project brought a focus on three research questions: (1) what was the essence of megasite lifeways? (2) can we call the megasites early cities? and (3) what were their origins? The first question is approached through a summary of Project findings on Nebelivka and the subsequent modelling of three different scenarios for what transpired to be a different kind of site from our expectations. The second question uses a relational approach to urbanism to show that megasites were so different from other coeval settlements that they could justifiably be termed ‘cities'. The third question turns to the origins of sites that were indeed larger and earlier than the supposed first cities of Mesopotamia and whose development indicates that there were at least two pathways to early urbanism in Eurasia.

Tubular pottery comprises certain peculiar artifacts that were produced by late Holocene complex hunter-gatherer societies in southeastern South America for unknown purposes. Some authors have related them to mortuary behaviour which has also been suggested by historical sources, while others have considered domestic use. In this paper, the technical, compositional and functional properties of these artifacts are explored in order to contrast both hypotheses, given an example of how technical analysis allows the identification of special pottery within archeological contexts. This analysis includes a study of the fabrics involved using low and high magnification, thin sections, Scanning Electron Microscopy, Energy Dispersive X-ray Spectroscopy, Mössbauer Spectroscopy, Laser Induced Breakdown Spectroscopy and fatty acid profiles. The results show that these tubular artifacts are not fit structurally for utilitarian purposes and show no evidence of domestic use. Based on these results and on historical data, it can be postulated that they were used as part of mortuary rituals, thus becoming part of the select global group of pottery manufactured exclusively for mortuary purposes.

The Early Bronze Age (EBA) of the southern Levant was the first period in which many sites became fortified. This process reached its climax during the latter part of the period (namely Early Bronze III). Until recently, most scholars saw this phenomenon as an indication that the period was characterized by a high level of organized conflict. The following article analyses the fortifications of eight EBA sites, as well as other markers of warfare, and argues that the period's fortifications were not as tactically efficient as they seem. Furthermore, other markers of war are generally missing. It seems that the period's fortifications were built mainly to demonstrate a town's might and power while deterring potential attackers. Taking into account the rise of social complexity during the period, they were also used to consolidate the society through the construction process and possibly to control movement and serve as a boundary marker. Incipient leaders, who planned and coordinated the construction, used possible threats and the construction process to aggrandize themselves as being the ‘protectors’ of the settlement.

Miniature human figurines have inspired many theoretical advances in archaeological literature, centred around universal human reactions to the material affect of their form. However, confirmation that ancient audiences had such reactions to figurines can be difficult to access in the archaeological record. Egyptian shabtis, a type of funerary figurine, allow such reactions to be accessed by the archaeologist due to their widespread use throughout a long period of Egyptian history and their continuing popularity in other cultures since ancient times: evidence consists of a broad range of textual, artistic and archaeological data from many different cultures over a period of roughly 4000 years. This evidence confirms not only that ancient Egyptian craftsmen responded to and sought to maximize the material affect of the shabtis, but that a significant part of the human response to miniature human figurines is indeed conditioned by their material qualities, independent of the figurines’ original religious function and the cultural background of the viewer.