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After the destruction of the Palace of Knossos ca. 1375 BC, Crete enters the sphere of Mycenae. The Palatial period that lasted two centuries of prosperity begins. New ruling families emerge and take power embodied by their palaces and fortified citadels with impressive Cyclopean walls. Palaces had a main architectural unit – the megaron – plus propyla, courtyards, workshops, storage rooms; they had painted floors and frescoed walls depicting in the a secco technique with a typical homogeneity palatial life scenes, such as processions, hunting, battles, banquets. All Mycenaean palaces, notably different from the Minoan ones, present common points; a Minoan influence is perceived in Pylos. The palaces were complex functional structures, hierarchically organized administrative, economic, military, political and religious centres, all activities dominated by the wanax. Most important, Mycenae possessed a leading position in power and artistic creativity illustrated by the celebrated Lion Gate. Along with remarkable metalwork tradition, LH III introduces exquisite ivory carving. Clay figurines represent a particular expression of plastic arts.
During the palatial period there was a significant increase in the living standards of the Mycenaeans. The strengthening of certain rulers led to the kingship and, along with other various factors, to the creation of palaces, which were the economic and administrative centres characterized by feudal elements but mainly by a bureaucratic organization. Cyclopean walls assured protection and power. Greece was divided into hegemonies, each palace controlling apparently a large area. There was no subordination of the different regions to one powerful king. The ‘Catalogue of ships’ in the Iliad somehow reflects the topography of Mycenaean Greece. Commercial activities and seafaring developed significantly, taking advantage of neighbouring peaceful conditions. A network of contacts and interactions was created between areas previously closed to each other, like the Hittite kingdom. Cyprus, Egypt, the Near East and by the end of the period also with Italy, from where new weapons and burial customs arrived.
Shortly after the middle of the 13th century catastrophes occurred in Mycenaean centres; but the palaces were repaired, the fortifications reinforced, underground fountains built to ensure water supply. Yet by the end of the century – the beginning of the 12th – the whole Mediterranean was engulfed in a turmoil of raids, like those of the Sea Peoples, natural disasters, population movements and social unrest. The rich Near-Eastern cities and their network collapsed, the Hittite state dissolved, Cyprus and Troy were destroyed and Egypt entered a period of decline. In Greece the palaces were destroyed, the Mycenaean organization disappeared along with the writing, people fled to secure places. Internal factors and the dysfunction of the palace system are mainly the causes of the disasters. A short renaissance followed with small flourishing communities but new destructions brought complete disruption and final decay. The 1st millennium BC would herald the Iron Age based on new political circumstances and the use of the metal-iron-that changed peoples’ life. In many ways though the Mycenaean legacy was preserved.
The LH II period has no monumental architecture to exhibit, although a tendency to monumentality appears with the choice to build impressive tombs, and mansions like the Menelaion could claim to be ‘precursors’ of palaces. Chamber tombs - the most widespread - and tholoi, a typically Mycenaean structure, are the new types of burial. Nine tholoi in Mycenae present a noteworthy technical and decorative evolution, the perfect example being the ‘Treasury of Atreus’. The partly unlooted tholos tomb at Vapheio, Laconia, produced extraordinary finds, including the famous gold cups depicting capture of bulls. Synchronous with Vapheio is the celebrated stone-built cist grave of the ‘Griffin Warrior’ found in Pylos with similar unique finds. The art of the period detected through grave goods displays richness, variety of materials and impeccable execution showing a strong Minoan influence. Minoan and Mycenaean elements intertwine creating an eclectic and mixed style illustrated masterly in the signet rings.
This Element explores the textile crafts and cloth cultures of the Aegean Bronze Age, focusing on two categories of archaeological evidence: excavated textiles (or their imprints) and tools used for yarn production and weaving. Together, these types of material testimonies offer complementary perspectives on a textile history that spans 2,000 years. A gro wing body of evidence suggests that the Aegean was home to communities of skilled textile craftspeople who produced cloth ranging from plain and coarse to fine and elaborate. As regional connectivity increased throughout the Bronze Age, interactions in textile craft flourished. In time, textile production became central to the political economies that emerged in the Aegean region. The expertise of Bronze Age Aegean spinners and weavers is vividly illustrated through the material record of their tools, while even the smallest excavated cloth fragments stand as fragile, yet enduring testaments to textile craftsmanship.
The Bronze Age of Greece was unknown until the end of the 19th century, when Heinrich Schliemann's excavations stunned the world by bringing to light the glamour of Mycenaean elite society. This book, by one of Greece's most distinguished archaeologists, provides a complete introduction to Mycenaean life and archaeology. Through both chronological and thematic chapters, it examines the main Mycenaean centres, the palaces and kingship, the social structure, writing, religion and its political implications, and the contacts and relations of the Mycenaeans with neighbouring countries, especially Asia Minor, Egypt, the coast of Syria-Palestine and Italy. Attention is paid to the distinctive Mycenaean art, including monumental architecture, gold and silver metalwork and jewellery, and the book is supported by over 300 illustrations. Dora Vassilikou concludes by examining the simultaneous catastrophes that brought the Bronze Age of the Eastern Aegean to its end and opened up a new era.
For a long time, scholarship on the end of the Aegean Bronze Age has been preoccupied with political, ethnic/racial, economic, environmental, and other change; however, it has rarely centered the discussion on social change. Drawing from anthropological and sociological critiques of social change, the Element compares the Greek archaeological record before and after the collapse of 1200 BCE, focusing on developments in the 12th to early 10th centuries, which are examined against the background of the Mycenaean palatial system of the 14th and 13th centuries. The seven sections of the Element cover the reasons for the collapse of the Mycenaean palaces; socio-political, demographic, and socio-economic change after the collapse; and the manifestation of this change in settlements, burials, and sanctuaries. The Appendix offers a discussion of the relative and absolute chronologies of the period, with emphasis on recent important but debatable suggestions for revisions.
It is striking that while ancient writers described the Cyclades largely in negative terms relating to their image of remoteness, the islands’ sanctuaries and churches were commonly ascribed as ‘worth seeing’. This suggests that religious places were successfully maintaining their own reputations irrespective of the impression of the islands’ declines as we have seen already in Strabo’s description of a lack of significant urban space on Tenos but having a well-visited sanctuary (Strabo (Geography, 10.5.11)). Study of the religious places of the Cyclades enables a range of insights into behaviours on a community level as well as within the wider Mediterranean world. Religion is persistent and permeates private and public life. It is cross-cultural while being a fundamental element of group identity. As such, it is an ideal aspect of society by which to understand the impact of socio-economic and political variations as well as resilience in the islands as a result of becoming part of the Roman Empire and later Christianization. The spread and establishment of cult, as well as the evidence of visitors through their offerings and dedications, is indicative of the vitality of the sanctuaries and the range of network connections the islands had over the diachronic period under discussion.
Before the last ice age, the islands of Andros, Tenos, Mykonos, Naxos, Paros, Syros, Ios, Sikinos and Folegandros formed one large land mass; Keos, Kythnos, Seriphos, Siphnos and Melos were all separate islands (Map 1.1). The three largest mountains are on Naxos, Andros and Amorgos. In the case of Naxos and Andros, the mountains slope gently down to the plains, in parts at least. Amorgos, on the other hand, has high, steep coasts on the east side with small coastal plains on the west and some plateaus in the mountains. The underlying bedrock of the islands is primarily metamorphic rocks including mica shists and marbles (Gaki-Papanastassiou et al., 2010, 299). Thera, Therasia, Melos, Kimolos and Anaphe (Figure A.2) have volcanic soils while the remaining islands primarily have limestone soils, which do not provide much cover over the jagged bedrock. Although soil on the majority of islands is not luxurious, it was good enough to sustain barley, pulses and olives (Berg, 2007, 33). Some of the islands, like Naxos and Keos, had good ground water but others like Melos did not (Berg, 2007, 34). For all the islands, fishing was a staple resource along with the meat of wild and domesticated animals. The Cyclades have different natural resources, available at different periods, including silver (Siphnos and Seriphos), marble (Paros, Naxos, Tenos), alum and minerals (Melos and Kimolos) as well as good agricultural potential on some, such as Naxos, Andros and Thera.