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An investigation of the Hittite cult implement called the kurša and its relationship to the breast iconography of Ephesian Artemis, to various Greek implements within the context of both Bronze-Age Anatolia and Indo-European cult, and to Aeolian myth as expressed in, especially, Argonautic tradition.
Exploration of the mythic concept of Aia, region of the rising sun, and its Hurrian and Luvo-Hittite background, its introduction to European Mycenaean Greeks by the Ur-Aeolians (Ahhiyawans) of Anatolia, and Aeolian Argonautic elaborations.
Discussion of Mycenaean Greek dialect variation as evidenced in the Linear B tablets, as well as an examination of the Attic-Ionic lexeme des-pótēs ‘house(hold)-master’ beside Normal Mycenean dos-pótās and Special Mycenaean da-koros ‘sweeper of the sacred-space’, matching Aeolic zda-kóros.
Exploration of Aeolian foundation traditions and the localizing of such traditions in both the eastern Aegean and Magna Graecia, and of the reflexivity and reciprocality of Aeolian ethnic identity that these mythic traditions entail.
An examination of recent work on the archaeology of a Greek presence in Late-Bronze-Age Asia Minor and typological investigation of linguistic exclaves, remote language communities characterized by linguistic persistence.
A linguistic investigation of the Aeolic dialect group, examining linguistic traits of the Lesbian, Thessalian, and Boeotian dialects and those traits common to all three and thus traits belonging to ancestral Aeolic.
Investigation of the Bee-nymphs of Mt. Parnassus and the ancestral Indo-European strain and Anatolian strains of divination introduced into European Hellas by migrant pre-Aeolian communities.
Provincial coinage gives us a unique insight into the Roman world, reflecting the values and concerns of the elites of the many hundreds of cities in the Roman empire. Coins offer a very different perspective from written history, which usually represents the views of the senatorial class, and which was usually composed long after the events that are described. The coins, in contrast, provide evidence without hindsight, and uniquely allow a systematic examination across the whole Roman world. This volume makes it possible for instructors and students and scholars to deploy a complex set of material evidence on many historical topics. It includes over two hundred illustrations of coins with detailed captions, so providing a convenient sourcebook of the most important items, and covers topics such as the motivation for Roman conquest, the revolution of Augustus, the world of the Second Sophistic and the crisis of the third century.
This Element provides an overview of Aegeomania: the fascination, sometimes bordering on the obsession, with the Aegean Bronze Age, which manifests itself in the uses of Aegean Bronze Age material culture to create something new in literature, the visual and performing arts, and many other cultural practices. It discusses the role that Aegeomania can play in our understanding of the Aegean Bronze Age and illustrates this with examples from the 1870s to the present, which include, among many others, poems by Emma Lazarus, Salvatore Quasimodo, and Giorgos Seferis; novels by Kristmann Gudmundsson, Mary Renault, Don DeLillo, Zeruya Shalev, and Sally Rooney; Freudian psychoanalysis; sculptures by Henry Moore and Pablo Picasso; music by Harrison Birtwistle and the rock band Giant Squid; films by Robert Wise and Wolfang Petersen; elegant textiles and garments created by Josef Frank and Karl Lagerfeld. This title is also available as Open Access on Cambridge Core.
The provincial coinage was transformed during the new regime of Augustus and the adoption of his portrait. Roman interventions, however, were rare and localised, except for Nero.