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Applied Soils and Micromorphology in Archaeology provides the most up-to-date information on soil science and its applications in archaeology. Based on more than three decades of investigations and experiments, the volume demonstrates how description protocols and complimentary methods (SEM/EDS, microprobe, micro-FTIR, bulk soil chemistry, micro- and macrofossils) are used in interpretations. It also focuses on key topics, such as palaeosols, cultivation, and occupation surfaces, and introduces a range of current issues, such as site inundation, climate change, settlement morphology, herding, trackways, industrial processes, funerary features, and site transformation. Structured around important case studies, Applied Soils and Micromorphology in Archaeology is thoroughly-illustrated, with color plates and figures, tables and other ancillary materials on its website (www.cambridge.org/9781107011380); chapter appendices can be accessed separately using the web (www.geoarchaeology.info/asma). This new book will serve as an essential volume for all archaeological inquiry about soil.
The stone of Saint-Samson is a Neolithic stele of 70 tons and 10 m of probable length. Its intriguing leaning position and its very regular morphology have aroused curiosity since medieval times. Three of its four faces—oriented towards the cardinal points—display engravings that were discovered in the 1970s. Now, a new recording protocol has combined 2D techniques for emphasizing the contrast of the engravings (oblique rotating lights) and 3D methods for restoring the volumes of the support (photogrammetry, structured-light scanner). The results obtained have made it possible to implement the first structural analysis of the stone. The north and west faces show an opposition between domestic (cattle, goats) and wild animals (suidae, cervidae, birds, cetaceans), depicted confronted and with their horns or tusks clearly visible. The south face was reserved for the human figure and for iconic artefacts (polished axe, throwing stick, ring disk, steering oar). The four faces have in common the presence of boats. The relationship linking the monument to waterways and the sea is approached by analysing both local legends and the phenomenon of the tidal wave.
Painted rock art occurs throughout the islands of the Western Pacific and has previously been argued to have motif and design elements in common, indicating that it was created within the context of a shared symbolic system. Here we report five new painted rock-art sites from Kisar Island in eastern Indonesia and investigate the commonalities between this art and the painted art corpus in Timor-Leste, the independent nation that forms the eastern part of the neighbouring island of Timor. We examine the motifs in the Kisar art and suggest that, rather than being Neolithic in age, some of the figurative motifs more likely have a Metal Age origin, which in this region places them within the last 2500 years.