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Despite growing consensus that cognitive differences between Neanderthals and modern humans were not as significant as once assumed, visual art remains disproportionately associated with Homo sapiens. This paper explores why that is. Rather than appealing to underlying cognition, we argue that early art was pushed and pulled by social dynamics and demographic contexts on a larger scale and eventually formed through cultural transmission. Drawing on the archaeological record, we focus on pigment use, ornamentation, engravings and painting. We suggest that these practices initially remained ad hoc while still functioning as tools for social signalling and intergroup communication in the small-scale communities of Neanderthals and early modern humans. We argue that visual art moved beyond ad hoc practices under conditions of increased population density and interaction – first via the crystallization of art as a tradition and second, as cumulative cultural art. Lack of cognitive ability is not a well-supported explanation for the empirical low frequency of Neanderthal art. Instead, we propose effects of differences in social connectivity and population densities as an alternative. By reframing art as a flexible, context-dependent behaviour, we challenge essentialist models and advocate for a pluralistic view of cognitive and cultural expression across different hominin groups.
This article explores the complex professional and personal relationship between Edward Hume, an American missionary physician, and Fu-ch’ing Yen, a Chinese physician trained in the United States, during their work at the Yale University medical mission in Changsha, Hunan, from 1906 to 1926. The partnership between Hume and Yen exemplifies the collaboration and compromise required to sustain and develop a major medical institution in provincial China, highlighting broader tensions in early twentieth-century Sino-American medical education and professional identity. Their differing priorities led to a temporary rift over the purpose of their work at the Yale mission, reflecting deeper debates about professional identity, Sino-foreign cooperation, and the evolving dynamics of Western medicine in China. Drawing on correspondence, institutional records, and contemporary reports, this study situates their partnership within broader trends of professionalisation and the localisation of scientific medicine in Republican China. It argues that the negotiation of professional status was pivotal in shaping the trajectory of their collaboration and offers insights into the local, structural, and personal dimensions of Sino-foreign cooperation in medical work.
Artificial Intelligence (AI) has reached memory studies in earnest. This partly reflects the hype around recent developments in generative AI (genAI), machine learning, and large language models (LLMs). But how can memory studies scholars handle this hype? Focusing on genAI applications, in particular so-called ‘chatbots’ (transformer-based instruction-tuned text generators), this commentary highlights five areas of critique that can help memory scholars to critically interrogate AI’s implications for their field. These are: (1) historical critiques that complicate AI’s common historical narrative and historicize genAI; (2) technical critiques that highlight how genAI applications are designed and function; (3) praxis critiques that centre on how people use genAI; (4) geopolitical critiques that recognize how international power dynamics shape the uneven global distribution of genAI and its consequences; and (5) environmental critiques that foreground genAI’s ecological impact. For each area, we highlight debates and themes that we argue should be central to the ongoing study of genAI and memory. We do this from an interdisciplinary perspective that combines our knowledge of digital sociology, media studies, literary and cultural studies, cognitive psychology, and communication and computer science. We conclude with a methodological provocation and by reflecting on our own role in the hype we are seeking to dispel.
Scores of young men and women were killed by regime forces during the Arab Spring in Egypt (2011–2013). Their photographs assumed iconic proportions, meandering online and off through countless acts of creative remediation. This essay examines the different kinds of social and political work that these photographs came to play during this period, including as indexes of the revolutionary cause and as mediators of revolutionary subjectivities at a distance. This essay departs from extant studies of visual cultures of secular martyrdom or funerary portraiture framed by notions of commemoration, and instead stresses contingent presence grounded in the specific liminal temporality of the revolutionary process. In this temporal limbo, photographs of martyrs often blurred conventional boundaries between representations and their referents. Established visual conventions of funerary portraiture were turned upside down, and portraits of martyrs were understood not as representations of the dead, but as alive and present, sometimes more alive than the dwindling group of dedicated revolutionaries.
This article surveys the life and work of Benjamin Clough (1791–1853), Wesleyan Methodist missionary to Ceylon, focusing on his contributions to the study of Pali and Buddhism. It attempts to show that he inaugurated the Western study of Pali and that he should be recognised as one of the most important early scholars of Buddhism.
In 1770, the Rohilla chief Ḥāfiz̤ Raḥmat Ḵẖān wrote a text called Ḵẖulāṣat ul-Ansāb, focusing on the genealogical and ancestral history of the Rohilla Afghans. This article analyses the text as a glimpse into the emotions he went through—such as anxiety, uncertainty, confidence, determination, and strength—as the ruler of a small principality founded by a new political group in the competitive political milieu of eighteenth-century South Asia. It studies the textual expression of these emotions he experienced during a period that brought both challenges and opportunities for the Rohilla Afghans. It firstly shows how the text served as a means of creating unity among the Rohilla Afghans by elaborating an origin story, adapting them to new circumstances, and legitimising the emerging Rohilla state. Secondly, it discusses how Ḥāfiz̤ Raḥmat aimed to rectify the negative portrayals of the Afghans by Mughal chroniclers and enhance Afghan prestige in northern India by creating a haloed genealogy. Finally, it explains how the text claimed religious legitimacy for the Rohilla Afghans by linking them to the prophets, Muslim invaders of the past, and local religious figures. Overall, this textual analysis contributes to the historiography of eighteenth-century South Asia by studying the political anxieties associated with Rohilla Afghan state formation.
Sex-specific division of labour and the associated use of different subsistence techniques by males (e.g. hunting) and females (e.g. gathering) has played an important role in shaping human societies. Skills needed in adulthood are practiced in play during childhood and object play has been proposed to foster tool-use skills necessary for adult subsistence techniques. Here, we investigated sex differences in the ontogeny of object play in Tsimane children in Bolivia to understand its potential role in shaping gender-specific adult roles. We used observational data (>80,000 scan samples) from nine Tsimane communities collected between 2002 and 2007. We analysed age and sex differences in general play, object play, and object types. Our results show that both general play and object play peaked in early to middle childhood (3.5–7.5 years of age), with boys spending more time playing. Moreover, boys engaged more with objects related to male-specific roles (e.g. hunting tools), while girls played more with objects related to female-specific roles (e.g. cooking tools). Our findings suggest that object play serves as an adaptive, culturally embedded pathway to develop gender-specific adult skills. Studying developmental patterns of object play across human cultures enriches our understanding of the evolutionary contexts shaping divisions of labour.
In Viking archaeology, the study of miniature figurines cast in silver and bronze provides a platform for debates on ritual and mythology, yet much of this discourse focuses on their appearance. Here, the authors use microwear and Reflective Transformation Imaging to survey the physical evidence of complex relational dynamics between 10 anthropomorphic artefacts from Viking Age Sweden and the human bodies they connected with. Through such analyses, and the abandonment of a priori assumptions regarding their purpose and symbolism, these figures can be seen as more than just components of an imposed category, and their varied, transmutable engagements with the world can be explored more freely.
Macroscopic analysis of potsherds used to make herringbone-patterned pavements at two medieval centres in northern Yorùbáland suggests production variations despite shared architectural traditions. Reflecting local production choices and broader regional interactions, these results affect our understanding of pottery production, cultural interaction and social complexity in medieval West Africa.
The Fenscapes project investigates trajectories of landscape, habitat and species change in the Fens of eastern England from the Neolithic to the present, with the aim to build self-reflective understandings of land-use and wetland management. Yet underlying biases exist in data patterning linked to burial depth and archaeological practice.
The authors present results of a recent project that challenges the perceived absence of Late Pleistocene human settlements in high-altitude areas of inland Spain. Despite the apparent geographic and bioclimatic constraints, these areas may contain archaeological material from diverse prehistoric periods.