This chapter will examine the notion of theology as a science in some summae from the end of the twelfth century and the beginning of the thirteenth century, exploring the works written both by secular masters and members of the religious orders.

Chapter 5 explores some relations between rhetorical models for speeches in praise of the gods and Platonist texts relating to metaphysics, or ‘theology’, the science of divine first principles. As rhetoric distinguishes different modes and styles in discourse about the gods, so do the Platonists, both in their own works and in those of their ancient authorities (Pythagoras and Plato), distinguish in corresponding ways between different modes of teaching in theology. And as rhetoric prescribes, for speeches about the gods, genealogies of the gods, their actions and benefactions, so too do Platonist theological texts expound the metaphysical genealogy of first principles, a hierarchy of causes and their effects. But speech expresses the limitations of human souls: to approach what is divine and transcendent, which is ineffable, is to be silent, to practice the silence of Pythagoras and of Socrates.

This chapter begins with reference to the veneration and obscurity that characterises Webb’s reputation. It relates the early Webb’s mentoring by Norman Lindsay and his subsequent rejection of Lindsay’s secular aesthetics and anti-Semitism. Webb’s expatriate years in Canada and then England are discussed as a search for creative independence, although England was the place of his first hospitalisation for mental illness. The chapter observes that some of Webb’s most resonant poems are responses to the East Anglia landscape. It traces Webb’s return to Australia, his continued hospitalisation, and his Catholic devotion. The chapter explores the concept of schizophrenia as a pathology of language to understand Webb’s poetic language, particularly its metaphorical aspects. Lastly, the chapter focuses on Webb’s ‘explorer’ poems, their metaphorics of journeying, and their relationship to Australia’s cultural history, or national mythology, in the late 1950s and 1960s.

The first chapter provides a short survey of the language of joy as it is found in philosophical, theological and mystical works that have a strong bearing upon European medieval literature as a whole. It shows how some influential theoretical and mystical works shape a cognitive and conceptual language of joy as exterior to the self, a place of alterity that the human mind cannot contain within itself but must enter through love and self-forgetfulness. Through an exploration of some of the writings of St Augustine, Boethius, Thomas Aquinas and Bernard of Clairvaux, I argue that this language is constructed in opposition to that of philosophical happiness which consists in self-sufficiency and intellectual contemplation. The chapter ends with a study of the mystic Marguerite Porete’s language of divine union as an entering of the sea of joy, which blends the monastic and courtly discourses of love.

The introduction sets the scene at the catacombs of San Gennaro in Naples, where our only early Christian fresco from the Shepherd of Hermas is painted on a tomb wall. I lay out the thesis and roadmap for the book, namely, that the Shepherd crafts obedient early Christian subjects within the ancient Mediterranean discourse of enslavement. A brief overview of the Shepherd’s content is provided, as well as regarding its popularity and transmission history across the ancient, late ancient, and medieval worlds. I especially note how the Shepherd became a pedagogical tool in late antiquity, and that the Shepherd’s teachings are even placed in Jesus’s own mouth by some late ancient writers, heightening the stakes for understanding how enslavement is utilized in a text used to shape Christian thought and practice for centuries after its composition. Also provided is a brief introduction to slavery in antiquity to situate the reader, as well as outline some of the major influences on my approach to reading the text, especially womanist translational theory and Chris de Wet’s concept of doulology.

The book concludes by pointing out two major shifts that my reading of the Shepherd produces: one focused on how the centrality of slavery in the Shepherd that complicates earlier treatments of the text as most invested in baptism and/or repentance, and the other focused on the ethical and historical anxieties that emerge from the enslaved–enslaver relationship being so deeply embedded in early Christian literature, ethics, and subject formation. Additionally, I point to how my findings reveal why the Shepherd would be appealing to late ancient Christians: its visionary, dialogical, parabolic, and ethical content are aimed toward crafting obedient enslaved believers who were unified in their ecclesiastical vision. The work of feminist, womanist, Africana, and slavery studies scholars offer an intellectual and ethical scaffolding upon which I contend with the centrality in early Christian thought of God as an enslaver and believers as enslaved persons, as well as the continuations and challenges of the embeddedness of slavery in Christian vocabulary into the twenty-first century.

Chapter 1 introduces the instrument doctrine in Aquinas’s thought and explores its foundations in Scripture, focusing on Aquinas’s biblical commentaries. In his commentaries on Romans and 1 Corinthians, among others, Aquinas argues that the logic of scriptural teaching suggests that Christs’ humanity causes divine effects as instrument of the divinity, including our resurrection. The chapter shows how Aquinas interpreted the Scriptures as coherent with the Catholic tradition, especially the conciliar teaching on Christ in the early ecumenical councils. Aquinas thinks that the doctrine should be understood within the conceptual matrix of these early councils’ teaching on Christ.

This chapter sets Leviticus within its narrative context in the Pentateuch and discusses historical-critical approaches to its composition. It further addresses a theology of holiness and the decentralization of cultic worship, which gives greater importance to purity in the home.