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The making of fashionable women's dress in Georgian England necessitated an inordinate amount of manual labour. From the mantuamakers and seamstresses who wrought lengths of silk and linen into garments, to the artists and engravers who disseminated and immortalised the resulting outfits in print and on paper, Georgian garments were the products of many busy hands. This Element centres the sartorial hand as a point of connection across the trades which generated fashionable dress in the eighteenth century. Crucially, it engages with recreation methodologies to explore how the agency and skill of the stitching hand can inform understandings of craft, industry, gender, and labour in the eighteenth century. The labour of stitching, along with printmaking, drawing, and painting, composed a comprehensive culture of making and manual labour which, together, constructed eighteenth-century cultures of fashionable dress.
Although zhifu is a term more closely associated with men’s wear than with women’s, women’s work in the Mao years did include making zhifu. Chapter Four documents the proliferation of sewing schools for women in the 1950s, showing that they were a route by which women entered the paid workforce. Women in various contexts – in factories, sewing co-ops, and especially in their homes – were significant agents in the production of the new national wardrobe. In much of rural China, women continued to spin the yarn, weave the cloth, and make the clothes and shoes for all the family members. In this way, they reproduced a material culture not too different from that of preceding generations (although not entirely the same, either). In the towns, however, a new material culture was created, much of it at the hands of women.
Chapter 4 recovers what girls in apprenticeships learned, the range of trades they practiced and how they were taught. Treating apprenticeship as a training system, operating in parallel to that of boys, this chapter uses the mass of information in legal disputes to reconstruct tasks like starching, binding petticoats, using patterns and making lace; keeping shop; and the wider world of training in housewifery, literacy and working in schools. Gentry apprentices were particularly concerned with learning the right level of skills and avoiding ‘drudgery’, aiming at running their own shops and pressing for independence, while apprentices through the rest of the social spectrum followed a highly differentiated set of occupations making textiles and clothes, very few of which were entirely sex-specific. Training involved watching and copying, but also included a keen regulation of appearance and the risk of physical correction.
Ingenious Trade recovers the intricate stories of the young women who came to London in the late seventeenth century to earn their own living, most often with the needle, and the mistresses who set up shops and supervised their apprenticeships. Tracking women through city archives, it reveals the extent and complexity of their contracts, training and skills, from adolescence to old age. In contrast to the informal, unstructured and marginalised aspects of women's work, this book uses legal records and guild archives to reconstruct women's negotiations with city regulations and bureaucracy. It shows single women, wives and widows establishing themselves in guilds both alongside and separate to men, in a network that extended from elites to paupers and around the country. Through an intensive and creative archival reconstruction, Laura Gowing recovers the significance of apprenticeship in the lives of girls and women, and puts women's work at the heart of the revolution in worldly goods.
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