When the atrocities of the French Revolution led Romantic authors to test the viability of anti-imperial imaginaries in their poetry, many of them relocated revolution from Europe to so-called Oriental geographies. The cultural and aesthetic distance of exoticized topographies generated a spectacle of revolutionary violence that could be consumed safely in Britain. In the poetic works of Thomas Moore (Lalla Rookh), Felicia Hemans (The Abencerrage), Lord Byron (Childe Harold’s Pilgrimage and The Giaour), Percy Shelley (Laon and Cythna), Robert Southey (Thalaba the Destroyer), and Thomas Love Peacock (Ahrimanes), revolutionary struggle is envisaged as an enterprise marked by a cyclical logic that anticipates the return of empire: It is redefined as an inevitable failure to undo oppressive power structures. An ethnoracially demarcated space of fantasy, the Orient allows these poets to experiment with revolutionary narratives in a way that affectively neutralizes the lived trauma of revolution by reducing it to a dehistoricized and yet universalizable configuration. In the Orientalist poetry of Romantics, then, revolution becomes imaginable as an anti-imperial event with the caveat that its present unrealizability is affirmed in its consumption as a culturally and ethnoracially distanced spectacle.

While much has been written about race, colonization, and anticolonialism in fin-de-siècle Irish gothic works such as Sheridan Le Fanu’s Carmilla (1872) and Bram Stoker’s Dracula (1897), this chapter focuses particular attention on Romantic-era Irish gothic fiction’s engagements with empire and the imperialized world. Written in the context of an increasingly expansive, globalized literary marketplace, the works assessed here – including Maria Edgeworth’s Castle Rackrent (1800), Catherine Cuthbertson’s Romance of the Pyrenees (1803), the anonymous Amasina; or the American Foundling (1804), and Henrietta Rouvière Mosse’s Arrivals from India (1812) – provide an instructive example of Irish writers’ deft manipulation of systems of global economy to debate and contest questions of empire, relative civilization/barbarity, and ethnographies of race. They also point to the formal evolution of Irish gothic encouraged and enabled by writers’ responses to the economic and material realities of empire. Keenly aware of their global readership and their novels’ status as commodities, these writers invoke and reshape the gothic to think about the nature of authorship itself. Their works thus invite a reconsideration of the accepted makeup and characteristics of Romantic gothic, at the same time as they insist on an expansion of traditional canons of gothic and Irish gothic literature.

The chapter provides an overview situating the literatures produced or circulated in Britain and the racialized, classed, and gendered imaginaries of empire. English literature was informed by imperial concerns and anti-capitalist critique alike since the sixteenth century, even as England was a minor player among European imperial powers. Contemporary scholarship, while attending to marginalized authors, such as women, immigrants, minorities, and the working class, demonstrates that diverse literature, prose especially, but also drama and verse, were shaped by expanding trade, global markets, territorial appropriations, military conquests, human emigration, and cultural contact. A mix of ideologies spawned in the nineteenth century to rationalize British presence as not only inevitable but beneficial for the colonized; for colonized intellectuals, on the other hand, literature fostered alternative visions of resistance. Diasporic writers in twentieth-century Britain introduced readers to the vocabulary and memory of colonized lands. The chapter contends that many themes of contemporary culture are not unique to the present but variations of older, far-flung contests. Literature, in its ability to articulate shifts in perception, sensibilities, and relations before such changes are actualized, is an indispensable site of analysis and study.

This chapter looks at the connection between travel and narrative fiction in the late seventeenth and early eighteenth centuries. It shows how writers of novels borrowed from, expanded on, and reimagined accounts of actual voyages and descriptions of faraway places. Authors such as Aphra Behn, Daniel Defoe, and Jonathan Swift took details and ideas from travelers such as William Dampier, Woodes Rogers, and James Cooke. Well-known novels, including Behn’s Oroonoko (1688), Defoe’s Robinson Crusoe (1719), and Swift’s Gulliver’s Travels (1726), reflected on and reconsidered England’s relationship to the wider world beyond Europe and the creation of the British Empire – at times critically, at times enthusiastically. The purpose of travelers, for the most part, was to say what they saw and did. It was the prerogative of writers of fiction to digest these facts and reflect on what they meant.

While early twentieth-century Western European and North American modernism has been characterized as a shock, its reverberations pulled the effects of the past variously in the wake of the new, depending on one’s circumstances in global modernity. This chapter discusses how, in that rupture/transition, the passages of Elizabeth Bowen, Pauline Smith, Dorothy Livesay, Katherine Mansfield, and Jean Rhys into and out of British imperial metropole London in the “Mother Country” (England), reveal their self-conscious adaptations of modernist technologies, undoing some imperial trappings and redoing prevailing imperial-patriarchal structures of value and status to which they claim membership. Each woman conveys the effects of empire–democracy, while struggling to retain belief in the liberal humanist subject/author captured in the figure of the “New Woman.” “Technology” refers to both the material infrastructure of modernity (mass reproduction, invention, and innovation) as well as “teks,” the fabric woven to convey the intangible but felt experiences of being in empire. The chapter unpacks the different implications of the gendered, racialized, and classed discourses of modernity in the nation-state – mastering, producing, doing – for these writers, who were positioned unequally to each other and who interpreted socialist, feminist, and anticolonialist movements differentially.

In an era steeped in national stereotypes that bled into slanders and hatred, the English were notorious in later medieval Europe for three things: drunkenness, bearing a tail and killing their kings. But it is with the implications of another alleged propensity – for waging wars of conquest that sought to turn neighbours into subjects – that this chapter is largely concerned. By the later Middle Ages, the bellicose reputation of England’s kings reverberated across Christendom. Jean Froissart (d. c. 1405), the chronicler of chivalry who visited the court of Edward III, noted that, because of their great conquests, the English were ‘always more inclined to war than peace’.

This chapter emphasizes the importance of studying race and empire as dynamic, interactive processes, where race and empire are formed in relation to each other. Through a relational history approach, scholars historicize the complex nature of racialization within various imperial and colonial contexts. The chapter further explores how scholars engage with relational histories by examining intellectual and disciplinary genealogies, engaging in deep contextualization through critical archival research, and incorporating diverse sources like oral histories and local colonial records into their historical narrative. Additionally, the chapter discusses the ethical considerations and historiographical challenges inherent in researching race and empire, encouraging scholars to acknowledge their positionality and the implications of their findings. By employing relational history, the chapter concludes that scholars can offer deeper insights into how race and empire have co-constituted each other in the past and augment our contemporary understandings of power and resistance.

This introduction argues against analyzing the Democrat Party in terms of strict binaries such as liberal–illiberal, center–periphery, secular–reactionary, or victim–perpetrator. While the divisions that scholars emphasize are real enough to affect the lives of people in Turkey, these divides are multiple and cross-cutting. Instead, I present an account of the Democrat Party, its role in Turkey’s democratization, and its engagement with the emerging Cold War order that is mindful of the divides in Turkey but that also acknowledges the party’s ability to transcend those divides – or, at least, embody their multiple contradictions. This book presents a portrait of the Democrat Party that encompasses these contradictions while also emphasizing Democrat Party leaders’ connections to the domestic political order that preceded them and to the international order of the 1950s.

After his visa extension was denied, the mission’s leader, Cline Paden, made unsuccessful attempts to return to Italy. He moved to Denmark for a few years before eventually settling back in Texas, where he established a missionary school in Abilene – the Sunset International Bible Institute (SIBI) – and became a prominent figure in the Churches of Christ. Meanwhile, the Italian mission continued its precarious existence, never achieving the status of a major religious player as it had hoped and attracting only a few hundred members. One of the defining features of its story was the stark contrast between the mission’s limited success and the disproportionate political and diplomatic attention its activities garnered. Yet, thanks to their “Americanness” and the ability to leverage the United States’ unique power and influence over its junior Italian ally, the Texans played a significant role in advancing religious pluralism and freedom in Italy – a fact acknowledged even by other long-established Protestant churches such as the Waldensians that had little or no political or theological sympathy for the Church of Christ.

Britons and British subjects with family members deeply involved in the transatlantic economy were an important feature of University life. These students, who grew in number due the increasing profits of the slave economy and the underdeveloped state of tertiary education in the colonies, were accepted and nurtured by fellows and masters who, in many cases, owned plantations, held investments in the slave trade, or had family members serving as governors in the North American colonies. In following the experiences of these students, the chapter details the lives and struggles of undergraduates, particularly those who traveled abroad to Cambridge, and the emotional and personal bonds that fellows and their young charges developed. The chapter is a reminder that, when considering institutional connections to enslavement, political economy was but one side of the story – the emotional, social, and cultural bonds between the sons of enslavers and their fellow Britons were also integral.

Following the colonisation of Ireland, North America, and the Caribbean, British society, politics, and the economy were forever transformed by the growing transatlantic empire. The University of Cambridge was intimately connected to that Atlantic world. The introduction provides context on Cambridge’s history and the long-term development of racial slavery, examining how enslavement and the plantation economy were of incredible significance to British life from the beginning of the seventeenth century through to the end of the American Civil War and beyond. More than a history of plantation owners purchasing stately homes or consumers eagerly consuming sugar, a case study of Cambridge’s town and gown communities highlights the vast spectrum of connections, ties, and interests that many Britons held to a slave empire.

“Bloomsbury,” South Asia and empire have always been closely interconnected. Until recently, scholarship has focused primarily on discussions of E. M. Forster’s novel A Passage to India (1924), Leonard Woolf’s autobiography Growing, detailing his years living in Ceylon, his novel The Village in the Jungle (1913), and Stories of the East (1921), or Virginia Woolf’s Mrs Dalloway (1925). Whilst revisiting the Bloomsbury group’s close relations with pre-1947 colonial India (now independent India, Pakistan, and Bangladesh), and Ceylon (now Sri Lanka), this chapter will open up the presence of “South Asia” within Bloomsbury to consider it as a transnational geographical and intellectual contact zone, a location that linked members of the Bloomsbury group with key South Asian writers, radicals, and intellectuals, including Mulk Raj Anand, Meary James Tambimuttu, and Aubrey Menen, and their networks. It will offer a differently articulated idea of a transnational modernity, one situated outside the orthodoxies of modernism’s Euro-American canon, and which presents a more variegated consideration of the complex and dynamic exchanges that were taking place at the heart of empire.

Chapter 2 turns to loco-descriptive lyric poetry, read in the context of expanding highway infrastructure. It opens with a consideration of oil maps deposited in Ezra Pound’s Cantos, some of which critique the expropriation of former Ottoman territories by Anglo-American cartels. At that very locus, the Iraqi modernist poet Nazik al-Malā’ikah envisioned a very different kind of energy poetics, where the dividing line between oil’s extractive and consumptive spheres is decidedly smudged. In postcolonial counterpoint, the chapter closes by reading the automotive aesthetics in Marianne Moore, William Carlos Williams, and Wallace Stevens. The US highway system provides them with a conflicted linguistic resource, where the trace of oil’s violent extraction is smeared by the exhilarations of their lyrics.

This chapter explores an overlooked aspect of Bloomsbury’s contradictory relationship to embodiment, materiality, and empire: their simultaneous embrace of early twentieth-century nudity and their condemnation of undress when it is expressed by the lower classes and colonial subjects. By focusing on the Studland beach photographs archived in the Berg Collection at the New York Public Library, this chapter considers the wider cultural context regarding nude images, both in terms of historical representation and practices of nakedness asks. Ultimately, the chapter asks: how might we understand Bloomsbury’s fascination with both photography and nudity at a time when nakedness and race together influenced colonial thinking and civilizing imperatives? The chapter argues that a consideration of Bloomsbury’s relationship to nude photography cannot be severed from the history in which whiteness is the normative racial marker for early twentieth-century Britons.

The concept of leadership has not received much attention in Assyriology as it was overshadowed by the concept of kingship and its omnipresence in ancient Mesopotamia. As the available sources mostly are written from the perspective of the leader – in the case of ancient Mesopotamia this is the king or the city ruler – also Assyriologists mostly took this standpoint and wrote ‘history from above’. Much scholarly effort was invested in the study of various aspects of kingship. Because of the scarceness of sources discussing the experience of the ruler’s leadership and the abundance of royal inscriptions, we usually do not take the perspective – to use a widespread political metaphor – of the sheep, but only that of the shepherd. Nevertheless, there are some texts that critic the leadership of kings. These texts are mostly of literary nature but they allow us at least a partial ‘view from below’, as they describe the problems of people living under a powerful king.

This chapter examines the role of Christology in the subfield of political theology. Political theologies examine the structure and logic of worldly power, assessing its relation to religious and theological dimensions of community formation, the cultivation of the citizen (often in contrast to the non-citizen or the enemy), expectations of messianic emergence and progress, and the potential for enacting meaningful political resistance. Christology is a major focus within the field of political theology both because of the historical role played by Christianity in the political development of Europe and Europe’s imperial and colonial footprint and because Christology is deeply invested in these very questions of power. This chapter focuses on key texts from the twentieth century that remain touchstones for the growing discipline of political theology as it exists today.