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Major founded a discipline for arranging collections, "the Taxis of Chambers." Taxis was a military term for the strategic mobile arrangements of troops and supplies. Major understood all forms of order, from nature to society, as a form of taxis. In order to advance knowledge of these other forms of order, collections needed to be remade into dynamic repositories that both supplied materials for investigating taxis and themselves could be rearrangeable as knowledge of other orders shifted. To effect this redesign, Major surveyed practices of collecting around the world in a vernacular serial. He built a broad tent for museology while integrating knowledge from a public in ways that often undermined the authority of their views. Curators ought to be experimental philosophers, he maintained. He chided those who did not appreciate order, rather than monetary value, as the most precious part of a collection. He designed shelving, signage, and cataloging to make the museum into a tool of knowledge change. Through experimentation in the collection and discussions in the conference hall, he sought to transform the collection from a site that stupefied to one that awakened awareness.
This paper considers a new corpus of 490,154 Roman coins (site finds) which have been recorded from England and Wales. The corpus provides British and regional means to aid in the preparation of coin reports in line with Historic England guidelines, along with spatial data providing new opportunities for research. The methods of data collection will be detailed and some of the possibilities this dataset can provide presented through a number of case studies. Through the consideration of applied numismatic analyses, the social distribution of the material and, crucially, the spatial distribution of Roman coinage, we can identify new trends and patterns. Case studies evaluating the fourth century will emphasise the changing importance of settlements in Roman Britain and identify those linked with the late Roman state. Furthermore, the retraction of coinage distributions in the second half of the fourth century will be explored. Building on the national and site type means explored within the paper, the full dataset has been made available in a range of forms on the Archaeology Data Service and in an interactive map developed by Maploom.
In its capacity as the principal city on the east coast of the Mediterranean, Antioch was an important center of both minting and coin circulation during the fourth through seventh centuries. Moreover, as the launching site for military expeditions against the Persians and, eventually, the Arabs, Antioch served as the temporary capital for emperors and other military leaders stationed there and as a distribution point for soldiers’ salaries and other monetary activities.
Chapter 2 places Hieron’s kingship in conversation with the Hellenistic monarchies of the eastern Mediterranean and goes on to explore the qualities of his rule that set Hieron’s basileia ahead of its time – as, for example, in his diplomatic dealings with Rome.
In the opening lines of the twenty-third book of his universal history, Diodorus Siculus praises his native Sicily as “the fairest of all islands, since it can contribute greatly to the growth of an empire.”1 Sitting at the intersection of prevailing maritime routes, the island served as a natural landing for ships plying their way between the Mediterranean’s Eastern and Western Basins. Its broad coastal plains supported large urban centers and entrepôts that opened onto the Tyrrhenian Sea to the north, the Ionian Sea to the east, and the vast Libyan Sea to the south and west, inviting contacts from the Italian Peninsula, the Greek mainland, and North Africa. Indeed, located at the heart of the Mediterranean basin, Sicily has occupied an equally central place in the geopolitics of the region across much of the last three millennia.
Chapter 7 examines the ways in which coinage was employed by Hieron to bolster his rule. The chapter begins with an introductory survey of the coins struck by the royal mint over the course of Hieron’s reign. It then addresses how variations in the style and types of coins struck at different points in his reign elucidate how Hieron employed coinage to promote an ideology of legitimate kingship and the orderly succession of power.
Chapter 8 considers how the consolidation of royal authority impacted the agricultural and economic landscapes of southeastern Sicily, paying particular attention to the ways in which the tithe administration may have fostered trade and economic prosperity for the cities of the kingdom.
In Sicily and the Hellenistic Mediterranean World, D. Alex Walthall investigates the royal administration of Hieron II (r. 269-215 BCE), the Syracusan monarch who leveraged Sicily's agricultural resources to build a flourishing kingdom that, at one time, played an outsized role in the political and cultural affairs of the Western Mediterranean. Walthall's study combines an historical overview with the rich archaeological evidence that traditionally has not been considered in studies of Hellenistic kingdoms. Exploring the Hieronian system of agricultural taxation, he recasts the traditional narrative of the island's role as a Roman imperial 'grain basket' via analysis of monumental granaries, patterns of rural land-use, standardized grain measures, and the circulation of bronze coinage— the material elements of an agricultural administration that have emerged from recent excavations and intensive landscape survey on the island. Combining material and documentary evidence, Walthall's multi-disciplinary approach offers a new model for the writing of economic and social history of ancient societies.
Tokens are underutilised artefacts from the ancient world, but as everyday objects they were key in mediating human interactions. This book provides an accessible introduction to tokens from Roman Italy. It explores their role in the creation of imperial imagery, as well as what they can reveal about the numerous identities that existed in different communities within Rome and Ostia. It is clear that tokens carried imagery that was connected to the emotions and experiences of different festivals, and that they were designed to act upon their users to provoke particular reactions. Tokens bear many similarities to ancient Roman currency, but also possess important differences. The tokens of Roman Italy were objects used by a wide variety of groups for particular events or moments in time; their designs reveal experiences and individuals otherwise lost to history. This title is also available as Open Access on Cambridge Core.
Numismatic inscriptional evidence consistently employs the ΕΥΕΡΓ- word group in describing a superior providing some material public benefit to an inferior, typically an entire city, nation or kingdom. This is evidenced in the present study's comprehensive survey of several hundred numismatic types, extant in many thousands of specimens from the second century bce to the first century ce. Within this context, 1 Timothy 6.2 is discussed, wherein it is noted that the apparent identification of a slave's labour as ɛὐɛργɛσία not only heightens the significance and value of that service but is a deliberate inversion of expected social and linguistic norms.
In 2019, an ethnographic survey of Indian workshops and shops producing and selling putalis (Venetian ducats and their imitations) was conducted in Nashik, Maharashtra. The study, supplemented by information from written and documentary sources, provides observations relevant to archaeologists studying the process of reinterpreting Roman coin design in Early Historic India.
Edited by
Myles Lavan, University of St Andrews, Scotland,Daniel Jew, National University of Singapore,Bart Danon, Rijksuniversiteit Groningen, The Netherlands
This chapter presents a new estimate of the value of coinage in circulation in the mid-second century CE Roman empire. More than 25 years ago, Richard Duncan-Jones revolutionized ancient economic history by offering a first projection through numismatic and statistical methods. At more than 20 bn sesterces, his estimate implied an anomalously high monetization ratio given past and current estimates of Roman GDP, an issue that economic historians have had to deal with ever since. In the first half, a review of the numismatic evidence points to a much smaller role for gold than posited by Duncan-Jones. The second half presents a new model of the money supply. It uses Monte Carlo simulation to estimate the value of centrally-minted precious metal coins produced annually under Hadrian, and then the total coinage in circulation ca 160 CE. Allowance for various uncertainties and other, minor components of the coinage suggests a money supply of around 16 bn sesterces, with less gold and more silver than expected. However, this is not quite low enough to explain away the monetization ratio, implying a higher GDP and more trade-oriented economy than currently thought. Two appendices contain lengthy but essential technical discussions of the assumptions in the estimate.
The small size of old coins and medals attracted the attention of collectors as well as antiquaries throughout the long eighteenth century. Whereas the metallic substance of numismatic objects often provoked narratives of moral decline and decay, the objects’ smallness proved to be a means of reinvigorating the influence they may have exerted on the Enlightenment’s historical imagination. This chapter pays particular attention to the emphasis John Evelyn placed on the smallness of old coins and medals in his influential treatise, Numismata (1697). For Evelyn, the smallness of numismatic objects ensured their historical preservation and enhanced their collectability as well as their usefulness as metaphors of mind, aides-mémoires, and didactic devices. Accordingly, coins’ and medals’ smallness also corresponded to the power they had to circulate and accumulate. The kinds of scale produced by the vast quantities of small numismatic objects that had amassed throughout history stands as a refrain throughout Evelyn’s Numismata, which transforms numismatic objects’ smallness and innumerability into long and far-reaching logics of association.
This chapter examines the networks within which ancient Greek coins were produced and circulated from the perspective of formal network analysis, a methodological tool that is becoming increasingly widespread within ancient studies. In particular this chapter considers the problems of the object biographies as they pertain to networks, the agents involved in various networks, the process of network evolution and devolution, and network scale.
This article examines the newly published data on coin hoards from Pompeii, focusing on coins and other objects found on victims, and hoards from so-called savings boxes. Most of the work on savings or capital in the Roman world has focused on the size and composition of elite fortunes and the nature and extent of credit and monetization writ large. The article uses the Pompeii coin data set to examine the extent and nature of liquid savings held by a broader section of the population, including a substantial portion of non-elites. In doing so, it also makes some suggestions about the socioeconomic identity of those who failed to escape the town during the eruption.
The chapter collects the numismatic evidence for the destruction and survival of cities in Macedonia and Aegean Thrace in the Classical and Hellenistic periods.
This article examines the iconography of a type of Caracalla tetradrachm that has been newly attributed to Neapolis in Roman Palestine and whose reverse depicts a monumental altar decorated with statues of Tyche, Ephesian Artemis, and Kore Persephone. The study contextualizes these deities in the religious life of Neapolis and identifies the monument as an altar often depicted as a miniscule element in panoramic views of Mount Gerizim on the bronze coins of Neapolis. The tetradrachms provide, for the first time, a close-up view of this long-lost civic monument.
It can be challenging to bring material culture to life in the classroom when the cultures that produced those materials are separated from the students by time and space. Students learning about Roman history and culture often find it difficult to work with and critically analyse non-literary sources as they rarely have the opportunity to engage with the material objects themselves. Depending on the size of the class, or materials available, it may be impossible to introduce such sources for the ancient world into classroom teaching.
This chapter explores the visual sources for violence and warfare created over the millennium from 500 to 1500 in the lands where Islam became a major presence. It divides the copious evidence into three chronological blocks (early, middle and late) to highlight the different visual sources that predominate in each period (architectural decoration, portable objects and illustrated manuscripts). The many scenes of violence depicted on these buildings and objects reflect the unsettled times and places where they were made and the constant occurrence of battles and warfare, some of it with sophisticated weaponry. But these vignettes of warfare and fighting also reflect a more positive view of violence, designed to invoke the prowess and heroism of the object’s owner. This triumphal theme extends to nature and the animal kingdom, as man dominates and tames the often-inhospitable landscape and the wild beasts in it. Many incidents also allude to the legendary and literary past, particularly in Iran, and metaphorically tie the object’s owner (and the viewer) to epic heroes. These many scenes of violence are thus multivalent and require decoding.
The title βασιλεὺς βασιλέων in the Apocalypse (Rev 17.14; 19.16) has generated a variety of interpretations in regard to its identification, symbolism and background. Commentators regularly note that joining a singular noun with its genitive plural is a common way to express the superlative in Hebrew. Others find special relevance of the phrase to the time of Domitian when it is said ‘he dictated the form of a letter to be used by his procurators, he began: “Our lord and god commands so and so”’ (Suetonius, Domitian, 13). The present analysis argues that inscriptions on relevant coinage confirm that the title was a clear allusion to the tradition of the Parthian kings, Rome's historic enemy. Within the context of the Apocalypse, the title is applied to Jesus Christ, presented triumphantly conquering Rome in the image of Rome's feared Parthian enemy. Included in the analysis is an extensive tabulation of relevant numismatic evidence.