To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Edited by
Martin Nedbal, University of Kansas,Kelly St. Pierre, Wichita State University and Institute for Theoretical Studies, Prague,,Hana Vlhová-Wörner, University of Basel and Masaryk Institute, Prague
This chapter begins by exploring the professionalization of Czech rock under the influence of The Beatles in the 1960s, exemplified by the group Olympic. The second part of the chapter focuses on the distinction between official and unofficial types of popular music that emerged in the 1970s and 1980s. An examination of the output and reception of the groups Blue Effect and The Plastic People of the Universe during this period illustrates how rock music became politicized during normalization and how this politicization influenced later Czech historiographies of rock.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.