Book contents
- A History of Music in the Czech Lands
- A History of Music in the Czech Lands
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Acknowledgments
- Introduction
- Part I Before 1800
- Part II The “Long” Nineteenth Century
- Part III The Twentieth Century and Beyond
- 18 The Mutual Exclusion Society: Musicology and Criticism in Early Twentieth-Century Prague
- 19 Janáček’s Jenůfa and Operatic Modernism
- 20 Avant-garde Aspects of Czech Interwar Music
- 21 An Evolving Dance with a Tragic Ending and a Tentative Revival: The Jewish Musical Experience in the Czech Lands
- 22 Czechoslovak Musicians in North American Exile
- 23 Categorizing Music, Classifying People: Music Research and Race Studies in the Czech Lands
- 24 The Nation’s Image in Songs: Folk Music Research and Revival in the Twentieth Century
- 25 Romani Music in the Czech Republic
- 26 Decolonial Resonances in Czech Opera after 1948
- 27 Jazz as Sound for the Stage: The Liberated Theater and its Progeny
- 28 Understanding Czech Rock from the Period of Normalization
- 29 Czech Film Music: From Potpourri to Sound Design
- 30 Czechs in Search of Slovak Music
- 31 Twentieth-Century Czech Female Composers in Cultural and Political Context: The Pre-1989 Music of Ivana Loudová and Sylvie Bodorová
- 32 Czech Classical Music in a Global World: Jakub Hrůša in Conversation with Aleš Březina
- Selected Bibliography
- Index
28 - Understanding Czech Rock from the Period of Normalization
from Part III - The Twentieth Century and Beyond
Published online by Cambridge University Press: 21 October 2025
By
Book contents
- A History of Music in the Czech Lands
- A History of Music in the Czech Lands
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Acknowledgments
- Introduction
- Part I Before 1800
- Part II The “Long” Nineteenth Century
- Part III The Twentieth Century and Beyond
- 18 The Mutual Exclusion Society: Musicology and Criticism in Early Twentieth-Century Prague
- 19 Janáček’s Jenůfa and Operatic Modernism
- 20 Avant-garde Aspects of Czech Interwar Music
- 21 An Evolving Dance with a Tragic Ending and a Tentative Revival: The Jewish Musical Experience in the Czech Lands
- 22 Czechoslovak Musicians in North American Exile
- 23 Categorizing Music, Classifying People: Music Research and Race Studies in the Czech Lands
- 24 The Nation’s Image in Songs: Folk Music Research and Revival in the Twentieth Century
- 25 Romani Music in the Czech Republic
- 26 Decolonial Resonances in Czech Opera after 1948
- 27 Jazz as Sound for the Stage: The Liberated Theater and its Progeny
- 28 Understanding Czech Rock from the Period of Normalization
- 29 Czech Film Music: From Potpourri to Sound Design
- 30 Czechs in Search of Slovak Music
- 31 Twentieth-Century Czech Female Composers in Cultural and Political Context: The Pre-1989 Music of Ivana Loudová and Sylvie Bodorová
- 32 Czech Classical Music in a Global World: Jakub Hrůša in Conversation with Aleš Březina
- Selected Bibliography
- Index
Summary
This chapter begins by exploring the professionalization of Czech rock under the influence of The Beatles in the 1960s, exemplified by the group Olympic. The second part of the chapter focuses on the distinction between official and unofficial types of popular music that emerged in the 1970s and 1980s. An examination of the output and reception of the groups Blue Effect and The Plastic People of the Universe during this period illustrates how rock music became politicized during normalization and how this politicization influenced later Czech historiographies of rock.
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- A History of Music in the Czech Lands , pp. 393 - 405Publisher: Cambridge University PressPrint publication year: 2025
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