Basic background material
(a) High culture and popular culture
There is a long tradition of high culture in the Arab world. Much of this high culture relates to Islam, and includes not only the Qur'an and Hadith, but all the related scholarly activities of the Islamic sciences. It also includes poetry, going back to the pre–Islamic era, and the high forms of poetry and prose which developed in Islamic times. More widely, this high culture includes various forms of high art, from calligraphy to architecture, as well as the philosophy, science and medicine which developed as part of this culture.
In addition to this high culture, however, there existed in the Islamic world various forms of more–or–less localised popular culture. These included local traditions and beliefs, styles of dress, designs of household objects, jewellery, and so on. Such popular culture is a feature not only of the Middle East or the Islamic world, but was found in all societies, including western societies, prior to the advent of mass production, mass mobility and instant communication which are the hallmarks of the modern world.
With the coming of the modern world to the Middle East, this traditional popular culture has begun to disappear from everyday life, just as it has now virtually disappeared in the west. People in the Middle East now buy mass–produced clothing and household objects, which may have been manufactured thousands of miles away; they watch television soap–operas, most of which are produced in Egypt, and typically present a glamourised image of westernised, middle–class urban life in Cairo or Alexandria.
Traditional popular culture, however, persists in two ways. Firstly, it remains in areas of the Middle East which are as yet relatively untouched by modernity–typically the poorer and more remote parts of the region. Secondly, it survives by being more or less consciously revived, and intellectualised. From the end of the nineteenth century onwards, scholars began to collect folk–stories and artefacts from the Middle East. Initially, these were western scholars, but increasingly in the twentieth century Arab scholars, and other interested individuals began to take an interest in traditional popular culture– recording stories, both in written form and later on tape, and collecting traditional material objects.