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The first collection of essays devoted to the Arabic philosopher Averroes's brilliant Commentary on Plato's 'Republic' which survived the medieval period only in Hebrew and Latin translations.
The first full edition of the correspondence between three artists - Joanna Boyce, her brother George P. Boyce and Henry Wells, who she eventually married. It dates from the period 1845 to 1861, and covers artistic life in both Paris and London.
Feted by his contemporaries, Federico García Lorca's status has only grown since his death in 1936. This book shows just why his fame has endured, through an exploration of his most popular works: Romancero Gitano, Poeta en Nueva York and the trilogy of tragic plays - Blood Wedding, Yerma and The House of Bernarda Alba.
Details Lawrence's reception of Melville and reveals his underacknowledged role in the Melville Revival, while contributing to the history of the book and the study of the creative process.
Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras.
This book explores the range of vibrant cultural production and political activism of youth in Africa today, as expressed through art, music, theater, and online media.
A key book for conflict and peace studies, it reveals the gendered nature of peacebuilding, its consequences, and the importance of women playing a part in peace processes in Africa.
Far from the romanticised image of the swashbuckling genre of maritime history, the eighteenth-century Caribbean was a 'marchlands' in which violence was a way of life and where solidarities were transitory and highly volatile.
This first complete history of Dr Williams's Trust and Library, derived from the will of the nonconformist minister Daniel Williams (c.1643-1716), reveals rare examples of private philanthropy and dissenting enterprise.
The first English-language study devoted to Hölderlin's novel in three decades, this book reveals Hyperion's literary and philosophical richness and its complex ties with politics, choreography, and economics.
A bold application of the concept of canonical works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.