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In many ways the First World War was a harbinger of change in Indian politics. Economic dislocation, inflated prices and government control on trade increased the hardships of the people, making them increasingly conscious of the oppressive nature of the rule of their imperial government. In Bengal the intellectual element pondered over the cause-and-effect relationship between the political situation and the economic condition.
The Bengali popular press was particularly vocal against colonial indifference to the economic plight of the people. The Viswamitra thought that ‘subjugation was the real cause of famine because the commercial policy of the government enabled the foreigners to exploit the land’. The Hitabadi too was of the opinion that the establishment of mills and factories had not benefited India and the artisan class was growing poorer. Dainik Bharatmitra argued that prospect of British capitalists opening more factories would mean further systematic exploitation. Samyavadi felt that to eliminate India's poverty it was necessary to ensure not only that the raw materials for manufacture came from India, but also that the manufacturers should themselves be Indians. British policy was held responsible for encouraging foreign exploiters and the Marwaris. The Bengali pointed out that the monopoly enjoyed by the Railways and the Steamer Company was the cause of high prices. The most insistent cry was against the export of rice. When the restrictions against interprovincial movements of rice crops were removed, it created a great stir.
Until 1919, the Congress as an organization did not have much connection with the grass roots. However, following the First World War, two broad factors contributed to the change in its structure. The Act of 1919 widened the franchise, which made Congress eager to extend its organizational network to provincial and district levels. This period also saw a considerable section of the Indian people being drawn into nationalist politics. The Congress could not ignore these changes. Therefore, when faced with the problem of adopting a new scheme of agitation in 1920, the Congress had to reform its constitution to gain a broad-based and permanent character.
On the final day of the Congress session at Nagpur in December 1920, delegates approved a new constitution for the Congress committee. The British Committee of Congress was dissolved along with its paper India. This marked the end of the politics of petitions. Henceforth, Congress leaders were to concentrate more on their own actions within India than on playing to the British gallery.
The new Congress constitution proposed the establishment of a working committee of 15 members, which was to function as a permanent Congress executive. From a loose federation of 200 members, the Congress became a more active and permanent organization. Congress circles were reorganized on a linguistic basis so as to extend the roots of its organization to the subdivision and taluka level.
The Chauri Chaura incident followed by the Bardoli Resolution brought the non-cooperation movement to a sudden halt. Its participants were left without any clearly defined and intelligible objective and the result was confusion. But once the initial despair was overcome, the non-cooperators began to reconstruct a programme on lines that would appeal to the popular imagination.
In Bengal, the Bardoli Resolution slowed down the pace of preparation for civil disobedience. In some places like Noakhali, Birbhum and parts of Rajshahi the activities of volunteers picketing excise shops did not stop stop immediately, but at Rangpur, in Gaibandha and Kurigram, the volunteers began to follow the Bardoli Resolution programme and engaged themselves in social reconstruction. In most of the districts, constructive social work, such as popularizing the use of charka among the poorer people, continued unhampered. Organizational reconstruction, like enlistment of Congress members by district Congress committees, also continued as usual. Official records show that ‘almost everywhere, the political atmosphere remained calm, marked by a general disappointment among the people’.
Earlier in 1922, Chitta Ranjan Das and his lieutenants were arrested in connection with the boycott of the visit of the Prince of Wales in December 1921 and the BPCC was dominated by Shyam Sundar Chakrabarti and his followers. Later in the Chittagong conference of 1922 C R Das introduced the concept of obstruction and non-cooperation from within the council.
The resolution of Purna Swaraj adopted by the All-India Congress in Lahore resuscitated nationalist spirit, despite the hardships caused by the international economic crisis of 1930. According to official reports the resolution of independence and the decision to celebrate Independence Day on 26 January initially aroused little enthusiasm in Bengal. The major reason, as cited by the magistrate of Rangpur was ‘rivalry of leadership and split in the Congress itself’.
Yet as Gandhi launched his Dandi March and placed before the public a positive programme, the salt satyagraha, enthusiasm for civil disobedience developed rapidly in Bengal. An All-Bengal Council of Civil Disobedience was formed and it was decided to violate the salt law in the coastal districts of Chattogram, Noakhali, Barisal, Khulna, 24 Parganas and Midnapur. Every district was to form a civil disobedience committee comprised of the important personalities of the district suder and mahakuma and also make provisions for raising funds. The civil disobedience movement, with its clear anti-imperialist agenda, once again helped to crystallize efforts towards linking elite politics and the relatively spontaneous politics of the people into an organized movement.
The civil disobedience movement in Bengal was organized by special Congress district civil disobedience committees which were affiliated to the local Congress committees. Satyagraha camps were organized to train volunteers who would spread the message of civil disobedience to the far corners of the province and carry on the movement.
This study has thus gone beyond the two received paradigms: (a) that organized politics of the Congress retained its elitist character throughout the period of nationalist struggle and (b) the idea that the politics of the people ran parallel to and was relatively autonomous of institutional politics. Both of these stereotypes have ignored the areas of interaction and interdependence of the two realms of political activities, especially during the phase of Gandhian nationalism. This work demonstrates that from 1919 the Congress tried to maintain its link with the people, which to a large extent contributed to an interaction between organized and unorganized politics. Gandhi's strategy of satyagraha and non-cooperation on specific issues sustained this process. However, Gandhi laid down specific conditions and boundaries within which the people were expected to act. Popular upsurges were withdrawn whenever they reached a certain momentum and began to cross this Gandhian barrier. In analysing the nature of this interaction, this book has concentrated primarily on the non-cooperation and civil disobedience movements and the periods immediately thereafter.
During the days of the non-cooperation movement, the institutional programme of the Congress was one of boycott and non-cooperation with the British educational, judicial and administrative systems. It also involved economic boycott of British commodities. To involve the masses in a year-long movement, it was necessary to resuscitate the Congress organization in Bengal and create a network through which it could reach the grass roots. The Congress organization was extended down to the village level so that the local people could be mobilized by Congress propaganda.
Coolies ‘knew’ where they were going. They would think about their separation, devise a strategy for survival and settling down, and work out their place in the new existential structure that would take them in.
K Torabully, 1996, p. 14.
Disembarking coolies usually passed through an immigration depot from where they would be registered and distributed to employers. The depot enclosure prefigured the confinement of the estate to which new arrivals would be indentured for up to five years. This chapter explores the serf-like conditions that prevailed on plantations in the ex-slave sugar colonies and the strategies adopted by Indians to circumvent and recast the inferior status imposed upon them.
The lengthy, cramped voyage was succeeded, for new immigrants, by the procedures of disembarkation and allocation to employers. In some cases indentured labourers were engaged to a specific plantation in India and would be sent directly, usually on foot or in carts, to the estate-owner who had requisitioned them. In other cases, new arrivals would be placed in an immigration depot, to be viewed and engaged by local planters. Women who arrived without a male partner were often also ‘looked over’ by prospective spouses. The new arrivals would be taken before a magistrate to sign indenture contracts, which varied in length between one and five years. As the nineteenth century progressed, the five-year indenture became the norm.
‘The Beyond is, first of all, for the coolie who settles, a confused poetics, pregnant with silence, looks, unsaid words. This last-comer was forced to situate himself in this new cultural challenge where the other is an ambiguous figure, bearer of signs of reconnaissance and annihilation, and capable of wrecking symbols. The game of anomy, based on the absence of social landmarks, pushed the coolie to the bottom of the ladder, out of speech.’
K Torabully, Coolitude, 1996, p. 59.
The metaphor of the voyage was played out throughout the coolie's life. From the first crossing of the kala pani – that forbidden sea journey – the migrant was cast in the dual role of adventurer and victim. Coolitude explores the concept of the ocean as a nodal moment of migration, a space for destruction of identity, yet also one of regeneration, when an aesthetics of migration was created. This chapter revisits the recruitment of the coolie and the experience of sea-crossing, detailing the expectations and experiences of the overseas migrant, the raw emotion of transition and upheaval, of uncertainty and struggle, the evolution of another identity beyond India.
The Moment of Departure – Coolie Choices and Voices
The testimonies of migrants frequently bear witness to a pre-existing decision to look for work away from their native village, to join the armies of rural Indians tramping the roads looking for seasonal employment, before the fateful meeting with a recruiter that was to lead them much further afield, to a distant colony.
This chapter reproduces the text of a lengthy interview conducted between Marina Carter (MC) and Khal Torabully (KT) in which the poet and author outlines his evolution and definition of the concept of Coolitude, particularly within the framework of négritude and créolité, and elaborates on key facets of Coolitude, such as the coolie memory and the role of aesthetics and literature. Khal Torabully draws attention to writers whose work may be placed within the literary definition of Coolitude, among them Naipaul and Rushdie.
Césaire, Négritude and Coolitude
MC: You had a very interesting encounter with Aimé Césaire, the great poet from Martinique who coined the word négritude, in December 1997. What is the link between négritude and coolitude?
KT: Aimé Césaire invented the word négritude in the 1920s, in the midst of colonial turmoil. Coolitude was framed in 1992. There are two principal similarities between négritude and coolitude:
– The recollection of a common phase of history and the need to redress the state of oblivion and neglect attached to the condition of the Negro, and to that of the Coolie. The descendants of indentured labourers, like those of slaves, often knew very little of their past history. They were ignorant of the cultural implications of the Voyage. One of the aims of coolitude is also to foster a larger community of vision encompassing the experiences of people of African descent and fostering interaction with the later immigrant groups in those colonial societies, to which coolies migrated in the period immediately following the abolition of slavery, even though Indian labour was already present during slavery. […]
Coolitude: parce que mes pays foisonnent de nouvelles traces de mémoire. Et si des gestes nègres sont venus à nos mains en tranchant les cannes, il nous reste encore des craquements et des danses de doigts habitués au tabla que la ravanne a souvent harmonisés d'un grand cri des coeurs à la derive.
Coolitude: parce que je suis créole de mon cordage, je suis indien de mon mât, je suis européen de la vergue, je suis mauricien de ma quête et français de mon exil. Je ne serai toujours ailleurs qu'en moi-même parce que je ne peux qu'imaginer ma terre natale. Mes terres natales?
Dans nos langues, nous sommes à la frontiere féconde des codes, pour ouïr une parole entre nos vocables d'esclaves et de maître. Est-ce pour cela que ma vraie langue maternelle est la poésie? Que ma seule terre natale est la Terre?
Aussi, je suis prêt à faire taire toute querelle de frontière pour faire voir notre étoile, pour partager notre héitage commun: chair et sang.
K Torabully, Cale d'Étoiles, Coolitude, p. 105.
Coolitude: because my country heaves with new traces of memory. And if negro gestures come to our hands as we cut the canes, there remains in us those movements of fingers used to the tabla and which the ravanne often harmonised in the great cry of hearts left to wander.
The forced diaspora of African slaves has generated a veritable media industry. The imagery of the chained man, of the brutalized woman, of the kidnapped child has held our attention for several centuries. The dehumanization of the slave cast its shadow over succeeding generations, whose attempt to refashion their own history is illustrated in the ‘négritude’ movement. However, the recognition of a black identity did not fully take into account the ethnic complexity of post abolition societies that developed in the Caribbean and Indian Ocean. Creolité, antillanité and Indienocéanisme are among the more ethnically inclusive movements that have emerged to replace négritude. The dissemination of Indian labour throughout the nineteenth century British Empire has lacked a defining element until now. The concept of coolitude is designed to fill that lacuna, to describe and encapsulate the distinctive characteristics of the streams of indentured migration which have decisively shaped modern nations such as Mauritius, Trinidad, Guyana, Fiji and influenced others like Guadeloupe, Martinique, East and South Africa.
From Négritude to Créolité
Black US intellectuals like W E B Du Bois and Booker T Washington are credited with the commencement of black studies. Activists, like Marcus Garvey, took up their work whose stand against discrimination and injustice gave a new drive to the movement of black consciousness. Négritude is the francophone equivalent, and dates from the launch of L'Etudiant Noir in 1934 by Aimé Césaire, Léopold Sedar Sengor and Léon Gontran Damas.
Coolies had a culture of the written word, and they set off on their voyage with books: the Qur'an, the Bhagavad Gita and the Ramayana. These sacred texts were part and parcel of their journey … a struggle against deculturation took place. Coolies clung to their founding texts.
K Torabully, 1996, p. 15.
The coolie was never the passive instrument of the colonialist imagination or the historian's pen. The coolie was not forever condemned to be famine victim, dully toiling with the hoe, helpless to eradicate the burden of a momentary hunger. The indenture experience was not static and the coolie's adjustments and aspirations carried a first-generation of migrants forward, beyond the indenture contract, towards the hopes of prosperity, ownership and return. For many years, however, ‘coolie’ was a symbol of economic degradation and social submissiveness, and the descendants of coolies felt themselves to be equally stigmatized, exoticized and ostracized. The reclamation of the ‘coolie’ and the transformation of the indenture heritage is an ongoing process.
In most of the colonies to which indentured Indians migrated, and where subsequent or pre-existing mercantile communities from India also settled, the latter made strenuous efforts to disassociate themselves from the negatively stereotyped ‘coolie’. For example, in 1888 a group of Indian merchants in Johannesburg urged the government to resist agitators who sought ‘to class your petitioners with Arabs, Coolies, or Chinese not suitable to do business in this State … your petitioners assure your Excellencies that they are none of these people and have nothing in common with them.’
The forging of a new identity in exile took the migrant far from the confines of official platitudes and historical appraisals. The experiences of the coolie place him on a par with migrants of whatever hue, across a range of climes and times. And yet the coolie imbued his or her places of settlement with a defiant, distinctive Indianness. The specificities and parallels of the coolie experience are summed up in this concluding chapter. Coolitude confronts the experience of Indians beyond the seas, and traces the elaboration of the awareness of the Indian who has accepted his exile, and acquired new forms of expression, to become part of the history of the nations in which he has settled.
This volume has sought to rediscover the coolie, firstly through an exploration of the stereotypes which evolved about the Indian labour migrant in official documents and in the early literature, and secondly through an assessment of more recent writing which has explored Indian identities in diaspora. The purpose of this exploration has been to redefine and reappropriate the concept of the coolie. Through coolitude, an articulation and an evocation of the Indian labour diaspora, the coolie can effectively be revoiced. Contemporary texts which described – and often distorted – our image of the coolie, whether travellers' observations or accounts of colonists and residents of the territories to which Indians migrated, have been characterized by exoticism.