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The deaths in the Antarctic of Captains Robert Falcon Scott and Lawrence “Titus” Oates are the most examined in almost all exploration. However, one object, until today unknown, gives a clue to the real story of the last three days of the Terra Nova expedition leaders. This is the sextant that Captain Scott had with him throughout his career until his death, passed from Kathleen Scott to Peter Scott and thence to its current owner. The sextant, its history and the meaning of the relic are set out before the public for the first time.
The role that Roma communities played in the Resistance during the Second World War is a little-known part of history, especially in Italy. Through consideration of their involvement, we can highlight the complexity of the Resistance, and recognise Roma communities as an integral part of Italian society. Roma involvement in the Resistance had distinctive characteristics compared to that of the gagi (non-Roma), particularly in how they viewed it not only as a fight against fascism, but also it as a means of honouring the mulé (the dead). However, only a handful of Roma partisans are recorded in the Ricompart archive, which contains documentation relating to those who participated in Resistance activities. To trace history, personal testimony, in addition to secondary historiography, is key. Roma communities share a rich oral tradition, which forms the basis of a significant part of this article, and which offers an account of civil resistance and armed action both within partisan groups and as part of small formations based on ethnicity. This piece examines the reasons why the Roma partisans who fought and died in the Resistance did not receive full public recognition, a form of historical amnesia of the postwar period rooted in the absence of a cultural ‘defascistisation’ whereby fascist-style racism permeated the Republic.
Ludovico Luigi Nicola di Giura (1868–1947) was an Italian doctor who lived in Beijing from 1900 to 1931. In addition to his medical practice, di Giura actively engaged with the local elite, developed a profound interest in Chinese literature, and contributed to introducing Chinese reality and culture into Italy through journalistic, literary, and translation works. Upon his return to Italy, he constructed a ‘Chinese library’ at his family estate in Chiaromonte, located in the Basilicata region. This article adopts the ‘Heraclitean approach’ proposed by Weingarten (2022) to examine di Giura's personal library, analysing the evolution of both individual and communal cultural longings reflected by his collection and marginalia within the books spanning different periods. Drawing upon the primary sources recently discovered and catalogued from the library, along with archival and bibliographical materials from both Italian and Chinese sources, the paper not only aims to reveal di Giura's intellectual profile, but also aims to utilise his individual experiences as a lens for observing the social and cultural life of Italians in China during the early twentieth century.
At the beginning of the fourth millennium bc, the Typical Comb Ware culture (TCW) emerged in north-eastern Europe. One of its characteristics is a wealth of ‘amber’ or ‘ochre’ graves and mortuary practices. This article concerns the graves’ key elements, their distribution and frequency, and their relationship to the TCW phenomenon. The analysis of seventy-seven graves from twenty-three sites suggests that TCW graves are a materialization of a complex set of practices in which visual aspects (colours, contrasts, and combinations of materials) and performance play significant roles. Given the small number and distribution of graves, these practices were reserved for particular people and/or occasions, and the tradition only lasted for a few centuries. Interpreted from the perspective of identity production and sociocultural networks, these graves and associated practices are defined as ‘symbolically overloaded’, with buried bodies and activities intended to be seen.
This special section brings together international scholars celebrating the 40th anniversary of John Harris’ book, The Value of Life: An Introduction to Medical Ethics (1985), and John Harris and his contributions to the field of bioethics more generally.
Ethicists frequently suppose that suffering has special moral significance. It is often claimed that a main goal of medicine—perhaps its primary goal—is the alleviation of human suffering. Following Eric Cassell and others, this essay considers suffering understood as the experience of distress—negative emotions—in response to threats to something that one cares about. It examines whether, on this value-based account of suffering, we should accept the claim that suffering has special moral significance. It argues that we should not: suffering does not add significantly to the value of other human interests and rarely changes our moral obligations itself; it merely seems to have strong moral relevance because it often attends to interests that matter. This is because negative emotions themselves have only limited moral significance, which is due to the fact that their primary mental role is to indicate to us the relative importance of non-emotional goods.
Resurrecting the lost voices of Chinese scouts, who served society in the early stage of China’s War of Resistance, this article examines the militarization and politicization of Chinese scouting. After 1927, international scouting adapted to the militant and quasi-fascist ideologies promoted by the Chinese Nationalist Party (Guomindang or GMD). This, in turn, prompted a radicalization of the concept of citizenship among the scouts. The article illuminates this shift and reveals that the ultra-nationalistic sentiment cultivated by the GMD resulted in some scouts compelling ordinary people to behave patriotically. The scouts’ voluntary service worked hand in hand with the GMD’s authoritarian influence in Shanghai’s foreign concessions. They played a vanguard role in the early months of the war, working as kidnappers and intimidators for the GMD. The scouts’ violent and coercive tactics contradicted the long-held principles laid down by Robert Baden-Powell. Their actions outside of the civilian roles assigned to them disillusioned expatriate observers.
This paper critically engages with the work of John Harris. Its central focus is his 1985 book, The Value of Life: a foundational text in philosophical bioethics, whose relevance and resonance continue firmly to endure. My aim is to examine what it says—and omits to say—about political authority. Through analysis of apparent and substantive contradictions, and of John’s core focus on moral reasons rather than a basic moral theory, I argue that John says too little about the founding of political obligation. This is so even while he sees political obligation as morally required. I argue that the framings he gives in favor of moral requirements to accept political obligations are particularly significant because they indicate problems in the fundamentality and import of the idea of respect for persons as it features in The Value of Life.
This article focuses on the intellectual efforts made by a South African activist named Alice Kinloch, one of the first people to openly criticize the violence perpetrated against black mineworkers in Kimberley's compound system, at the end of nineteenth century. In the first section, we focus on Alice Kinloch's early life, her involvement in early Pan-Africanism in Britain, and the beginning of her efforts to denounce the compound system. In section two, we shift our analysis to the interaction between missionaries working in the compounds, and the colonialist discourse on “civilizing the natives”. As representatives of the Christian faith, in which Alice Kinloch also was brought up, missionaries play a central role in her critique, which takes aim at their collaboration, as Christians, with a system of racist violence that, in Kinloch's eyes, had nothing to do with the “civilization” it claimed to bring. The conclusions Alice Kinloch drew on observing the compound system were published in Manchester in 1897. In the third section we dive into her pamphlet Are South African Diamonds Worth Their Cost?, in which she condemned the hypocrisy inherent in the compound system and laments its effects on the black mineworkers subjected to a horrible regime.
English Catholic history continues to tread new ground, revisit old theories, and draw together theoretical and geographical frameworks. However, it continues to struggle to be accepted as part of the “mainstream” narrative of English history. In this review essay, I explore three key areas of growth related to the study of sixteenth-century English Catholicism: returning Catholics to the “high politics” of England; a renewed emphasis on gender, particularly the role of religious women; and an international/transnational orientation that reaffirms the close ties between Britain and the Continent. Recently reviewed works include Lillian Lodine-Chaffey, A Weak Woman in a Strong Battle: Women and Public Execution in Early Modern England (2022); Michael Questier, Catholics and Treason: Martyrology, Memory, and Politics in the Post-Reformation (2022); Susan Cogan, Catholic Social Networks in Early Modern England (2021); Javier Burguillo and María José Vega, eds., Épica y conflicto religioso en el siglo XVI: Anglicanismo y luteranismo desde el imaginario hispánico, (2021); Cormac Begadon and James E. Kelly, eds., British and Irish Religious Orders in Europe, 1560–1800: Conventuals, Mendicants and Monastics in Motion (2022); Frederick Smith, Transnational Catholicism in Tudor England: Mobility, Exile, and Counter-Reformation, 1530–1580 (2022); Alexander Samson, Mary and Philip: The Marriage of Tudor England and Habsburg Spain (2020); Deborah Forteza, The English Reformation in the Spanish Imagination: Rewriting Nero, Jezebel, and the Dragon (2022); Liesbeth Corens, Confessional Mobility and English Catholics in Counter-Reformation Europe (2019) as well as work by Michael Questier and Peter Lake.
Fundamentalists in the Russian Orthodox Church see contemporary state institutions as sources of threat because of their fragility and unreliability. Thus, in response, they engage in ritual and political actions aimed at restoring the spiritual unity of the Russian people (sobornost) that would allow the monarchy to be restored and resume the God-given mission of the Russian Orthodox Church to delaying the apocalypse. In this article, the author reveals the ways the concept of an averted or delayed apocalypse shapes fundamentalists’ approaches to institution and network building as alternatives to existing public institutions, which they consider incapable in the face of the approaching End Time. The author distinguishes between anti-systemic fundamentalists (those unwilling to have anything in common with the existing sociopolitical system) and symbiotic fundamentalists (those involved in provisional cooperation with state agencies). Anti-systemic fundamentalists insist on Russians’ verbal repentance for the sin of abandoning their mission of averting the Apocalypse; sometimes they live in walled communities. Symbiotic fundamentalists are building networks or communities that do not necessarily imply living together. Using these communities as a tool, symbiotic fundamentalists hope to rebuild the spiritual unity of the Russians. They envision their activities as repentance by works that in the future would allow the Orthodox monarchy to be restored and to resume the God-given mission of the church.
This article discusses how and why disorientation is used as an aesthetic strategy in breakdown sections of festival-house tracks and performances. Breakdowns in electronic dance music (EDM) have many sound layers removed from the mix. For house music at EDM festivals, this usually includes drums, therefore in many breakdowns it is easy for listeners to lose their metric entrainment. Breakdowns also often introduce a new sound layer, use metrical dissonance, and feature prominent ‘effects’. Through analyses and interviews, the article argues that festival-house breakdowns can be disorienting both physically and psychologically, but that this fulfils multiple purposes for performers, such as providing contrast that makes musical climaxes more exciting and allowing an opportunity for dancers to physically rest. Breakdowns also encourage visual interaction between performers and dancers and allow performers to communicate a narrative. The analyses in the article make interpretations about the meaning of tracks as communicated primarily in breakdown sections.