While a clear human presence may be recognised in the Andes by 12 000–11 000 cal BP, most archaeological research has focused on occupation of the Andean highlands. To understand the initial occupation of inland areas of South America, the authors consider regional connections and spatial exploitation strategies of hunter-gatherers highlighted in a recent survey of Andean sites. Focusing on north-central Chile, artefacts and radiocarbon dates from three rock shelters suggest sporadic and brief occupation during the Terminal Pleistocene–Early Holocene. Co-occurrence of marine and montane resources, the authors argue, demonstrates a strategy of high mobility and local adaptation in early Andean occupation, using rock shelters as landmarks to navigate and learn new landscapes.

Indigenous Australian art relies on motifs and figures to visually symbolise a traditional story, myth and/or ritual, encompassing a narrated performance. In contrast, digital tracings or ‘finger flutings’ impressed into the soft precipitate covering cave surfaces are not typically considered visually symbolic expressions. Using Koonalda Cave in southern Australia as a case study, the authors argue that digital tracings also operate within a performative space, but without their narrator these undulating lines are rendered silent. Here, emphasis is placed on ritual maintenance or the spiritual propagation of a prized food or trade item that would then ‘rise up’.

Blue pigments are absent in Palaeolithic art. This has been ascribed to a lack of naturally occurring blue pigments or low visual salience of these hues. Using a suite of archaeometric approaches, the authors identify traces of azurite on a concave stone artefact from the Final Palaeolithic site of Mühlheim-Dietesheim, Germany. This represents the earliest use of blue pigment in Europe. The scarcity of blue in Palaeolithic art, along with later prehistoric uses of azurite, may indicate that azurite was used for archaeologically invisible activities (e.g. body decoration) implying intentional selectivity over the pigments used for different Palaeolithic artistic activities.

The monumental alignments found in southern Brittany, particularly Carnac, potentially mark the beginnings of the megalithic tradition in north-west Europe. Radiocarbon dates from excavations at a previously unknown section of this extensive megalithic complex, presented here, provide new insights into the dynamic history of construction during the fifth millennium cal BC. This refined chronology reveals not only that the site of Le Plasker—consisting of a pre-megalithic monumental tomb, alignments of standing stones and hearths—developed over 300 years in the Middle Neolithic, but that the choice of location may have been influenced by an earlier Late Mesolithic occupation.

Cemeteries of the Early Neolithic Linearbandkeramik culture (LBK, 5500–4900 BC) evoke a sense of emerging permanence of place as agricultural subsistence spread westward through Central Europe. Yet assumptions about the sequence of senescence and longevity of cemetery use are based on limited data. Here, the authors challenge the view that cemetery burial was a long-lasting Neolithic practice, modelling 50 new radiocarbon dates from the cemetery of Schwetzingen alongside published dates from eight other LBK mortuary contexts. The results, they argue, indicate a short-lived, largely contemporaneous cemetery horizon across Central Europe, forcing a re-evaluation of Early Neolithic social history.

The use of large Charonia seashells as labial vibration aerophones is documented in various cultures around the world. In Catalonia, north-eastern Iberia, 12 such instruments have been recovered from Neolithic contexts, dating from the second half of the fifth and the first half of the fourth millennia BC, yet they have received little attention in academia. Given that some examples retain the ability to produce sounds, their archaeoacoustic study offers insight into possible uses and meanings for Neolithic communities. While not all can still produce sounds, the high sound intensity of those that do may indicate a primary function as signalling devices that facilitated communication in Neolithic communities.

Efforts to drain Lake Maliq, in the Korça Basin of eastern Albania, during the 1940s and 1950s revealed waterlogged wooden structures that were excavated in the 1970s and identified as Neolithic pile-dwellings. Fifty years later, new excavations are exposing the exceptional organic preservation and complex stratigraphy of the Dunavec site. Through a combination of dendrochronological and radiocarbon dating, the authors provide the first secure absolute dates for the structures, placing early activity at the site within the beginning of the fifty-third century BC and creating a chronological anchor for our understanding of Neolithic communities in the western Balkans.

The earliest pottery vessels in the Arabian Gulf, appearing in the mid-sixth millennium BC, belong to two distinct traditions: Ubaid Ware was imported from Mesopotamia, but the origins of the Coarse Red Ware have remained obscure. Geochemical examination of pottery from Bahra 1, in modern-day Kuwait, and geological samples from the surrounding area reveal a regional origin for the clay. Further exploration of the Bahra 1 assemblage indicates that Coarse Red Ware was probably made at the site by low-skilled potters. This research provides insights into the organisation of pottery production and distribution in the Arabian Neolithic.

Broad cultural similarities are apparent between Neolithic sites across the Middle Nile Valley, yet local variation may also be witnessed. The dearth of well-preserved skeletal assemblages in this region means that biological connections between populations, and thus potential modes for the transmission of material culture, are not well understood. Here, the authors compare dental morphological traits in five Neolithic cemeteries (c. 5600–3800 BC) and 14 time-successive sites to explore biological relatedness along the Middle Nile Valley. Their findings parallel the artefactual evidence, suggesting that the spread of the Nubian Neolithic may have been as nuanced as the populations who practised it.

Despite an early surge in copper-ore mining during the sixth and fifth millennia BC (the ‘boom’), evidence for metal production in the Balkans dwindles in the fourth millennium (the ‘bust’). Here, the authors present new evidence for copper mining at Curak in south-west Serbia, c. 3800 cal BC, during this apparent downturn. By integrating field surveys, excavations and provenance analyses, they explore activity at the site, challenging the visibility bias in the archaeological record of this region for this key period. Rather than a societal collapse, the authors argue, fewer artefacts may instead reflect a widening Balkan sphere of influence.

A shift towards constructing large circular monuments, including henges, during the Middle Neolithic of Britain and Ireland is exemplified in the monumental landscape of south-west England. Seventeen new radiocarbon dates for the Flagstones circular enclosure and the adjacent long enclosure of Alington Avenue, presented here, provide a chronology that is earlier than expected. Comparison with similar sites demonstrates that Flagstones was part of a broader tradition of round enclosures but was also distinctly innovative, particularly in terms of its size. These findings reinforce the value in developing precise chronologies for refining understanding of monument forms and associated practices.

In terms of the grand narrative of Upper Egypt’s expansion into, and unification with, Lower Egypt in the second half of the fourth millennium BC, substantial debate surrounds the processes of state formation. Referring to a recently discovered engraving near Aswan, the author argues that rock art has much to contribute to these discussions. Typological and comparative analyses of the engraving, which is interpreted as a processional boat bearing a seated human figure, are used to suggest that it was created at the dawn of the First Dynasty, thus adding to the limited corpus of political authority expressed in Protodynastic rock art.