This article examines the treatment of Anglican clergy in the novels of Iris Murdoch, setting this discussion in the context of Murdoch's own engagement with Christianity: one of sympathy without assent, yet with detailed knowledge of the secularizing theologies of the period. Clerical interventions in pastoral situations, politely tolerated in the earlier novels, are openly and robustly rejected in the later books. That pastoral care is, for Murdoch, vitiated by a desire for control, against which Murdoch set her ideal of self-emptying attention. Murdoch also dramatizes the loss of faith which forced, on some of the clergy, an inconsistency between outward speech and inner conviction. For some, the apparent hypocrisy is resolved by suicide or exile; for others, their vocation must continue as a witness to something absolute, even if they themselves can longer articulate its nature with any conviction. The Church remains necessary even if God himself is not.