Thomas Chamberlain, vicar of St Thomas’s Oxford for fifty years (1842–92), has fallen into undeserved obscurity. Except for a very brief memoir, written by Algernon Barrington Simeon just after his death, and a section in Thomas Squires’ history of the parish which is largely based on it, there is no account of his life and work. Yet in many ways his was the model tractarian parish. The Ecclesiologist acknowledged it as ‘an example of correct ritualism’ whilst a local evangelical regarded it as ‘the headquarters of the ultra devotees of the Pusey party’. The restoration and furnishing of the parish church were the epitome of tractarian ambitions. Chamberlain himself, with his energy and reserve, was regarded as an archetypal parish priest. Felicia Skene, ‘a person of strong feelings and decided opinions—, so admired him that she not only came to live in the parish to work for him, but also used him as the basis for her portrait of the dedicated clergyman, Mr Chesterfield, in one of her novels, S. Albans’s, or the Prisoners of Hope. Even lais sartorial habits were imitated, a sure sign of the regard in which he was held. One young man, about to be ordained to a title at St Alban’s, Holborn, wrote to his sister that he had been to Oxford to be measured by a certain tailor for his first clerical suit. ‘He makes things for Mr Chamberlain and his curates, so I think I am pretty sure of having mine correct.’