On 3 August 1970, a student activist belonging to the Kakumaru-ha (Revolutionary Marxist Faction) was beaten to death by members of the rival Chūkaku-ha (Central Core Faction) at Hosei University, Tokyo. This incident sparked an intense war between Japanese New Left factions that stretched into the 1980s and resulted in dozens of deaths, making Japan a unique case among industrialized nations for its extremely high level of left-wing interfactional violence. Of particular importance in understanding the ideological factors surrounding such an escalation of violence was the debate triggered between Umemoto Katsumi, one of the intellectual founders of the Japanese New Left, and members of the Kakumaru-ha led by Kuroda Kan’ichi around the limits of political violence. This article explores the theoretical confrontation between these two opposing sides that was of such critical importance to the logic of war between Japanese New Left factions in the 1970s and 1980s.

This article examines the translation of foreign films in cosmopolitan Shanghai from 1896 to 1949. Silent films were introduced to China at the end of the nineteenth century, and live narration was provided to allow Chinese audiences to better understand Western shadow plays. With an increasing number of foreign films exhibited in Shanghai theatres, distributors and exhibitors made printed film plot sheets and experimented with the use of subtitles. With the arrival of sound cinema, experiments with techniques such as simultaneous interpretation, voiceover, and dubbing were also conducted. At this time, Shanghai was a semi-colonial city, where the languages spoken included the Shanghai dialect, Cantonese, standard Mandarin, and English, among others, and where the written Chinese language was transitioning from classical Chinese to vernacular Chinese. Film translation is perceived as a space where the mediation between the foreign and the local is materialized. Using materials such as official regulations, newspapers, memoirs, and archives, this article examines various modes of foreign film translation in Republican Shanghai to demonstrate the ways in which the vibrant translation activities of early cinema mediated between languages and cultures, connected local audiences with the foreign, and constructed a cosmopolitan cultural scene.

This article seeks to assess the legal legacy of one of British India’s most significant emergency acts: Act XI of 1857, also known as the State Offences Act. Although introduced during the Indian Uprising of 1857, it will be argued that the extra-judicial provisions contained in this act exerted a strong influence on the legal character of post-1857 ‘special’ or exceptional colonial criminal legislation, an influence that continued to be reflected in the punitive emergency laws set in place in post-colonial India. The long-term historical significance of Act XI will be illustrated by examining some of the more notable pieces of punitive or repressive legislation enacted in colonial and post-colonial India, namely the Murderous Outrages Act of 1867, the 1915 Defence of India (Criminal Law Amendment) Act, the Anarchical and Revolutionary Crimes Act of 1919, the Defence of India Act, 1962, and, more recently, the Terrorist and Disruptive Activities (Prevention) Act of 1985.

Since 2013, the female playwright Li Jing has presented to the public a number of dramatic works which number among the most discussed plays in Chinese theatre circles. This article sketches an approach to her first work, Daxiansheng, which is based, thematically, on the life and work of the modern Chinese writer Lu Xun. By focusing on dramaturgical aspects of this play, such as the material and perspective selected for the story; the interweaving of all kinds of texts; the fragmentation and reassembling of the characters; the design of various contrasting modes and atmospheres; as well as the method of participation of both author and audiences, this article foregrounds the aspects of cosmopolitan theatre displayed both by Li Jing’s work and by contemporary Chinese drama more broadly.

This article presents a comparison of two Vietnamese Buddhist monks who travelled to and spent time in South Asia in the 1950s. The first, Thích Tố Liên (1903–1977), travelled to Calcutta and then on to Sri Lanka in May 1950 to participate in the First General Conference of the World Fellowship of Buddhists. Though his encounter was relatively brief, it left a lasting impression. Tố Liên returned as an ardent advocate for the World Fellowship and for an internationalist view of Buddhism more generally. The second, Thích Minh Chàu (1918–2012), had a very different encounter with Sri Lanka and India. He spent most of the 1950s studying Pali manuscripts and earning his doctoral degree from the Nalanda Institute (then a part of the University of Bihar, now Nalanda University). During this time, he became an important popularizer of contemporary Indian ideas. While in South Asia, he contributed many articles to Buddhist journals back in Vietnam. He recounted his pilgrimage to major Buddhist sites, considered the contemporary influence of Buddhism in India, and analysed the works of everyone from Tagore to the Dalai Lama. This article will compare the South Asian experiences of these two Vietnamese Buddhist monks and analyse their impact on Buddhist unification and the Vietnamese Buddhist movement in the 1960s.

Between 1907 and 1914, Filipino lawyer, journalist, and nationalist Vicente Sotto found in Hong Kong a sanctuary from the clutches of the Americans. The city also provided him with a space in which to explore alternative ideas for both his own development and the future of the Philippine Islands beyond the confines of pan-Asianism and anti-imperialism. Using Sotto’s experience in Hong Kong as a point of access, this article demonstrates modern Asia’s anti-imperial era as a product of transimperial ‘connectivities’ and ‘ruptures’ wherein new political affinities were forged between like-minded Asians, while interstitial imperial spaces between colony and metropole carved space for radical, yet nuanced and inconsistent, visions of national independence to materialize—at the expense of abutting empires. It serves to decentralize the role of empire, conflating instead the activities of local, colonial, and imperial actors as a singular experience that shaped modern Asia’s revolutionary decades.

Since at least the nineteenth century, the Maratha warrior-king Shivaji (r. 1674–80) has served as a central symbol in Indian politics. This article interrogates his legacy through the lens of his famous sword, the Bhavani Talvar. At least three swords have been identified as this weapon since the nineteenth century; by analysing each of these claims in turn, I consider how the discourse around Shivaji’s sword(s) traces the evolving legacy of Shivaji himself. Interested less in the historical merits of these claims than in the socio-political work they perform, I seek to uncover why the last of these three, now in London, has become essentially synonymous with the Bhavani Talvar in the popular sphere. Ultimately, I attribute this preference to the object’s political resonance: supposedly given to the Prince of Wales by a descendant of Shivaji in 1875, the object has been a rallying cry for Indian politicians of diverse ideological persuasions, who, in demanding its return, have sought to position themselves as the heirs to Shivaji and the healers of a nation still ailing from colonial wounds.

This article examines, for the first time, a significant aspect of Bangladesh’s Liberation War in 1971: the fate of ‘stranded Bengalis’ in West Pakistan during and after the war. The war ended with over 90,000 Pakistani prisoners of war (POWs) captured in East Pakistan-turned-Bangladesh, who were then transferred to Indian custody. The government of Pakistan responded by holding hostage roughly the same number of Bengali military personnel, civil servants, and their dependants in West Pakistan as leverage for the return of its captured POWs. Neither group would return home immediately in what arguably became one of the largest cases of mutual mass internment post-1945. Drawing on a wide range of untapped sources, both official and personal, this article traces the trajectory of this crisis of captivity in which the Bengali officials and officers—hitherto serving the Pakistani state—found themselves as rightless citizens with ‘enemy’ status after December 1971. Their wartime experiences, more than half a century after the war, warrant recognition in widening the understanding of 1971, not only in the history of regional and global politics but also at what was arguably the home front—a thousand miles away from the ‘war zone’ in East Pakistan.

This article examines how individual police officers in China interpret and justify the use of excessive force on social media through their WeChat Subscription Accounts (WSAs). Existing research examines how the police department uses social media to justify deadly force, but overlooks individual officers’ online justifications. Adopting a critical discourse analysis approach, this study analyses 211 articles commenting on a prominent case of police violence in China. The findings shed light on the online voice of Chinese frontline officers, revealing an ideology that defends the use of excessive force. The articles published in WSAs displayed strong empathy towards the involved officer; contested the characterization of the incident as police brutality by police officials, the public, and the media; and employed various strategies to justify the officer’s actions. The discussion section expands on these findings by drawing comparisons to justifications in the United States, emphasizing the distinctive dynamic between individual officers’ online expression and official police discourse in China, and offering insights for scholars examining online expression and digital nationalism in the Chinese context.

This article provides an innovative anthropological analysis of youth activism in contemporary Thailand by examining its past and current manifestations through an unusual theoretical nexus—that between (cosmological) politics and kinship tropes. Against the backdrop of the Buddhist kingdom’s long-standing cult of the ‘Father-King’, the article focuses on the 2020 Thai democracy movement in relation to student demonstrations in the 1970s. It aims to explore the ambiguous permutations in the meanings of kinship that have marked Thai young people’s democratic engagement in a range of social fields—including friendship, siblinghood, and comradeship. Drawing upon archival material, oral histories of student revolts, and extended ethnography with today’s youth activists in a number of political sites—anti-government rallies, universities, and private homes—the article reveals how kin relationships, hierarchies, and affects are entangled in diverse political formations of youth dissent. Through a detailed reading of these complex entanglements, it shows how relationships of ‘equal friendship’ and ‘hierarchical siblinghood’ substantiate the symbolic grounds of Thai youth activism, as conflicting instantiations of ‘filial insubordination’ to monarchical parenthood. While youth activists advocate for an egalitarian, ‘friendship-based’ polity, explicitly questioning the democratic viability of Thailand’s Buddhist kin(g)ship, they are simultaneously caught up in (seemingly inescapable) hierarchical sibling relationships that validate the latter’s ontological legitimacy in practice, generating subtle tensions. It is argued that attention given to the varied cultural shapes of these tensions can make it possible to unearth the deep, kinship-based core of Thai social conflict that is concealed beneath public forms and straightforward political stances.

In Bangladesh, many secularists pursue their political goals through cultural activism. While committed to achieving a secular, progressive, and non-communal society, they often refrain from explicitly articulating their politics due to the sensitivity of their goals. Instead, cultural performances allow them to instantiate and embody a secular ethos with transformative potential, expressed through distinct cultural genres that become recognized as secular aesthetics. While activists consider culture to be a morally superior and ‘purer’ way to promote their political aims than party politics, which they perceive as ‘dirty’ and corrupt, cultural traditions are hardly neutral ground from which to enact secular aspirations. This article explores the ethical struggles that emerge from this position to illuminate what it means to act politically while trying to avoid politics, and why people might choose comparatively elusive forms of political engagement despite their strong commitment to a cause. Attending to less tangible forms of politics encourages us to rethink the role of political messages and visibility in social movements by highlighting the significant role, as well as contradictory implications, of aesthetics, embodiment, and gestures in political action. Conversely, the elusive politics of cultural activism underlines the need to go beyond analysing national discourses to understand the contested nature of secularism in Bangladesh.

This article is an attempt to understand the vexed question of how the Boros of Assam have come to define and realize their ‘traditional’ religious identity amid contemporary assertions of Hindu nationalism in India. Since the early twentieth century, shaped by colonial anthropology and the consolidation of Hinduism, there have been attempts to categorize the Boros as either Hindus or animists. Subsequently, there have been efforts on the part of the Boros themselves to assert and consolidate their ‘traditional’ religious practices into a unified religion called Bathou.1 The process has continued in the complex arena of Boro identity assertion. As this article demonstrates, contemporary efforts at the consolidation of Hinduism by the Sangh Parivar and of Bathou by the Boros have often coincided and, at times, collided with each other, therein producing intricate transactions between traditional religionists and the votaries of Hindutva.

This article evaluates China’s influence on the making and unmaking of economic détente in the 1970s. Utilizing recently declassified documents in Japan, the United States, and China, this article demonstrates that Chinese officials used both diplomatic and commercial means to influence their Japanese and American counterparts to prevent them from developing economic relations with the Soviet Union. During this process, Japanese and American industrialists had to carefully weigh up their participation in governments’ geopolitical schemes when pursuing business opportunities in the two socialist countries. This cautious attitude led to shifting dynamics in economic détente and varying outcomes for development projects. Chinese activism also prompted changes in Japan and the United States when decision-makers sought to benefit from the Sino-Soviet confrontation and maximize their economic and geopolitical gains. This article, therefore, features economic détente as a dynamic, multilateral process and emphasizes that the volatile geopolitics in Northeast Asia played a crucial role in ending détente and redrew the global Cold War to carry stronger economic overtones.