This article should have been published in BSA xxxviii with the rest of the Karphi material. That it was not was due to the fact that in 1939 the pottery was insufficiently mended for drawing and photography. Most of the text was written by the beginning of 1940 and approved by John Pendlebury before his death. I can only apologize for subsequent delays and admit that I have forgotten much which might have been relevant.
Methods: The pottery from each room and each strosis was carefully collected and labelled. During the first two seasons it was then brought to Tzermiadho for study, but in 1939 arrangements were made for dealing with it on the site, which greatly simplified the work.
At first sherds were washed by women from the village, but the difficulties of washing were so great that it was soon decided that all those that were painted, or probably painted, would have to be washed by one of ourselves if their patterns were to be preserved. Even so there were many instances where no treatment which we could devise would remove the mud without also removing the colour, if not the entire surface. Eventually only such coarse sherds as seemed to be worth making up, or to represent new types, were washed at all, since brushing in plain water, which was all that these would stand, had so little effect that sorting was just as easy without it.