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from IV - Life, Language, and the Ancient World
Published online by Cambridge University Press: 14 March 2024
This chapter locates Wagner’s response to Aeschylus in the Ring in the context of the three great theatrical responses to Greek tragedy which preceded his; Goethe’s Iphigenie auf Tauris, Schiller’s Die Braut von Messina, and Grillparzer’s Medea. The relationship of human beings to fate, and the power of the curse, are explored as themes which all four works have in common.
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