The experience of being tied up in Tehran while eating tangerines, and what it signifies as narrative, metaphor, and theoretical intervention. The chapter combines a personal story about a home invasion with an analysis of social and property relations in the space of the local neighborhood. The author establishes her identity as an arous farangi (a “foreign bride”), meaning both an insider and an outsider in the Iranian cultural community. In parallel, analysis of the history of the burgled house and the changing geography of its residential neighborhood reveals the complex transformations in Iranian class positions and urban spatial organization since the revolution. Whether tragic or absurd, the experience of being tied up in Tehran sets the narrative and interpretive paradigm for the rest of the book.