Book contents
- Shakespeare’s Stages
- Shakespeare’s Stages
- Copyright page
- Contents
- Figures
- Videos
- Audios
- Acknowledgements
- Prologue
- A Tale of Two Playhouses
- City Performance
- Innyard Spaces
- The Playhouse Audience
- The Theatre’s Warm-up Acts
- Playhouse Entertainment
- Food and Drink
- Constructing the Globe
- Prologue
- Seating and Sightlines
- How Many Doors Had the 1599 Globe?
- The Tiring House
- Stage Decoration
- Shakespeare by Candlelight
- Heavens, Pillars, Trap
- The Balcony
- Music and Sound
- Special Effects
- Epilogue: Bringing the House Down
- Works Cited
Playhouse Entertainment
from The Theatre’s Warm-up Acts
Published online by Cambridge University Press: 04 March 2025
- Shakespeare’s Stages
- Shakespeare’s Stages
- Copyright page
- Contents
- Figures
- Videos
- Audios
- Acknowledgements
- Prologue
- A Tale of Two Playhouses
- City Performance
- Innyard Spaces
- The Playhouse Audience
- The Theatre’s Warm-up Acts
- Playhouse Entertainment
- Food and Drink
- Constructing the Globe
- Prologue
- Seating and Sightlines
- How Many Doors Had the 1599 Globe?
- The Tiring House
- Stage Decoration
- Shakespeare by Candlelight
- Heavens, Pillars, Trap
- The Balcony
- Music and Sound
- Special Effects
- Epilogue: Bringing the House Down
- Works Cited
Summary
In the early modern playhouse, a play by Shakespeare was not the self-contained theatrical event we’ve come to think of it as today. Before taking a place in the playhouse, a London playgoer might have encountered many other forms of impromptu entertainment on the streets: games, sports, morris dances, singing, and conjuring tricks. Indeed, the first dramatic words a playgoer heard may not have been the opening lines of the plays themselves, but the lyrics of a ballad sung by a ‘balladmonger’ who also sold the printed texts of the narrative songs he or she sang.
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- Shakespeare's Stages , pp. 14Publisher: Cambridge University PressFirst published in: 2025