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from Part II - Social Contexts
Published online by Cambridge University Press: 23 June 2025
This chapter analyses the place of class in O’Casey’s thinking and focuses in particular on a relatively unknown O’Casey script from 1919, The Harvest Festival, which revolves around a charismatic worker-hero who dies when a strike becomes violent. The chapter also examines the rewritten version of that play, Red Roses for Me (1943), in order to explore how O’Casey’s aestheticizing of class confrontation was developed and refined. The chapter shows how O’Casey wanted class analysis to replace ideologies like religion and nationalism, which he believed to be misdirections of humanity’s important longings.
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