“Philosophers of the Cabal” inaugurates a line of inquiry devoted to the Volk (people). A powerful critic of Kantian anthropology, Johann Gottfried Herder argued that the “spirit of a people [Volksgeist]” is grounded in a common structure of sensibility or Sinnlichkeit. This shared sensibility derives in part from the notion of the sensus communis theorized by British empiricists in the early eighteenth century. After tracing the influence of British aesthetics on Herder, the chapter moves forward to consider E. B. Tylor, a towering figure of Victorian anthropology known for the evolutionary theories that displaced Herder’s diversitarian model. I show that Tylor actually retained key Herderian premises regarding collective sensation, which modernists like W. B. Yeats then incorporated into a primitivist style. Hence the communalist aesthetics running from Shaftesbury through Herder and Tylor leads ultimately to modernists who came of age during the fin-de-siècle.