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from Part VI - Form, Genre, and Poetics
Published online by Cambridge University Press: 16 January 2025
This chapter proposes that Hopkins’s poems are distinctive in being actively and vividly addressed – to their subjects, to the imagined reader, and to God – or, at times, in staging forms of address that seem to have gone awry. The suggestion is that Hopkins makes poetic address morally vital; its turns and complexities map social, moral, and theological terrain.
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