During the nineteenth century sight became the primary means for discerning realities, and the (musical) body on visual display created intricate maps and modes of understanding. For viewers already steeped in then- theories of physiognomy and phrenology, iconographic materials revealed not only aspects of likeness, but also components of the inner, psychological self. When coupled with the era’s growing awareness of and excitement for celebrity, iconographic interpretations became even more formidable – and increasingly accessible. While modest in quantity, the Schumanns’ iconography played a crucial role in projecting and achieving their musical goals, revealing their careful engagement with the century’s social mores, musical ideals, and celebrity culture. Their visual artifacts spread across all kinds of mediums, especially those that were easily reproducible and readily available. Undeniably, their iconography secured and substantiated their reputation as a couple who had an ideal musical and marital partnership.