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Chapter 19 - Oratory: Persuasion in Performance

from Part III - Genres

Published online by Cambridge University Press:  06 March 2025

John D. Kerkering
Affiliation:
Loyola University, Chicago
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Summary

How did literature and politics blend in nineteenth-century oratory? This chapter argues that the admixture was always particular. Thus it begins by explicating three moments of ordinary oratorical practice in Philadelphia in 1855: a gubernatorial inaugural by James Pollock, an oration by the student Jacob C. White Jr. at the Institute for Colored Youth, and a speech by delegate Mary Ann Shadd at the Colored National Convention. Themes germane to nineteenth-century oratory emerge from these examples: its ubiquity and variety, the interactions of oratorical and print cultures, the critical role of audiences in producing meanings of oratorical events, and the ephemeral characteristics of embodied performance. Further, the emphasis in these examples on freedom, citizenship, learning, leadership, and democratic life highlights political debates on racial justice, slavery, colonization, and emigration, demonstrating the myriad ways in which oratory in the nineteenth-century United States can supply an avenue into culture, voice, and lived experience that helps explain trajectories to our own time.

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Publisher: Cambridge University Press
Print publication year: 2025

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References

Further Reading

Benson, Thomas W., ed. Rhetoric and Political Culture in Nineteenth-Century America. Michigan State University Press, 1997.Google Scholar
Eastman, Carolyn. A Nation of Speechifiers: Making an American Public after the Revolution. University of Chicago Press, 2009.CrossRefGoogle Scholar
Eastman, Carolyn. “Oratory and Platform Culture in Britain and North America, 1740–1900.” In Oxford Handbook Topics in Literature, online ed. Oxford Academic, 2016. https://doi.org/10.1093/oxfordhb/9780199935338.013.33.Google Scholar
Eastman, Carolyn. The Strange Genius of Mr. O: The World of the United States’ First Forgotten Celebrity. University of North Carolina Press. 2020.Google Scholar
Foner, Philip S. and Branham, Robert James, eds. Lift Every Voice: African American Oratory, 1787–1900. University of Alabama Press, 1998.Google Scholar
Gustafson, Sandra. Eloquence Is Power: Oratory and Performance in Early America. University of North Carolina Press, 2000.Google Scholar
Peterson, Carla. Doers of the Word: African-American Women Speakers and Writers in the North (1830–1880). Oxford University Press, 1995.Google Scholar
Ray, Angela G. The Lyceum and Public Culture in the Nineteenth-Century United States. Michigan State University Press, 2005.Google Scholar
Ray, Angela G. and Stob, Paul, eds. Thinking Together: Lecturing, Learning, and Difference in the Long Nineteenth Century. Pennsylvania State University Press, 2018.CrossRefGoogle Scholar
Wright, Tom F., ed. The Cosmopolitan Lyceum: Lecture Culture and the Globe in Nineteenth-Century America. University of Massachusetts Press, 2013.Google Scholar
Wright, Tom F. Lecturing the Atlantic: Speech, Print, and an Anglo-American Commons, 1830–1870. Oxford University Press, 2017.CrossRefGoogle Scholar
Zarefsky, David. Lincoln, Douglas, and Slavery: In the Crucible of Public Debate. University of Chicago Press, 1990.Google Scholar
Zboray, Ronald J. and Zboray, Mary Saracino. Everyday Ideas: Socioliterary Experience among Antebellum New Englanders. University of Tennessee Press, 2006.Google Scholar

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